In Our Time

To celebrate Melvyn Bragg’s 27 years presenting In Our Time, five well-known fans of the programme have chosen their favourite episodes. Comedian Frank Skinner has picked the episode on the life and work of the poet Emily Dickinson and recorded an introduction to it. (This introduction will be available on BBC Sounds and the In Our Time webpage shortly after the broadcast and will be longer than the version broadcast on Radio 4). Emily Dickinson was arguably the most startling and original poet in America in the C19th. According to Thomas Wentworth Higginson, her correspondent and mentor, writing 15 years after her death, "Few events in American literary history have been more curious than the sudden rise of Emily Dickinson into a posthumous fame only more accentuated by the utterly recluse character of her life and by her aversion to even a literary publicity." That was in 1891 and, as more of Dickinson's poems were published, and more of her remaining letters, the more the interest in her and appreciation o

To celebrate Melvyn Bragg’s 27 years presenting In Our Time, some well-known fans of the programme have chosen their favourite episodes. Historian and broadcaster Simon Schama has selected the episode on Shakespeare’s Sonnets and recorded an introduction to it. (This introduction will be available on BBC Sounds and the In Our Time webpage shortly after the broadcast and will be longer than the one broadcast on Radio 4). In 1609 Thomas Thorpe published a collection of poems entitled Shakespeare’s Sonnets, “never before imprinted”. Yet, while some of Shakespeare's other poems and many of his plays were often reprinted in his lifetime, the Sonnets were not a publishing success. They had to make their own way, outside the main canon of Shakespeare’s work: wonderful, troubling, patchy, inspiring and baffling, and they have appealed in different ways to different times. Most are addressed to a man, something often overlooked and occasionally concealed; one early and notorious edition even changed some of the pronou

To celebrate Melvyn Bragg’s 27 years presenting In Our Time, five well-known fans of the programme have chosen their favourite episodes. Author and columnist Caitlin Moran has picked the episode on the English medieval mystic Margery Kempe and recorded an introduction to it. Margery Kempe (1373-1438) produced an account of her extraordinary life in a book she dictated, "The Book of Margery Kempe." She went on pilgrimage to Jerusalem, to Rome and Santiago de Compostela, purchasing indulgences on her way, met with the anchoress Julian of Norwich and is honoured by the Church of England each 9th November. She sometimes doubted the authenticity of her mystical conversations with God, as did the authorities who saw her devotional sobbing, wailing and convulsions as a sign of insanity and dissoluteness. Her Book was lost for centuries, before emerging in a private library in 1934.This In Our Time episode was first broadcast in June 2016. The image (above), of an unknown woman, comes from a pew at Margery Kempe's pa

To celebrate Melvyn Bragg’s 27 years presenting In Our Time, five well-known fans of the programme have chosen their favourite episodes. Guy Garvey, lyricist and lead singer of the band Elbow, has selected the episode on eclipses, first broadcast in December 2020. Solar eclipses are some of life’s most extraordinary moments, when day becomes night and the stars come out before day returns either all too soon or not soon enough, depending on what you understand to be happening. In ancient China, for example, there was a story that a dragon was eating the sun and it had to be scared away by banging pots and pans if the sun were to return. Total lunar eclipses are more frequent and last longer, with a blood moon coloured red like a sunrise or sunset. Both events have created the chance for scientists to learn something remarkable, from the speed of light, to the width of the Atlantic, to the roundness of the Earth, to discovering helium and proving Einstein’s Theory of General Relativity. With Carolin Crawford P

Melvyn Bragg and guests discuss the idea that Civility, in one of its meanings, is among the most valuable social virtues: the skill to discuss topics that really matter to you, with someone who disagrees and yet somehow still get along. In another of its meanings, when Civility describes the limits of behaviour that is acceptable, the idea can reflect society at its worst: when only those deemed 'civil enough' are allowed their rights, their equality and even their humanity. Between these extremes, Civility is a slippery idea that has fascinated philosophers especially since the Reformation, when competing ideas on how to gain salvation seemed to make it impossible to disagree and remain civil.With Teresa Bejan Professor of Political Theory at Oriel College, University of OxfordPhil Withington Professor of History at the University of SheffieldAnd John Gallagher Associate Professor of Early Modern History at the University of LeedsProducer: Simon TillotsonReading list: Teresa M. Bejan, Mere Civility: Disagre

