Gobbledygeek

It is time once more to enter the gates of VAL-halla, our retrospective series on the late Hollywood icon Val Kilmer. Paul, Arlo, and Eric set their sights on what are possibly Kilmer's two best performances. First, in Oliver Stone's psychedelic biopic The Doors, Val embodies the Lizard King himself, Mr. Mojo Rising, Jim Morrison; and then, in George P.  Cosmatos'--or is that Kurt Russell's?--glossy Western Tombstone, Kilmer brings new life to Doc Holliday. The gang discusses Val's generational run in the '90s; why The Doors works when most rock biopics don't; and debate the merits of '90s Westerns. Plus, a brief sojourn into the world of Alien: Earth.   NEXT: because journalism matters, we're doing an episode all about AMC's Interview with the Vampire. Molloy hive rise up.     BREAKDOWN 00:00:39  -  Intro 00:21:00  -  The Doors 01:11:27  -  Tombstone 02:00:16  -  Outro / Next     LINKS Val Kilmer was electric as Jim Morrison in heroically ridiculous biopic The Doors by Luke Goodsell, The Guardian The D

Look up in the sky! It's a bird! It's a plane! It's James Gunn's Superman, here to launch the writer-director-studio-head's brand new (?) DC Universe. It moves faster than a speeding bullet despite having more plot than the last five Marvel movies put together–and some of those plot points hold up better to the green-K gaze of our hosts than others. Paul, Arlo, and Eric break down everything about this new big screen Man of Steel, including a perfect cast, major deviations from Superman's origin, Gunn's unabashedly political script, fuckboi Jimmy Olsen, and so much more. Maybe the film doesn't leap tall expectations in a single bound, but a movie like this has much more up (up and away) its Super-sleeve than any billionaire skinhead would expect. Plus, the gang dives deep into the sewers for a read-through of IDW's Teenage Mutant Ninja Turtles saga.   NEXT: it's time once again to enter the gates of VAL-halla, as the gang discusses two of Val Kilmer's most iconic performances, namely as Jim Morrison in Oliver

Well they can't all be winners, folks. I'm not talking about the movie. The Fantastic Four: First Steps was actually pretty great. It's the second MCU film in a row that we here at Gobbledygeek HQ agree on almost entirely, and you'll hear us say lots of nice things about it. No, the non-winner I'm referring to is this episode, because you'll actually only hear SOME nice things about it. We were plagued by audio and editing issues like they were a troupe of almost-entirely-cut-from-the-final-film Super Apes stealing every third word any of us said.   Anyway, enjoy I guess.   NEXT: a speeding bullet to the box office, or another derailed cinematic locomotive? We'll find out in James Gunn's Superman.     BREAKDOWN 00:00:00  -  Disclaimer 00:02:58  -  Intro 00:18:13  -  The Fantastic Four: First Steps 02:34:34  -  Outro / Next   MUSIC "The Fantastic Four: First Steps Main Theme" by Michael Giacchino, The Fantastic Four: First Steps (Original Motion Picture Soundtrack) (2025) "Let Us Be Devoured (Studio Versio

Our second trip to VAL-halla finds Paul, Arlo, and Eric contemplating two very different experiences of Val Kilmer’s ‘80s career: Tony Scott’s 1986 pro-war classic Top Gun and the 1988 Tolkien rip Willow, helmed by–of all people–Ron Howard. The twist is that the mega-popular Top Gun is a terrible, empty film that survives on aesthetics alone and the notorious flop Willow is a fun little high fantasy romp. The gang discusses the insidious nature of Top Gun, Val’s fleeting scenes as Iceman, the superior role of Madmartigan in Willow, and the ominous James Horner horn riff. Plus, The Sandman season 2 arrives on Netflix and Arlo went to see The Fantastic Four: First Steps.   NEXT: everybody goes to see Fantastic Four! BREAKDOWN 00:00:26  -  Intro / Banter 00:17:50  -  Top Gun 00:48:42  -  Willow 01:35:25  -  Outro / Next MUSIC “Danger Zone” by Kenny Loggins, Top Gun (1986) “Willow’s Last Journey (Madmartigan’s Farewell)” by KIMSUNGHOON, Val Kilmer Forever: A Tribute to a Hollywood Legend (2025)  

