Dissecting Dragons

Regular listeners of the show will already know that very few tropes and writing trends are actually new. All of them have come from somewhere and often those origins are surprising. The fridging trope is one that bears a justifiable amount of scorn but it's also one that exists for a reason and has a shockingly long pedigree. This week, Jules and Madeleine travel back to the earliest recorded origins of this trope, before looking at why it exists and how to take the necessary elements of it and use it in your own work in a way that isn't problematic. From Ancient Greece to World War II, from Early Medieval Wales to the Arthurian Cycle, the dragons take a tour through time and storytelling.    Title music: Ecstasy by Smiling Cynic

Gothic fiction may have started out as a sophisticated joke, but like so many initially unlikely genres, it picked up a following, developed rules and tropes and then continued to surprise and delight readers for the next two hundred and fifty years. Gothic fiction - like traditional ghost stories - holds up a mirror to the human soul often with unflattering results. Considering its roots in desolate, crumbling castles and stormy nights, its a surprisingly versatile and slippery genre which probably explains why it takes some interesting turns when it travels across the pond. American gothic or southern gothic followed a similar evolutionary path from being a ghastly joke to taking on a life and power of its own. This week, Jules and Madeleine look at the key differences between the parent and child genres as they delve in to what makes the Southern Gothic tick like the Tell Tale Heart. Under the microscope this week - Edgar Allen Poe, Anne Rice's Mayfair Witches, Rosemary Clement Moore's The Splendour Falls

This week's episode in the October spookathon takes a look at horror films. Now, obviously creepy and strange things happen on the sets of horror films - that's sort of the point. But what about all those accounts of rum goings-on that aren't in the script? Is there a logical explanation? Are they urban legends or promotional stunts? Or could there possibly be something truly inexplicable going on? Find out as Jules and Madeleine pull back the curtain on the darker areas of the silver screen. On the slab this week - Nightmare on Elm Street, The Twilight Zone, The Possession and many more. Title music: Ecstasy by Smiling Cynic 

Part two of a two part episode   Continuing both the spooky season and their examination of how vampires in fiction challenge all standards of norm, the dragons delve further into our favourite fanged monsters. This week Jules and Madeleine tackle vampires in conjunction with coming of age, identity and the parallels between sex and death. Under the microscope this time: The Lost Boys, Let the Right One In, The Vampire Diaries by L J Smith and more.   Title music: Ecstasy by Smiling Cynic

Part 1 of a two part episode Continuing their month long spookathon, this week the dragons tackle aspects of the vampire genre. In narrative terms vampires have provided an excellent vessel for examining aspects of humanity, whether that's trauma causing monstrousness, or non-conformity. The vampire also has a fairly long queer history and it's no surprise that LGBTQ folks have flocked to films and literature featuring our favourite fanged monsters. How do vampires in speculative fiction challenge rigid norms regarding sex and sexuality? Why do they make such good vehicles for exploring family and the other? And what exactly was Bram Stoker driving at with some of his very un-Victorian story choices? Drink deep listeners - it's not merely wine. On the slab this week: Carmilla - Sheridan le Farnu, Christabel - Samuel Taylor Coleredge, What we do in the Shadows, Castlevania and more.    Title music: Ecstasy by Smiling Cynic

It's October which means two things: Hallowe'en and the Dragons' traditional month long extravaganza of spooky episodes. Heading up the spookathon, Jules and Madeleine take a look at why so many horror films contain queer subtext or are fictional pieces which are easy for LGBTQ people to identify with. Some of this connection is positive and some is less so, but the fascination is real. The dragons look at why that is and what exactly a queer filter can add to an understanding of the horror genre. On the slab this week - Halloween, Jennifer's Body, The Rocky Horror Picture Show and many more.   Title music: Ecstasy by Smiling Cynic