Melvyn Bragg and guests explore dragons, literally and symbolically potent creatures that have appeared in many different guises in countries and cultures around the world. Sometimes compared to snakes, alligators, lions and even dinosaurs, dragons have appeared on clay tablets in ancient Mesopotamia, in the Chinese zodiac, in the guise of the devil in Christian religious texts and in the national symbolism of the countries of England and Wales. They are often portrayed as terrifying but sometimes appear as sacred and even benign creatures, and they continue to populate our cultural fantasies through blockbuster films, TV series and children’s books. With:Kelsey Granger, Post Doctoral Researcher in Chinese History at the University of EdinburghDaniel Ogden, Professor of Ancient History at the University of ExeterAnd Juliette Wood, Associate Lecturer in the School of Welsh at the University of Wales. Producer: Eliane GlaserReading list:Paul Acker and Carolyne Larrington (eds.), Revisiting the Poetic Edda: E

Melvyn Bragg and guests discuss John Barbour's epic poem The Brus, or Bruce, which he wrote c1375. The Brus is the earliest surviving poem in Older Scots and the only source of many of the stories of King Robert I of Scotland (1274-1329), popularly known as Robert the Bruce, and his victory over the English at Bannockburn in 1314. In almost 14,000 lines of rhyming couplets, Barbour distilled the aspects of the Bruce’s history most relevant for his own time under Robert II (1316-1390), the Bruce's grandson and the first of the Stewart kings, when the mood was for a new war against England after decades of military disasters. Barbour’s battle scenes are meant to stir in the name of freedom, and the effect of the whole is to assert Scotland as the rightful equal of any power in Europe.WithRhiannon Purdie Professor of English and Older Scots at the University of St AndrewsSteve Boardman Professor of Medieval Scottish History at the University of EdinburghAndMichael Brown Professor of Scottish History at the Univ

Melvyn Bragg and guests discuss the evolution of lungs and of the first breaths, which can be traced back 400 million years to when animal life spread from rock pools and swamps onto land, as some fish found an evolutionary advantage in getting their oxygen from air rather than water. Breathing with lungs may have started with fish filling their mouths with air and forcing it down into sacs in their chests, like the buccal pumping that frogs do now, and slowly their swimming muscles adapted to work their lungs like bellows. While lungs developed in different ways, there are astonishing continuities: for example, the distinct breathing system that helps tiny birds fly thousands of miles now is also the one that once allowed some dinosaurs to become huge; our hiccups are vestiges of the flight reaction in fish needing more oxygen; and we still breathe through our skins, just not enough to meet our needs.With:Steve Brusatte Professor of Palaeontology and Evolution at the University of EdinburghEmily Rayfield Pro

In 1897, Gustav Klimt led a group of radical artists to break free from the cultural establishment of Vienna and found a movement that became known as the Vienna Secession. In the vibrant atmosphere of coffee houses, Freudian psychoanalysis and the music of Wagner and Mahler, the Secession sought to bring together fine art and music with applied arts such as architecture and design. The movement was characterized by Klimt’s stylised paintings, richly decorated with gold leaf, and the art nouveau buildings that began to appear in the city, most notably the Secession Building, which housed influential exhibitions of avant-garde art and was a prototype of the modern art gallery. The Secessionists themselves were pioneers in their philosophy and way of life, aiming to immerse audiences in unified artistic experiences that brought together visual arts, design, and architecture. With:Mark Berry, Professor of Music and Intellectual History at Royal Holloway, University of LondonLeslie Topp, Professor Emerita in Hi

Ever since Franz Anton Mesmer induced trance-like states in his Parisian subjects in the late eighteenth century, dressed in long purple robes, hypnosis has been associated with performance, power and the occult.  It has exerted a powerful hold over the cultural imagination, featuring in novels and films including Bram Stoker’s Dracula and George du Maurier’s Trilby - and it was even practiced by Charles Dickens himself.But despite some debate within the medical establishment about the scientific validity of hypnosis, it continues to be used today as a successful treatment for physical and psychological conditions. Scientists are also using hypnosis to learn more about the power of suggestion and belief. With: Catherine Wynne, Reader in Victorian and Early Twentieth-Century Literature and Visual Cultures at the University of HullDevin Terhune, Reader in Experimental Psychology at King’s College LondonAndQuinton Deeley, Consultant Neuropsychiatrist at the South London and Maudsley NHS Foundation Trust, and S

