The Coode Street Podcast

In the final of our conversations recorded during MidAmericon 2, the 74th World Science Fiction Convention, in Kansas City, we sit down with Hugo and Nebula winner Jo Walton and Tiptree Award winner Eugene Fischer for a wide-ranging and insightful discussion that touches not only upon their own fiction, but of the kind of reading that helped shape it, from Victorian literature to the SF of the ‘70s and ‘80s. We’d like to the Jo and Eugene for making time to talk to us. As always, we hope you enjoy the episode!

This week we are joined by Hugo and Nebula Award winning author Connie Willis to discuss her new novel, Crosstalk, which is just out in the UK from Gollancz and will be out in the US early next month. The publisher describes Crosstalk like this: Briddey is about to get exactly what she thinks she wants... Briddey is a high-powered exec in the mobile phone industry, overseeing new products from concept ('anything to beat the new apple phone') to delivery. And she works with her wonderful partner, Trent. They've been together for six magical weeks, in a whirlwind of flowers, dinners, laughter and now comes the icing on the cake: not a weekend away or a proposal but something even better. An EDD. A procedure which will let them sense each other's feelings. Trent doesn't just want to tell her how much he loves her - he wants her to feel it. Everything is perfect. The trouble is, Briddey can't breathe a word of it to anyone (difficult, when the whole office is guessing) until she's had two minutes to call her

This week we are joined by the estimable Alastair Reynolds, celebrating the publication of his new space-pirate adventure tale Revenger and his collaboration with Stephen Baxter, The Medusa Chronicles.  We also discuss the attraction many SF readers and writers have for maritime adventures, the influence and heritage of Arthur C. Clarke (as well as Asimov and Heinlein), the impact of cyberpunk on space opera and other later SF, and the question of whether the solar system is enormous enough on its own to be the setting for space operas involving thousands of worlds and habitats—as it seems to be in Revenger. As always, we'd like to thank Al for making the time to talk to us, and we hope you enjoy the episode.  

When Gary and I were in Kansas City for MidAmericon 2, the 74th World Science Fiction Convention last month, we were fortunate enough to sit down with a handful of really interesting people.  One of the highlights was getting to chat with the Hugo, Nebula, World Fantasy, and Sturgeon award nomination author of “Waters of Versailles”, Kelly Robson. In what was a really enjoyable conversation, we discussed Kelly’s work, starting a writing career a little later in life, and a lot more. We’d like to thank Kelly for making time to join us and, as always, hope you enjoy the episode!

Welcome to the seventh episode of The Coode Street Roundtable. The Roundtable is a monthly podcast from Coode Street Productions where panelists James Bradley, Ian Mond, and Jonathan Strahan, joined by occasional special guests, discuss a new or recently released science fiction or fantasy novel. With James busy with housemoving and such, we're joined by award-winning critic Gary K Wolfe. Lavie Tidhar’s Central Station This month we discuss Central Station, the latest book from Lavie Tidhar. It’s described by publisher Tachyon as follows: A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. The city is literally a weed, its growth left unchecked. Life is cheap, and data is cheaper. When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik—a damaged

Over the past several years we've been fortunate to record episodes of the Coode Street Podcast in front of a live audience. One of the highlights of MidAmericon 2, the 74th World Science Fiction Convention was when we got to sit down with convention Guest of Honor Michael Swanwick and award-winning author Kij Johnson to discuss the craft of short fiction. Our discussion focusses entirely on the writing of James Tiptree Jr's classic novelette "The Women Men Don't See". We think, modestly, that it's one of our very best episodes yet.  We hope you agree. The episode was recorded live on Friday 29 August 2016 in front of a terrific audience and was recorded by Kathi Overton and the MidAmericon 2 team. We'd like to sincerely thank Michael and Kij for their time and the effort that went into making this a success, Kathi and her team for their hard work, and everyone at MidAmericon 2 for making this possible. We would love to do more episodes on the craft of short fiction like this one, and are seriously conside

This week, in a quick episode recorded between hiatuses, we are joined by Locus Editor-in Chief Liza Groen Trombi to discuss the upcoming WorldCon, how Locus approaches covering the event, and books we've read recently and liked, and books we're looking forward to. As always, our thanks to Liza for making the time to be on the podcast and we hope you enjoy the episode.