For the first time in a long time, Gobbledygeek dips its beak back into the Marvel Cinematic Universe. They’ve done so for a very special film: Jake Schreier’s Thunderbolts*, a return to the MCU’s past glories with a tale of outcasts looking for something to believe in. Yelena Belova, the Winter Soldier, U.S. Agent, Red Guardian, Ghost, and Taskmaster come together to form a new kind of Avengers team; one formed under the auspices of none other than Elaine Benes. Paul, Arlo, and Eric–our own band of lovable misfits–discuss Florence Pugh’s killer performance, the lovable David Harbour, what Thunderbolts* does differently than most recent MCU films, and much, much more.   NEXT: we enter VAL-halla for a second Val Kilmer double feature. This time, it’s 1986’s Tony Scott pro-war classic Top Gun and 1988’s Ron Howard (???) Lord of the Rings rip-off, Willow.     BREAKDOWN 00:00:27  -  Intro / Banter 00:19:43  -  Thunderbolts* 01:59:50  -  Outro / Next   LINKS ‘Thunderbolts*’: Marvel’s Allegory of Recovery From T

The rich tradition of Southern-fried vampires continues with Ryan Coogler’s Sinners, a masterful mash-up of Delta blues, Irish folk, and the horrors of cultural appropriation. Paul, Arlo, and Eric rave about Michael B. Jordan’s dual performance as twin gangsters Smoke and Stack, Ludwig Göransson’s eclectic score, the frankness with which it explores America’s long history of racism, and Coogler’s audacious style. Plus, Paul finally saw the How to Train Your Dragon live-action remake.   NEXT: punches get personal with Thunderbolts*. BREAKDOWN 00:00:37  -  Intro / Banter 00:21:18  -  Sinners 02:12:22  -  Outro / Next LINKS ‘Sinners’ Is More Than Enough To Chew On by Adam Nayman, The Ringer ‘Sinners’ Opens Portals Between Blues, Rap, Heaven and Hell by Sheldon Pearce, NPR By Refusing To Do a ‘Sinners’ Sequel, Ryan Coogler Is Protecting Everything We Love About His Horror Masterpiece by Jessica Toomer, Collider MUSIC “I Lied to You” by Miles Caton, Sinners (Original Motion Picture Soundtrack) (2

Would you like us to tell you the little story of Arlo and Paul? A-R-L-O! It was with this pretentious film buff that a That Was Then episode on Charles Laughton’s sole directorial feature, 1955’s The Night of the Hunter, was chosen. P-A-U-L! Do you think he’s apt to enjoy a cinephile fave? Now listen, and we’ll tell you the story of Gobbledygeek. Those co-hosts, dear hearts, is always a-disagreein’ and a-bickerin’, one agin t’other. Now hear ‘em! Ol’ Paul, he’s a-doubtin’ the perverse noir his buddy won’t shut up about it, and it looks like Arlo’s rec is a goner. But wait a minute! With Robert Mitchum’s towering and ridiculous performance as a murderous preacher, Arlo’s a-winnin’! Yessirree, it’s Arlo’s love of Looney Tunes gothic horror that’s won, and ol’ Paul has found something to admire in one more cinematic classic!   NEXT: it’s gonna be a hot time at the Smokestack twins’ juke in Ryan Coogler’s vampire musical Sinners. BREAKDOWN 00:00:35  -  Intro / The Year That Was… 00:31:23  -  The Night of the H

We’re going back…to That Was Then! Paul, Arlo, and Eric return to their series of vintage movie discussions to celebrate the 40th anniversary of Robert Zemeckis’ 1985 sci-fi comedy blockbuster Back to the Future. It’s a classic beloved by many folks of different generations, but we’re here to answer that most pressing question: Why? The gang unravels every last nonsensical thread of BTTF, finding plenty to love despite how fuzzy everything is beneath the film’s surface. There’s admiration for Zemeckis’ ability to power through even the dumbest plot convolutions, praise for the dynamite chemistry between Michael J. Fox and Christopher Lloyd, confusion about Zemeckis and co-writer Bob Gale’s attitudes toward race and sex, and so very much more.   NEXT: Gobbledygeek will return.     BREAKDOWN 00:00:38  -  Intro  00:03:08  -  That Was Then: 1985 00:28:10  -  Back to the Future 01:55:46  -  Outro / Next   MUSIC “The Power of Love” by Huey Lewis & The News, Back to the Future: Music from the Motion Picture So