There's a lot to be learned about serving your target audience exactly what they want from children's books, especially those which have become children's classics. This week the dragons delve into exactly what raises a children's book above its peers and gives it enduring appeal. Drawing on well known children's classics, modern children's classics and those junior books which they believe will become classics, Jules and Madeleine look at what makes a book last generations. On the slab this week - The Weirdstone of Brisingamen - Alan Garner, The Whitby Witches - Robin Jarvis, Howl's Moving Castle - Diana Wynne Jones and many more.   Title music: Ecstasy by Smiling Cynic

There's still a lot of discourse around what makes a strong female character - an annoying qualifier which many writers feel we can do without - and much of this discussion is contradictory. One reader's good female character is another reader's worst character ever. This week, Jules and Madeleine take a look at several examples, discussing which if either school of thought is right, before adding their own opinions. On the slab this week: Buffy the Vampire Slayer, Twilight, The Walking Dead and many more.  Title music: Ecstasy by Smiling Cynic

There's something very appealing about a moral outlaw character, Whether it's Robin Hood, stealing from the rich to give to the poor or a barely leashed Jack Reacher doing what's right rather than what the law defines as appropriate. Our fiction is full of those who exist outside the law, crossing the line into the dark without ever losing audience sympathy. This week Jules and Madeleine take a look at why this trope is so popular, how you can incorporate it in your own work and just why exactly it pops up in some very surprising genres. On the slab this week: Legally Blonde, the Hunger Games, Twilight and many more.   Title music: Ecstasy by Smiling Cynic

If there is one skill that's essential for getting readers to keep reading and yet gets thought of last amongst writing advice, it's that of pacing. Nor is it an easy skill to master since it varies depending on genre, style, voice and reader taste. This week the dragons take a look at some tips and tricks that can help you crack the art of pacing, with a look at a few examples along the way.    Title music: Ecstasy by Smiling Cynic

This week the dragons present another 'fairy tales in focus' episode and they certainly couldn't have picked one with grimmer origins. Hansel and Gretel, though comparatively a young story in fairy tale terms, has its origins in some very real and very dark historical events. While the well known tale is beloved by children - not least for the house made of sweets - its themes are multi-layered and complex. This week Jules and Madeleine take a look at what lies behind the gingerbread cottage from Medieval famine to infanticide. On the slab this week: The Witch of Duva - Leigh Bardugo, Indexing - Seanan McGuire, The Great Hunger - Martin Gilbert and many more.    Title music: Ecstasy by Smiling Cynic

It's hardwired into humans (and pretty much every other organism) to compete, which is why it should come as no surprise that 'competition' is one of the most 'buttery' tropes you can write into a book. This week, Jules and Madeleine take a look at exactly why and how you can utilise this in your own work. Whether it's as escapism, tickling the problem solving brain cells or to add stakes, competition adds a uniquely engaging element to fiction. On the slab this week The Hunger Games Suzanne Collins, The Fourth Wing - Rebecca Yarros, the Karate Kid and many more.   Title music: Ecstasy by Smiling Cynic

Fiction featuring the 'afflicted woman' trope is not a new subgenre but it's enjoying somewhat of a renaissance lately. The 'sad girl' of literary fiction has recently spent a lot more time hanging out in genre fiction which give the dragons the opportunity to dissect the trope. So what is it about the 'afflicted or messy woman' that's so appealing? Is it entirely about catharsis or is there a more sinister element? How has she been depicted in other forms of art? Find out in this week's episode. On the slab - Fleabag, Penny Dreadful, Woman Eating - Claire Kohda and many more.   Title music: Ecstasy by Smiling Cynic

Advancements in Artificial Intelligence are now creeping into how art is shaped and produced. It's no exaggeration to say that this will change the face of the book industry. Understandably, many creatives are very concerned about what this means for them and their livelihoods as the genie is well out of the bottle and unlikely to ever be put back. While the dragons are not experts on the subject, they are here to have an open discussion about matters as they stand. It isn't the end of the creative process and there are ways to use the technology in an ethical manner. So don't panic - the dragons may not have all the answers but they can probably point you in the right direction.

