Dissecting Dragons

It's been a while since the dragons have done a 'fairy tales in focus' episode so this week Jules and Madeleine take a dive into the origins, inspiration and socio-political interpretations of 'The Little Mermaid'. Written in the early nineteenth century by Danish author Hans Christian Anderson, the story cannot boast the long history of other popular fairy stories. It's also devoid of the usual happy ending and the substitute for happily ever after is oddly unsatisfying and eerie. However, it still became one of the most beloved fairy tales of all time. Why is that and what was Anderson really saying? What folktales influenced his work? And are any of the literary interpretations close to the mark? Find out in this week's episode.   Title music: Ecstasy by Smiling Cynic

Hard science fiction has been a recognised term since the 1950s. Hard fantasy is comparatively more recent as a definition but is certainly something which is being applied now to fantasy with a highly logical world, heavy political threads or more challenging storylines. However, there are cons as well as pros to narrowing the field genre wise, and a certain amount of intellectual or literary snobbery creeps in. So what does the qualifier 'hard' mean in reference to sff? What qualities qualify a book for the term? And what are the drawbacks? This week Jules and Madeleine dive into the subject with examples such as The Masquerade series by Seth Dickenson, Dune by Frank Herbert and many more.   Title music: Ecstasy by Smiling Cynic

There are few things more annoying to a reader than being cheated by the author - whether intentionally or not. One of the most annoying forms of this is the cliffhanger. Originally a device which accidentally emerged from serialised Victorian fiction, it turned into a way of manipulating the audience into buying the next book or watching the next episode. This week, Jules and Madeleine discuss the various types of cliffhangers used in speculative fiction and address why most of the time, using any sort of cliffhanger is a bad choice. On the slab this week: The Eternals, Crescent City - S.J.Maas, The Empire Strikes Back and many more.   Title music: Ecstasy by Smiling Cynic

Creating an actual villain, rather than just an antagonist, is a tricky business. It's easy to go too far and fall into the realms of cartoonish unbelievability. On the other hand, your villain needs to feel like a clear and present danger otherwise what are they doing in your MC's story? This week, Jules and Madeleine take a look at the main pitfalls on the road to making your villain genuinely menacing, as well as offering tips for how to make them villainous and still believable. Under the microscope this week: Lord of the Rings, The Terminator, Harker & Blackthorn and many more.   Title music: Ecstasy by Smiling Cynic

Special guest episode! The dragons are delighted to welcome urban fantasy author, Heather G Harris, to the show this week. Heather is the author of the wildly popular Other Realm and Other Wolf series, and her British set UF is packed with humour, unusual creatures and great characters, which makes her the perfect person to join this week's discussion. (As well as a chat about her books and hints about forthcoming projects.)   Urban fantasy is something of an umbrella term and can include different micro genres depending on who's doing the categorising. For the purposes of this episode, UF is fantasy set against the backdrop of the mundane modern world as we know it. One of the interesting aspects of the genre is the slightly different flavour UK and Irish UF has in comparison to US UF. Considering the similarities between the UK and her cousins across the pond, what's at the root of this? Is there a real difference? And if so, what differences have we noticed? (Hint: yes there is the tea aspect. But it's not

There are many ways to end a story but one of the most popular is triumph against a seemingly insurmountable foe. While there is something very satisfying about bringing your heroes to a point where it seems all is lost before they snatch victory from the jaws of defeat, there are definitely ways to do it wrong. This week Jules and Madeleine take a look a different ways of achieving this kind of ending in a believable way. On the slab this week: Star Wars, Lord of the Rings, Stranger Things and Many more.   Title Music: Ecstasy by Smiling Cynic

Most writers at some point become familiar with the idea of the monomyth and the work of Joseph Campbell. However, despite the misleading name, the monomyth is not the only blueprint for all storytelling. While it's very prevalent in almost ever story in the Western world, there are several other storytelling modes which privilege different aspects of a story for a variety of different reasons. This week, Jules and Madeleine take a look at other kinds of story templates, travelling through the monomyth to the Heroine's Journey and then onto modes used in other parts of the world.   Title Music: Ecstasy by Smiling Cynic 

Every so often the dragons like to break away from writing technique and storytelling analysis and do something light and fun. This week they have a list of contenders for the hand of an imaginary batchelorette. Our would be suitors are drawn from the most highly sought after romantic male leads of fiction - from Mr Darcy to Edward Cullen. But just what is it that makes any of our romantic hopefuls appealing? Find out as Jules and Madeleine gently poke fun at them and weigh their finer qualities.   Title music: Ecstasy by Smiling Cynic

Welcome to another 'fairytales in focus' episode. This week the dragons are tackling one of the most gruesome popular folk stories. The story of well known wife murderer 'Bluebeard' has inspired a lot of Gothic and horror fiction, but its own origins - while comparatively recent - are somewhat unusual. In addition, while it's often slammed for being a truly sexist story, digging into the folklore suggests that its 'moral' was probably lost in translation. Jules and Madeleine track the story's grisly journey through history and folk tradition in this episode.   Title music: Ecstasy by Smiling Cynic

Retelling a well known myth, fairytale or historical event from a marginalised, often voiceless character's perspective is not a new idea, however it has gained a lot of traction and popularity over the last few years. This is especially true of 'feminist retellings'. Whether the term 'feminist retelling' is more of a marketing term or a true reflection of the contents is up for debate however, and is further complicated by the fact that the word feminism means different things to different people at different time periods. However, the dragons feel that the recent slew of feminist retellings come with their own set of problems. This week Jules and Madeleine delve into the good, the bad and the ugly of reimagining myths from a female perspective. On the slab this week: Circe - Madeleine Miller, Morgan is my Name - Sophie Keetch, The Silence of the Girls - Pat Barker and many more.   Title music: Ecstasy by Smiling Cynic