For this month’s (not that we’re on any kind of schedule anymore, hehe) Four-Color Flashback, Paul, Arlo, and Eric are scurrying over to the first three volumes of David Petersen’s Mouse Guard. Published from 2006-13 by BOOM! Studios, Petersen’s medieval epic takes place in a world devoid of humans, where a civilization of mice attempt to survive harsh weather, even harsher predators, and each other. The gang discusses the many, gloriously illustrated sequences of absolutely brutal animal-on-animal violence; Petersen’s awe-inspiring attention to detail, including a number of songs and poems that enrich the culture of his world; and Paul’s newfound obsession with the series and its many ancillary offshoots.   NEXT: we’re going back…to That Was Then! We’re celebrating the 40th anniversary of Robert Zemeckis’ classic blockbuster Back to the Future.     BREAKDOWN 00:00:48  -  Intro / Banter 00:28:13  -  Mouse Guard 01:41:54  -  Outro / Next   LINKS David Petersen’s Mouse Guard “Creator Commentary” videos   MU

We lost one of our legendary screen stars earlier this year, so now we’re passing through the gates of VAL-halla to celebrate some of his most notable films. That’s right, this is the first in an occasional series of double features focused on the work of none other than the elusive, enigmatic Val Kilmer. To kick things off, Paul, Arlo, and Eric are going back to the very beginning. Kilmer got his big screen start in a Zucker-Abraham-Zucker laff riot, 1984’s Top Secret!; with the benefit of hindsight, it’s clear that Val wasn’t a good fit for the ZAZ machine, and the gang tells us why. Faring much better is Martha Coolidge’s 1985 cult college classic Real Genius, which avoids the pitfalls of the era’s other slobs v. snobs comedies with real heart and–of course–a terrific lead performance from Kilmer. Where are he (and we) going next? Stay tuned! Plus, Eric sings the praises of synthpop artist Lights’ new album A6.   NEXT: Four-Color Flashback gets mice-eval on your heinie with David Petersen’s rodent epic Mou

Dear telefriends! Get ready to transcend this earthly plane, as Paul, Arlo, and Eric encounter a universe of concrete birds, homeo-whores, and techno-techno equipment for the latest Four-Color Flashback. The gang gets high (some of them too high) on Alejandro Jodorowsky and Mœbius’ sci-fantasy The Incal, a far-out trip to a new state of being. What starts as a noir riff quickly becomes a galaxy-spanning, head-spinning epic. Topics of discussion include the Lee/Kirby-esque dynamic between Jodo and Mœbius, each page’s intricate color design, what an asshole Detective John Difool is, whether or not any of this makes any sense (or if it needs to!), and much more.   NEXT: prepare to enter Val-halla. We begin our series of Val Kilmer double features with two of his first films, 1984’s Top Secret! and 1985’s Real Genius.     BREAKDOWN 00:00:45  -  Intro / Banter 00:30:12  -  The Incal 01:20:51  -  [Paul got too high] 01:41:08  -  Outro / Next   MUSIC “Because I Got High” by Afroman, Because I Got High (2000) “To

Something passed between them: the faintest hint of a common destiny. Does this describe Paul and Arlo’s first meeting, or the first time Farmer Hoggett sets eyes on the piglet known as Babe? What’s the difference? For a new That Was Then, the boys are joined by perennial guest Eric Sipple to discuss Chris Noonan’s 1995 film Babe. Celebrating its 30th anniversary this year, the unlikely Best Picture nominee set a new standard for animal VFX and influenced a generation of vegetarians and vegans. The gang discusses the film’s surprising macabre side, its view of destiny, how it compares to Orwell’s Animal Farm, the contentious relationship between Noonan and co-writer/producer/shadow director (?) George Miller, and much more.   NEXT: drop some acid, find your spiritual center, and join us for a Four-Color Flashback exploring the first three volumes of Alejandro Jodorowsky & Mœbius’ The Incal.     BREAKDOWN 00:01:22  -  Intro / Banter 00:03:38  -  That Was Then: 1995 00:24:20  -  Babe 01:47:28  -  Outro / Ne

