The Daily Evolver

This week I review the new Nicholas Cage movie, Pig, about a truffle hunter in the wilds of Oregon who goes on a quest to find his kidnapped pig. It is the work of first-time filmmaker, Michael Sarnoski. I am very much an outlier on this movie, which has received rave reviews and a 97% critical approval rating on Rotten Tomatoes. The rapturous response — The Guardian called a “masterpiece” — gave me pause and made me reconsider a movie that I would have otherwise written off as being shockingly bad. Upon reflection I realize that Pig is not a bad movie, it may even be a great movie if you like your nihilism served up as ugly as possible. There is a strain of postmodern (green altitude) identity that sees modern culture as hopelessly corrupt and exhausted, facing an existential meta-crisis. A significant sliver of them, self-described “doomers,” see a world so degenerated that withdrawal is the only moral choice. This view is defensible, of course, but inadequate. What’s missing is what integral th