Melvyn Bragg and guests discuss the life and role of one of the most significant figures in early 20th Century German history. Paul von Hindenburg (1847-1934) had been famous since 1914 as the victorious commander at the Battle of Tannenberg against Russian invaders, soon burnishing this fame on the Western Front and Hindenburg was to claim he would have won there too, if enemies at home had not 'stabbed Germany in the back'. He won Germany’s Presidential election twice during the Weimar Republic, as a candidate of national unity and, while he gained his second term as a ‘stop Hitler’ candidate, President Hindenburg was to appoint Hitler as Chancellor and transfer some of his charisma onto him – a move so disastrous that Germans were later to ask if the myth of Hindenburg had always been an illusion. WithAnna von der Goltz Professor of History at Georgetown University, Washington DCChris Clark Regius Professor of History at the University of CambridgeAndColin Storer Associate Professor in Modern European His

In 1710, the British Parliament passed a piece of legislation entitled An Act for the Encouragement of Learning. It became known as the Statute of Anne, and it was the world’s first copyright law. Copyright protects and regulates a piece of work - whether that's a book, a painting, a piece of music or a software programme. It emerged as a way of balancing the interests of authors, artists, publishers, and the public in the context of evolving technologies and the rise of mechanical reproduction. Writers and artists such as Alexander Pope, William Hogarth and Charles Dickens became involved in heated debates about ownership and originality that continue to this day - especially with the emergence of artificial intelligence. With:Lionel Bently, Herchel Smith Professor of Intellectual Property Law at the University of CambridgeWill Slauter, Professor of History at Sorbonne University, ParisKatie McGettigan, Senior Lecturer in American Literature at Royal Holloway, University of London. Producer: Eliane

Melvyn Bragg and guests discuss the decisive role of one of the great 20th Century physicists in solving the question of nuclear fission. It is said that Meitner (1878-1968) made this breakthrough over Christmas 1938 while she was sitting on a log in Sweden during a snowy walk with her nephew Otto Frisch (1904-79). Both were Jewish-Austrian refugees who had only recently escaped from Nazi Germany. Others had already broken uranium into the smaller atom barium, but could not explain what they found; was the larger atom bursting, or the smaller atom being chipped off or was something else happening? They turned to Meitner. She, with Frisch, deduced the nucleus really was splitting like a drop of water into a dumbbell shape, with the electrical charges at each end forcing the divide, something previously thought impossible, and they named this ‘fission’. This was a crucial breakthrough for which Meitner was eventually widely recognised if not at first.WithJess Wade A Royal Society University Research Fellow

Melvyn Bragg and guests discuss Korea's brief but significant period as an empire as it moved from the 500-year-old dynastic Joseon monarchy towards modernity. It was in October 1897 that King Gojong declared himself Emperor, seizing his chance when the once-dominant China lost to Japan in the First Sino-Japanese War. The king wanted to have the same status as the neighbouring Russian, Chinese and Japanese Emperors, to shore up a bid for Korean independence and sovereignty when the world’s major powers either wanted to open Korea up to trade or to colonise it. The Korean Empire lasted only thirteen years, yet it was a time of great transformation for this state and the whole region with lasting consequences in the next century…With Nuri Kim Associate Professor in Korean Studies at the faculty of Asian and Middle Eastern Studies at the University of Cambridge and Fellow of Wolfson CollegeHolly Stephens Lecturer in Japanese and Korean Studies at the University of EdinburghAnd Derek Kramer Lecturer in Korean St

Melvyn Bragg and guests discuss one of the great figures in world literature. The French playwright Molière (1622-1673) began as an actor, aiming to be a tragedian, but he was stronger in comedy, touring with a troupe for 13 years until Louis XIV summoned him to audition at the Louvre and gave him his break. It was in Paris and at Versailles that Molière wrote and performed his best known plays, among them Tartuffe, Le Misanthrope and Le Malade Imaginaire, and in time he was so celebrated that French became known as The Language of Molière.With Noel Peacock Emeritus Marshall Professor in French Language and Literature at the University of GlasgowJan Clarke Professor of French at Durham UniversityAnd Joe Harris Professor of Early Modern French and Comparative Literature at Royal Holloway, University of LondonProducer: Simon TillotsonReading list:David Bradby and Andrew Calder (eds.), The Cambridge Companion to Molière (Cambridge University Press, 2006)Jan Clarke (ed.), Molière in Context (Cambridge University