Just when you thought it was safe to go back in the water, it’s time for another nautical That Was Then. Celebrating its 50th anniversary this year is none other than Steven Spielberg’s Jaws, a landmark moment in American film that permanently changed the shape of the industry, for better or for worse. It can be tough to view such a classic as a piece of craft unto its own, but Paul, Arlo, and super-duper special guest Eric Sipple do their best. The gang recounts the film’s storied production, examines a young Spielberg’s filmmaking technique, discusses Jaws’ place in the Spielberg canon (particularly in light of The Fabelmans), and much more.   NEXT: That Was Then…this is sow. Paul, Arlo, and Eric head on down to the farm for a look at Chris Noonan’s 1995 Best Picture nominee Babe.     BREAKDOWN 00:00:43  -  Intro / Banter 00:19:02  -  That Was Then: 1975 00:32:00  -  Jaws 01:55:00  -  Outro / Next   MUSIC “Jaws (Main Title)” by John Williams, Jaws (1975) “Nightswimming” by R.E.M., Automatic For The Peop

Pop open a can of spinach and set sail for the far-off year of 1980, when noted auteur Robert Altman had his crew build an entire functioning town so they could shoot a Popeye movie. This unassuming comic strip adaptation represents the collision of the New Hollywood movement and the old studio system, both in their waning days; neither would survive “Stalag Altman,” as star Robin Williams coined it. Paul and Arlo are delighted by the end result, an improvisational-seeming ensemble picture in the Altman vein that also features cartoon gags, characters bursting into songs penned by Harry Nilsson, and a giant octopus. The boys discuss why the movie is so much better than its reputation suggests, Robin Williams’ and Shelly Duvall’s underappreciated performances, the surprisingly moving throughline of fatherhood, and so much more. Plus, a whole bunch of trailers for Marvel’s Thunderbolts*, the new season of animated sci-fi anthology Love Death + Robots, the animated Predator movie Killer of Killers, and Wes Ander

Here we go, here we go, here we go again: another Spider-Man adaptation? Don’t get your webs in a tizzy, True Believers, because this one is really worth it. Your Friendly Neighborhood Spider-Man, the new animated series created by Jeff Trammell, imagines a branch of the Marvel Cinematic Universe where Peter Parker was never supposed to be bitten by that genetically altered spider–until he was. Cue wacky high school shenanigans, as a number of key changes from the comics and other shows/movies cause that butterfly effect to start flappin’ its wings. Paul, Arlo, and forever guest Eric Sipple discuss how Trammell and company capture the spirit of the early Ditko/Lee comics, praise the vibrant animation, consider whether these iterations of the Osbornes are definitive, and much more. Plus, the gang pays tribute to Val Kilmer, there are new teasers for Star Wars: Tales of the Underworld and Superman, Arlo’s been reading some more of the Kirby/Lee Fantastic Four, and Jonathan Hickman’s Ultimate Spider-Man is the b

It’s a reunion at the end of the world as Eric Sipple joins Paul and Arlo for the latest Four-Color Flashback. Paul has invited everyone to The Nice House on the Lake, James Tynion IV and Álvaro Martínez Bueno’s 2021-22 DC Black Label series about a group of old friends who have been sequestered from the apocalypse by their alien BFF. The gang discusses the way Tynion captures the feeling of being that friend who only has one other friend in the group, how Bueno uses his naturalistic and painterly style to evoke real horror, what the book says about what it takes to keep a group of adult humans from destroying each other, and much more. Plus, a whole bunch of casting announcements for Avengers: Doomsday and a trailer for Paul Thomas Anderson’s One Battle After Another.   NEXT: Spider-Man, Spider-Man, does whatever a spider can, like starring in the new Disney Plus animated series Your Friendly Neighborhood Spider-Man.     BREAKDOWN 00:00:44  -  Intro / Guest 00:26:51  -  The Nice House on the Lake 02:11:10  -

