No Plus Ones

WE'RE BACK! After taking most of the year off to focus on our other podcast, Shore Thing: A Podcast About Pauly Shore, we've decided it's time to get back to No Plus Ones. We catch up, talk about what we did during our time off, and all the shitty old punks who continue to be colossal disappointments. 

In this episode, we do a deep-dive on Tom DeLonge and his history with aliens. We cover it all, that blink-182 song about aliens, his books we haven't read, the new academy of arts and sciences. This one is for the conspiracy theorists.  We also make an announcement about the podcast itself. Meta. 

You've heard from the experts, now listen to two blowhards talk about the other records that came out this year. We talk about everything we liked and some things we disliked. So if you're in need of a podcast that sees two fools talking about everything from The Menzingers and Rancid to LCD Soundsystem and Eminem, this one's for you. 

Jamie Coletta is a publicist to the stars and the person behind all your favorite bands at SideOneDummy. We had her come on to explain what it means for a band to get their record on a year-end list, and we also chat about some of her favorite releases this year. 

This week, we welcome the great writer Emma Garland onto the show to talk about Lil Peep, Charly Bliss, Sheer Mag, and plenty of other things. We also discuss a hot new podcast idea because, boy, we just love to podcast. 

You know him, you love him, he's Jeremy Bolm of Touche Amore, Hesitation Wounds, and Secret Voice records. This week, we're talking about some of our favorite heavy records, as well as a few lighter ones for good measure. 

As we begin the march toward year-end content, we're talking about Albums of the Year with esteemed guests who have unique takes on that subject. This week, we're joined by Steven Hyden of Uproxx, the Celebration Rock podcast, and the book You're Favorite Band is Killing Me. We talk about big rock records, the runaway hits, and plenty more. 

We're back with, believe it or not, some good news this week. Spencer Ackerman, the national security reporter for the Daily Beast, joins us to talk about a couple small political victories. In Virginia, Danica Roem, a trans woman and vocalist for the metal band Cab Ride Home, beat her opponent handily, and in Brooklyn, Justin Brannan of Indecision and Most Precious Blood became a city councilman. Join us as we talk politics, like that other podcast with the chapstick or whatever. 

Heading to Gainesville this weekend for The Fest? Well, we aren't, but we figured you'd want to hear our advice about who to see based on name alone. We also talk about clowns a fair deal, as is customary. 

[extremely youth of today voice] WE'RE BACK Dan's been teasing this article David wrote for a while so we talk about it. This is the Jud Jud episode. (We also talk about Dave Coulier a lot because we have questions, okay?)

Dan and David went to Riot Fest and, being such huge celebrities, were treated, not just to the VIP experience, but the VVIP experience. This episode features interviews with other celebs, such as Brendan Kelly and Chris McCaughan of The Lawrence Arms, Evan Weiss of Into It. Over It. and Pet Symmetry, Vanessa Burt of Fat Wreck Chords, Sue Werner of War on Women, David Kelling of Culture Abuse, Toby Jeg and Daisy Dempsey of Red Scare Records, and Seton O'Connor of the Dan Patrick Show. We also talk about the Jawbreaker reunion, Prophets of Rage, and being such famous celebs. 

Crime podcasts are all the rage so Dan and David get in on that action. They talk about shoplifting, the guy from Quicksand getting arrested for shoplifting, and Riot Fest. CRIME!

This week, Mikey Erg explains why Norm Macdonald is his favorite comedian of all time. We talk about our favorite Norm bits, Norm's weird memoir, and the movie Dirty Work. 

After a week where we got really upset about Taylor Swift we decided to cool down and invite our friend Jordan Hudkins of the rock 'n' roll band Rozwell Kid on the podcast. Not only that, we let him pick the topic. And, surprising no one, he picked breakfast. We rank the breakfast chains, talks about bagels, and learn how dumb old Dan Ozzi got food poisoning. 

Listen, we didn't want to have to do this. But here we are, talking about Taylor Swift's new song "Look What You Made Me Do," the press cycle for her new album Reputation, and the many pointless feuds she's had (Kanye West, Katy Perry, probably someone else). Is Taylor basically Donald Trump for the music world? Listen to find out.  We also get really frustrated the end and just talking about good things we like. So it's not all bad, I guess. 

To Dan's eternal confusion, David flew to San Francisco to see the band Jawbreaker play. We talk about that, the movie Jawbreaker, and lots of other movies because this is a film podcast now. If you've been looking for a podcast where people half-heartedly argue about Jawbreaker's best album, this one's for you.

On this week's episode, Dan and David talk with Shawna Potter, the lead singer of War On Women. This summer, the band headed out on the Warped Tour to spread their message, and we caught up with her to hear how that went, what she thinks of the Warped Tour, and what purpose it serves in 2017. 

No one loves memes like Annalise Domenighini, so we had her on the podcast to explain the greatest meme of them all: Smash Mouth's "All Star." THE INTERNET!

In this episode, Dan and David discuss the topic on the minds of approximately four people: Track premieres. What value is there to have songs premiered on various websites, does anyone actually like them or is it just a marketing ploy? We talk about that, what we enjoy about music writing, and read some quotes from an interview with Coolio. 

Gary Suarez is a writer for Forbes, Noisey, Vinyl My Please, and many other places. He's got a rich knowledge of everything from hip-hop to metal, and he knows the intricacies of the music business more than most writers. Here, he talks to Dan and David about the internet, the lack of negative criticism, and what good has come of all the changes in music journalism over the past few years.