This week the dragons are delighted to welcome Olivia Atwater - author of Half a Soul and Small Miracles - to the show. Olivia's fantasy novels cross several genre lines and magic systems play a strong role in the stories, which makes her the perfect person to join this episode's discussion.  Magic systems in fantasy have evolved a long way since the advent of recording traditional folk tales in writing and the dawn of modern epic fantasy. There are now a variety of different types of systems which broadly fall within the hard (defined) and soft (nebulous) categories. In fact many fantasy novels employ a combination or even both at once, so does it matter which you use? What does the magic system add to the story and how do you shape it for best effect?  Under the microscope this week: The Lord of the Rings - JRR Tolkien, The Old Kingdom series - Garth Nix, Small Miracles - Olivia Atwater and many more.   Title music: Ecstasy by Smiling Cynic

The topic of the 'not like the other girls' trope is a potentially fraught one. For starters, it's not always clear where a piece of fiction falls into this trope with opinions varying greatly. This week Jules and Madeleine revisit this thorny issue, taking a look at how things have progressed over the last few years and whether it might not be time to examine whether the calling out of the trope is not in fact as potentially harmful as the trope itself. And what exactly does all that have to do with underwear? On the slab this week: Anne with an E, Little Women, The Hunger Games and many more.   Title music: Ecstasy by Smiling Cynic

It will come as no surprise to regular listeners that the dragons are passionate about good diverse representation in speculative fiction, and they've certainly discussed segments of that huge topic before. This time, Jules and Madeleine are focusing on how bisexuality is depicted in SFF, both for good and ill, and in ways that are frankly misunderstood. So just how important are labels? Can you have good representation without them? And what are some of the real bugbears about how bisexuality is displayed and how people misinterpret it that really annoy both dragons?  On the slab this week: The Witcher, The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid, The Boys and many more.

Despite discussing folktales and fairy stories regularly and at length, the dragons haven't really touched on 'modern' original fairy tales. That is books or stories written using fairy tale story modes but often set in contemporary or even futuristic settings. Contrasting the contemporary with the traditional fairy tale really highlights how steeped the both are in the politics and morality of the time, whilst still capturing that timelessness of themes. This week Jules and Madeleine take a look at a selection of case studies including Elizabeth von Arnem's The Enchanted April, Elizabeth Goudge's The Little White Horse and George Orwell's Animal Farm.   Title music: Ecstasy by Smiling Cynic

Special Guest Episode!   This week the dragons are thrilled to welcome C. N. Rowan to the show. As the author of the imPerfect Cathar urban fantasy series, which follows Paul, an 800 yr old immortal who was once a 'perfect' of the group we came to call the Cathars, but is now a magic wielding, monster hunting emotional train wreck with a smart mouth and a nose for trouble. The series is darkly comedic and a lot of fun, which make Chris the perfect person to join the episode's discussion.  Urban fantasy is spawning sub genres at speed and there are target audiences who are just ravenous for these new twists on a well established genre. But how do you make your UF books stand out? Well, one way is to add a strong historical component. How? Tune into to find out. On the slab this week: Indiana Jones, imPerfect Cathar, The Parasol Protectorate and many more.   Title music: Ecstasy by Smiling Cynic

It's been a while since the dragons have done a 'fairy tales in focus' episode so this week Jules and Madeleine take a dive into the origins, inspiration and socio-political interpretations of 'The Little Mermaid'. Written in the early nineteenth century by Danish author Hans Christian Anderson, the story cannot boast the long history of other popular fairy stories. It's also devoid of the usual happy ending and the substitute for happily ever after is oddly unsatisfying and eerie. However, it still became one of the most beloved fairy tales of all time. Why is that and what was Anderson really saying? What folktales influenced his work? And are any of the literary interpretations close to the mark? Find out in this week's episode.   Title music: Ecstasy by Smiling Cynic