We’re seeing triple on a new Geek Challenge featuring a duet of trios: first we’ve got John Landis’ notorious flop Three Amigos from 1986, then Robert Altman’s dreamy art film 3 Women from 1977. Paul and Arlo debate whether or not Three Amigos deserves its reputation, puzzle over the inscrutability of 3 Women, and compare the two films’ respective turns into surrealism. Plus, Arlo’s back in the Cage with a series of ‘90s action classics.   NEXT: three, two, one…who knows?     BREAKDOWN 00:00:30  -  Intro 00:21:43  -  Three Amigos! 00:48:39  -  3 Women 01:29:44  -  Outro / Next   LINKS ‘Three Amigos’ Revisited: Still Charming and Singularly Strange at 30” by Vince Mancini, Uproxx “Altman Had a Dream…” by Roger Ebert, rogerebert.com   MUSIC “Three Is A Magic Number” by Bob Dorough, Schoolhouse Rock (1973) “The Magic Number” by De La Soul, 3 Feet High and Rising (1989)   GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Abortion Funds in Every State: http

With How to Train Your Dragon, Chris Sanders taught us about human-dragon friendship. And now, with The Wild Robot, he shows us what happens when technology becomes stranded in the wilderness: a robot named Rozz learns to have a mother’s love for a gosling named Brightbill. Paul, Arlo, and forever-guest Eric Sipple discuss how the film merges its natural and sci-fi elements, Sanders’ evolution as a filmmaker, the stunning voice performance of Lupita Nyong’o, and what the movie says about parenthood. Plus, Paul gets Born Again with Daredevil and all the celebrities are dying.   NEXT: three is the magic number in a Geek Challenge featuring John Landis’ 1986 flop Three Amigos and Robert Altman’s obscure 1977 head trip 3 Women.     BREAKDOWN 00:00:39  -  Intro / Guest 00:35:00  -  The Wild Robot 02:01:00  -  Outro / Next   MUSIC “Wild Wild Life” by Talking Heads, True Stories (1986) “Mr. Roboto” by Styx, Kilroy Was Here (1983)   GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicideprevention

Does a bear kill in the woods? That’s the question Patrick Horvath sets out to answer in his “Richard Scarry meets Dexter” opus Beneath the Trees Where Nobody Sees, the subject of this year’s very first Four-Color Flashback. The 2024 IDW series takes place in an idyllic world of anthropomorphic animals where not all is as it seems–the local hardware store owner, Samantha Strong, has a nasty habit of heading out to the city and slaughtering random passersby. That is, until another serial killer comes to her small town of Woodbrook, threatening the life she has carefully maintained for decades. Paul, Arlo, and Special Guest™ Eric Sipple discuss Horvath’s deceptively simple cartooning, his brilliant use of panel layouts, the limits of the book’s suburban satire, Hassane Otsmane-Elhaou’s visionary lettering, and so much more. Plus, Arlo raves about Best Picture nominee Nickel Boys.   NEXT: we’ll be back, someway, somehow.   BREAKDOWN 00:00:28  -  Intro / Guest 00:02:48  -  Banter and generally wasting time 00:08:

And we’re back. Just like that, in the blink of an eye–or, depending on your perspective, what felt like several eternities–six months have passed since the last episode of Gobbledygeek. What happened? Where were we? Paul, Arlo, and third Gobbler Eric Sipple attempt to answer these questions on our season 16 premiere. Along the way, we eulogize master filmmaker David Lynch, discussing what made his Midwest surrealism so unique and why the “Lynchian” descriptor so often fails to capture his genius. We also run down a list of some of our favorite pop culture from last year, including I Saw the TV Glow (there’s some disagreement), The Substance (ditto), Star Wars: Skeleton Crew, Beneath the Trees Where Nobody Sees, and much, much more.   NEXT: a big fat TBD.     MUSIC “Mairzy Doats” by Ray Wise “Falling” by Julee Cruise, Twin Peaks (1990)     GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Abortion Funds in Every State: https://bit.ly/AbortionFundsTwitter S