After our longest hiatus so far, Jonathan is back from Italy and Gary is back from Readercon, and we ramble on about such questions as whether modern SF can be characterized as optimistic or pessimistic, how some stories survive as influences despite their obvious flaws, whether modern SF holds on to some of its cherished myths even when they no longer seem feasible, what we’re reading these days, and our own forthcoming public podcast at MidAmericon next month. As usual, any topic that you might find uninteresting will soon turn into another topic entirely.

Welcome to the sixth episode of The Coode Street Roundtable. The Roundtable is a monthly podcast from Coode Street Productions where panelists James Bradley, Ian Mond, and Jonathan Strahan, joined by occasional special guests, discuss a new or recently released science fiction or fantasy novel. Madeline Ashby’s Company Town This month we discuss Company Town, the fourth novel from Madeline Ashby. It’s a gripping near future thriller described by its publisher as follows: New Arcadia is a city-sized oil rig off the coast of the Canadian Maritimes, now owned by one very wealthy, powerful, byzantine family: Lynch Ltd. Hwa is of the few people in her community (which constitutes the whole rig) to forgo bio-engineered enhancements. As such, she's the last truly organic person left on the rig--making her doubly an outsider, as well as a neglected daughter and bodyguard extraordinaire. Still, her expertise in the arts of self-defense and her record as a fighter mean that her services are yet in high demand. When t

Before Coode Street goes on hiatus for a few weeks when each of us travel to various exotic realms, we address a question which Jonathan raised about new editions of work by Clifford Simak and Tom Reamy—namely, what happens to the work of older writers in a world in which the midlist has all but disappeared? How do writers “read back” in the genre—or do they need to at all? How do writers as diverse as Joe Abercrombie and Neil Gaiman come across the work of Fritz Leiber, for example, or how do writers like Silvia Moreno-Garcia and Kij Johnson encounter Lovecraft? And for readers and writers who came of age in the 1990s or later, does “reading back” mean the same thing it did for earlier generations? Then we chat a bit about our plans for Coode Street at MidAmericon in August, what we’re reading now, and what we’re looking forward to reading on the break. As always, we hope you enjoy the episode, and hope you don't miss the podcast too much! See you in late July!

This weekend Gary and Jonathan found time amongst their growing commitments to grab an hour or so and sit down over a microphone and discuss the World Fantasy Awards life achievement award, its rules, its recipients, and some people they feel might be considered for the award.  We also have announced that we will be taking an intermittent hiatus during July and August. There will be an episode this coming weekend, then a break of a month. It's possible there may be an episode during this time, but honestly, recording podcasts while on holidays in Tuscany just doesn't seem likely, does it? As always, though, we hope you enjoy this episode. More next week!

Welcome to the fifth episode of The Coode Street Roundtable. The Roundtable is a monthly podcast from Coode Street Productions where panelists James Bradley, Ian Mond, and Jonathan Strahan, joined by occasional special guests, discuss a new or recently released science fiction or fantasy novel. Guy Gavriel Kay’s Children of Earth and Sky This month we discuss Children of Earth and Sky, the latest novel from Guy Gavriel Kay. It’s a rich, powerful historical fantasy described by its publisher as follows: From the small coastal town of Senjan, notorious for its pirates, a young woman sets out to find vengeance for her lost family. That same spring, from the wealthy city-state of Seressa, famous for its canals and lagoon, come two very different people: a young artist travelling to the dangerous east to paint the grand khalif at his request--and possibly to do more--and a fiercely intelligent, angry woman, posing as a doctor's wife, but sent by Seressa as a spy. The trading ship that carries them is commanded b

We nearly did it. We nearly stayed on topic… This week, we reminisce briefly about six years of the Coode Street Podcast (an anniversary we overlooked a few weeks ago), and then segue, after a few brief diversionary rambles, into a discussion of the books we are both looking forward to in the next six months or so, touching upon new books by Angela Slatter, John Crowley, Peter Beagle, Jeffrey Ford, Kameron Hurley, Alastair Reynolds, Ursula K. Le Guin, Christopher Priest, Yoon Ha Lee, Connie Willis, Ken MacLeod, Nisi Shawl, China Mieville, Michael Swanwick and others, along the way touching upon colonialism and culture, the role of the stand-alone novella, how contemporary writers are dealing with Lovecraft, and what anthologies to look out for. As always, we hope you enjoy the episode. Next week, a new episode of the Coode Street Roundtable and a new episode of the main show.