Melvyn Bragg and guests explore typology, a method of biblical interpretation that aims to meaningfully link people, places, and events in the Hebrew Bible, what Christians call the Old Testament, with the coming of Christ in the New Testament. Old Testament figures like Moses, Jonah, and King David were regarded by Christians as being ‘types’ or symbols of Jesus. This way of thinking became hugely popular in medieval Europe, Renaissance England and Victorian Britain, as Christians sought to make sense of their Jewish inheritance - sometimes rejecting that inheritance with antisemitic fervour. It was a way of seeing human history as part of a divine plan, with ancient events prefiguring more modern ones, and it influenced debates about the relationship between metaphor and reality in the bible, in literature, and in art. It also influenced attitudes towards reality, time and history. WithMiri Rubin, Professor of Medieval and Early Modern History at Queen Mary, University of LondonHarry Spillane, Munby Fell

Melvyn Bragg and guests discuss one of the best known events and figures in Irish history. In 1014 Brian Boru, High King of Ireland, defeated the Hiberno-Norse forces of Sigtrygg Silkbeard and allies near their Dublin stronghold, with Brian losing his life on the day of battle. Soon chroniclers in Ireland and abroad were recording and retelling the events, raising the status of Brian Boru as one who sacrificed himself for Ireland, Christ-like, a connection reinforced by the battle taking place on Good Friday. While some of the facts are contested, the Battle of Clontarf became a powerful symbol of what a united Ireland could achieve by force against invaders.WithSeán Duffy Professor of Medieval Irish and Insular History at Trinity College DublinMáire Ní Mhaonaigh Professor of Celtic and Medieval Studies at the University of Cambridge and a Fellow of St John’s College, CambridgeAnd Alex Woolf Professor of Medieval Studies at the University of St AndrewsProducer: Simon TillotsonReading list:Howard B. Clarke,

Melvyn Bragg and guests discuss the brothers Tiberius and Gaius Gracchus whose names are entwined with the end of Rome's Republic and the rise of the Roman Emperors. As tribunes, they brought popular reforms to the Roman Republic at the end of the 2nd century BC. Tiberius (c163-133BC) brought in land reform so every soldier could have his farm, while Gaius (c154-121BC) offered cheap grain for Romans and targeted corruption among the elites. Those elites saw the reforms as such a threat that they had the brothers killed: Tiberius in a shocking murder led by the Pontifex Maximus, the high priest, in 133BC and Gaius 12 years later with the senate's approval. This increase in political violence was to destabilise the Republic, forever tying the Gracchi to the question of why Rome’s Republic gave way to the Rome of Emperors.WithCatherine Steel Professor of Classics at the University of GlasgowFederico Santangelo Professor of Ancient History at Newcastle UniversityAndKathryn Tempest Lecturer in Roman History at the

Melvyn Bragg and guests discuss the French philosopher Maurice Merleau-Ponty (1908-1961), who was part of the movement known as phenomenology. While less well-known than his contemporaries Jean-Paul Sartre and Simone de Beauvoir, his popularity has increased among philosophers in recent years. Merleau-Ponty rejected Rene Descartes’ division between body and mind, arguing that the way we perceive the world around us cannot be separated from our experience of inhabiting a physical body. Merleau-Ponty was interested in the down-to-earth question of what it is actually like to live in the world. While performing actions as simple as brushing our teeth or patting a dog, we shape the world and, in turn, the world shapes us. With Komarine Romdenh-Romluc Senior Lecturer in Philosophy at the University of SheffieldThomas Baldwin Emeritus Professor of Philosophy at the University of YorkAnd Timothy Mooney Associate Professor of Philosophy at University College, DublinProduced by Eliane GlaserReading list:Peter Antich

Melvyn Bragg and guests discuss one of the most energetic, varied and innovative playwrights of his time. Thomas Middleton (1580-1627) worked across the London stages both alone and with others from Dekker and Rowley to Shakespeare and more. Middleton’s range included raucous city comedies such as A Chaste Maid in Cheapside and chilling revenge tragedies like The Changeling and The Revenger’s Tragedy, some with the main adult companies and some with child actors playing the scheming adults. Middleton seemed to be everywhere on the Jacobean stage, mixing warmth and cruelty amid laughter and horror, and even Macbeth’s witches may be substantially his work.WithEmma Smith Professor of Shakespeare Studies at Hertford College, University of OxfordLucy Munro Professor of Shakespeare and Early Modern Literature at Kings College LondonAnd Michelle O’Callaghan Professor of Early Modern Literature at the University of ReadingProducer: Simon TillotsonReading list:Swapan Chakravorty, Society and Politics in the Plays of