Emil Amos' Drifter's Sympathy

 The sequel of "THE DAWN OF SELFISH MUSIC" goes a little darker into the consequences of gaining total freedom. On the other side of this new frontier, Dylan finds people breaking into his house to find their leader, Miles Davis tries to shake off imitators chasing his every aesthetic move and a never-ending supply of drugs causes David Crosby's life to fully crash and burn. Gene Clark is the patron saint of this episode, while managing to commit various sins no saint has ever conceived of. If this particular cast ever seems overly negative, its really just an attempt to grapple with the true ugliness that went on behind the making of some of our favorite music. Because treating that music as a product alone doesn't really honor the spiritual confusion that came alongside the "me generation" and selfish music's announcement that anything was now fair game. When does being too selfish cause total destruction...? - All of the characters in this episode flirt with total freedom and some don't make it out.ὒ