Winter is coming. Well, in Perth. An early storm huffed and puffed and knocked the power out part way through a ramble on awards and longevity (or something). We persevered. The power came back up and we rambled on.  This is an old-style episode about nothing much. If that's your thing, then have at it! As always, we do hope you enjoy it. And we're planning for MidAmericon!

This week writer, editor and now publisher Jack Dann, a long-time friend of the podcast, joins Jonathan and Gary to discuss his role in launching new small press publishing imprint PS Australia and his forthcoming anthology, Dreaming in the Dark. In a wide-ranging discussion, we touch on the plans for the new imprint, the state of the market for short fiction, the state of the Australian genre marketplace, and the historical role of the 'Dreaming' series of anthologies. As always, we'd like to thank Jack for being a guest on the podcast, and hope you all enjoy the episode!

Welcome to the fourth episode of The Coode Street Roundtable. The Roundtable is a monthly podcast from Coode Street Productions where panelists James Bradley, Ian Mond, and Jonathan Strahan, joined by occasional special guests, discuss a new or recently released science fiction or fantasy novel. Paul McAuley's Into Everywhere This month Coode Street co-host Gary Wolfe joins us to discuss Into Everwhere, the latest novel from Paul McAuley. It’s smart, engaging hard SF adventure described by its publisher as follows: The Jackaroo, those enigmatic aliens who claim to have come to help, gave humanity access to worlds littered with ruins and scraps of technology left by long-dead client races. But although people have found new uses for alien technology, that technology may have found its own uses for people.  The dissolute scion of a powerful merchant family, and a woman living in seclusion with only her dog and her demons for company, have become infected by a copies of a powerful chunk of alien code. Driven t

As we head into our third straight week without a guest on the podcast, we confront our lack of organisation with a smile and a nod. We actually sat down and planned what we'd discuss on this episode, then Gary brought up something else entirely immediately after the intro and off we went.  Following the sad news that Prince had died, we spent some time discussing science fiction and popular music, then revisited my (Jonathan's) comments on people reading SF criticism, had a few comments on The Big Book of SF (which Jonathan's reading right now), noted the Hugo nominations are due in a few days, and wound up talking about what we are reading at the moment. All in all, a pretty typical episode.  As always, we hope you enjoy it. We'll be back next week with more.

This week’s ramble touches upon a bunch of issues, from Hugo nominations and awards (of course) to what it takes to be called a major science fiction writer, the need for more translations of non-English language science fiction, the advantages and disadvantages of “fix-ups,” “story suites,” and collections of linked stories, and whether SF has developed a kind of informal hierarchy favoring American and British SF, followed by Australian and Canadian writers, and leaving most other world science fiction as a kind of niche interest (which we dearly hope is beginning to change). As always, we hope you enjoy the episode.

Following last week's announcement of DragonCon's new Dragon Awards, we once again return to the topic of awards proliferation; begin our discussion of Ann and Jeff VanderMeer's massive new Big Book of Science Fiction (we hope to talk to them about the book closer to its release); look at how anthologies might have changed over the past fifty years; touch on the recent trend toward revisiting and revisioning Lovecraft that can be seen in the work of Matt Ruff, Victor LaValle, and Kij Johnson; and debate whether academic criticism of SF is widely enough read to have an impact on science fiction as a whole. As always, we hope you enjoy the podcast. More next week!

This week we are delighted to be joined by Lavie Tidhar, whose Jerwood Fiction Underwood Prize Award winning novel A Man Lies Dreaming has just appeared in the U.S., and whose fix-up science fiction novel Central Station is set to appear in May, with the reissue of the Bookman novels and nonfiction book Art and War scheduled as well this year. We discussed his sometimes controversial approach to alternate history, the question of borrowing tropes from pulp fiction in portraying serious events such as the Holocaust and terrorism, the importance of American SF writers like Cordwainer Smith, his own experiences growing up in a kibbutz and what he read there, and the never-ending question of genre literature vs “literary” fiction. As always, our thanks to Lavie for making the time to join us on the podcast. We hope you enjoy the episode.