Sometimes the lives of authors are stranger or more fraught than the books they write in true truth is stranger than fiction style. Following on from a past episode which tracked the strange deaths and mysteries of four well known authors, the dragons present to you four more authors who lived unconventional lives which were at odds with the time they lived in or even their own storytelling. Tune in this week for a discussion on V.C. Andrews, Thomas Hardy, Wilkie Collins and Emily Dickinson.   Title music: Ecstasy by Smiling Cynic

Every so often the dragons like to catch up on some of the more bizarre or annoying happenings of the writing world. A certain recent article tipped the scales this time so in this episode Jules and Madeleine are looking at attitudes and trends which have been in the spotlight recently. Is there any benefit to 'scrubbing' beloved but somewhat dated children's fiction? Is there such a thing as a writer who writes too much? What constitutes boring in terms of real life people and fictional characters? And is there any merit to adopting a 'with me or against me' viewpoint? (As always this is an opinion piece and the dragons welcome other viewpoints and comments.)    Title music: Ecstasy by Smiling Cynic

In last week's episode, Jules and Madeleine examined the werewolf in folklore, it's transformation from noble guardian to monstrous predator, and why everything you think you know about werewolves is in fact wrong, This week, the dragons take a look at the werewolf in film and literature. From desirable outlet of wildness to expression of uncontrollable rage, the werewolf has been a favourite monster for decades. This episode considers why. On the slab this week: In the Company of Wolves, An American Werewolf in London, Blood and Chocolate and many more. Title music: Ecstasy by Smiling Cynic

In a previous episode, the dragons discussed shapeshifters in folklore and fiction, however they did not devote much time to the European, UK and Irish cryptid - the werewolf. In part one of a two part episode, Jules and Madeleine follow the changes this creature undergoes from early Medieval times to the modern day. Like many aspects of folklore, the werewolf has been shaped by historical events and changing mindsets, and is in many ways more representative of the broad sweeps of European history than its contemporary monsters. Join us for an episode which explains why everything you thought you knew about werewolves is wrong.

Considering that writing and publishing are completely so closely linked, they couldn't be more different in terms of execution for the author. Assuming you manage to be one of the small number of people who actually finish writing a book, you may well find yourself bewildered as to what to do next. Drawing on their decade of experience in the industry, Jules and Madeleine use this episode to give you an overview of your options including why one path might be more suitable for you than another. The dragons also include tips on negotiating contracts, creative control and realistic representations of royalty rates. You've written a book? Great. Here's what you do next.   Title music: Ecstasy by Smiling Cynic

A strangely contentious issue when it comes to writing is whether or not your main character needs to be likeable. The vast majority of readers would probably argue in one direction while many subsections of the writing community would argue the opposite. For a subject where it's clear everyone's mileage varies, it's interesting that the question causes such a division and even anger. This week Jules and Madeleine take a look at what a 'likeable character' is in writing terms, as well as how you can make your character likeable. How can you give your main character broader audience appeal? How do you make readers identify with your MC? And how can you avoid making them unintentionally unlikeable? Find out in this week's episode.   Title music: Ecstasy by Smiling Cynic

SFF has traditionally always been a form of literature where difficult topics are deconstructed and examined. The best examples are those science fiction and fantasy novels which focus on story first, weaving socio-economic or political themes in afterwards. However, it's really easy to include things in your writing which you didn't intend to include. Classism is one of those insidious flavours that can creep in without you noticing it. This week, Jules and Madeleine take a look at how to avoid this as well as examining a few examples of speculative fiction which deliberately engage with the subject. On the slab this week: Battlestar Galactica, The Black Magician - Trudi Canavan, Ironman 3 and many more.   Title music: Ecstasy by Smiling Cynic

Fun, escapism and entertainment may not be the only reason readers pick up books, but they're fairly high up the list of considerations. Something you might want to keep in mind when you're writing! Jules and Madeleine have talked in a previous episode (or several) about how to keep your readers engaged with your book. This week, the dragons take a look at a specific aspect of that process. Wish fulfilment gets a bad rap in literature terms but delving into what it actually entails, shows that this is an undeserved reputation. How can you add wish fulfilment without derailing your plot? How can it be used to make your book appeal to a broader audience? What should you avoid doing if you don't want to lose a reader?  Under the microscope this week: Legends & Lattes - Travis Baldree, His Dark Materials - Philip Pullman, The Martian - Andy Weir and many more.   Title music: Ecstasy by Smiling Cynic

While most books focus on one, two or three main characters and have secondary characters filling in as needed, sff lends itself well to an 'ensemble cast'. Not to be confused with a large cast which may incorporate many characters but still has only a few POV characters which directly affect the story, an ensemble cast has four or more main characters, each on their own arc, each affecting the plot and resolution equally. This week Jules and Madeleine look at the advantages and pitfalls of using an ensemble cast in your book, including why you might want to create one, how it makes for richer world building and when not to do it. On the slab this week: A Song of Ice and Fire - George R R Martin, Spinning Silver - Naomi Novak, Deep Space Nine and many more   Title Music: Ecstasy by Smiling Cynic

Fan theories are one unexpected but gratifying indicator that someone has really connected with your work. And the bigger the fan base, the wackier and more oddly compelling the theories grow. This week, Jules and Madeleine use Disney films to examine this phenomenon, taking a light hearted look at several fan theories of popular films and delving into how the theories may have come about as well as how likely they are to fit.   Title music: Ecstasy by Smiling Cynic