The Close-up

This week on the Film at Lincoln Center podcast we’re featuring a conversation from the 49th New Directors/New Films with The Killing of Two Lovers director Robert Machoian and star Clayne Crawford. After a startling opening image of extreme tension, first-time solo director Robert Machoian’s stark, slow-burn drama never quite goes where you expect. An evocative and atmospheric transmission from wintry Utah, The Killing of Two Lovers is a compact, economical portrait of a husband and father and a compassionate depiction of a family in crisis, which moves at the ominous pace of a thriller. The Killing of Two Lovers is now playing in select theaters.

This week on the Film at Lincoln Center podcast, we’re featuring a special Q&A from the 50th edition of New Directors/New Films. Founding ND/NF programmer and current FLC board member Wendy Keys sat down for an extended conversation with Sara Driver about her acclaimed first feature, Sleepwalk, a selection from the 16th ND/NF in 1987. The two also discussed Driver’s distinctive and idiosyncratic body of work. This event was part of the 50th edition of New Directors/New Films, the annual festival that celebrates filmmakers who represent the present and anticipate the future of cinema. Presented by Film at Lincoln Center and The Museum of Modern Art. Film at Lincoln Center Talks are presented by HBO.

This week on the Film at Lincoln Center podcast we’re featuring a special conversation from the 50th edition of New Directors/New Films, with Theo Anthony the director of All Light, Everywhere, this year's closing night selection, and FLC’s assistant programmer Tyler Wilson. Theo Anthony’s breakthrough sophomore feature uses the increased regularity of body cams in U.S. law enforcement as the anchor point for an ever-expanding exploration on perception, power, and policing. All Light, Everywhere is now playing nationwide in our Virtual Cinema through May 13 during New Directors/New Films. If you missed a film from the first half of the festival, you can still watch it with our Virtual All-Access Pass. To celebrate this milestone year of ND/NF, use promo code “SAVE40” during checkout in our Virtual Cinema to get 40% off the pass.

This week on the Film at Lincoln Center podcast we’re featuring a special conversation between recent Oscar-winner Youn Yuh-jung and FLC’s Director of Programming Dennis Lim. Introduced to a wide American audience just last year as a strong-willed grandmother in Lee Isaac Chung’s Minari, Youn Yuh-jung has been a celebrated screen performer in her native Korea for half a century, giving life to a roster of singularly formidable women across genres and generations. In honor of her historic win for Best Supporting Actress at the 93rd Academy Awards, our retrospective of her recent work has been extended to May 3! Go to filmlinc.org/youn for nationwide tickets in our virtual cinema.

This week on the Film at Lincoln Center Podcast, we’re featuring a special conversation with the cast and crew of French Exit, the closing night selection at the 58th New York Film Festival. Director Azazel Jacobs, writer Patrick deWitt, and actors Michelle Pfeiffer and Lucas Hedges joined NYFF Director of Programming Dennis Lim to discuss the making of the film Michelle Pfeiffer is entirely bewitching as Frances Price, an imperious, widowed New York socialite whose once-extreme wealth has dwindled down to a nub. Facing insolvency, she makes the decision to escape the city by cruise ship and relocate to her friend’s empty Paris apartment with her son, Malcolm (played by Lucas Hedges), and their cat, Small Frank (voiced by Tracy Letts). An adaptation of the best-selling novel by Patrick deWitt, French Exit is a rare American film of genuine eccentricity. The film is now playing in our theaters! For showtimes and our reopening health and safety policies, visit filmlinc.org/frenchexit.

This week on the Film at Lincoln Center podcast, we’re featuring a preview in anticipation of the 50th-anniversary edition of New Directors/New Films, a festival that has celebrated filmmakers who represent the present and anticipate the future of cinema, taking place virtually and in theaters from April 28 to May 8. In celebration of this year’s milestone, we’re excited to also present ND/NF@ 50, a free virtual retrospective looking back on the festival’s history, available nationwide in our Virtual Cinema from April 16 - 28. Join the programmers from Film at Lincoln Center, Florence Almozini, Dan Sullivan, Tyler Wilson, and Madeline Whittle, and the Museum of Modern Art, La Frances Hui, as they discuss their top picks from this year’s festival and retrospective, moderated by Wendy Keys. The 2021 feature committee comprises Florence Almozini (Co-Chair, FLC), La Frances Hui (Co-Chair, MoMA), Rajendra Roy (MoMA), Josh Siegel (MoMA), Dan Sullivan (FLC), and Tyler Wilson (FLC), and the shorts were programm

This week on the Film at Lincoln Center Podcast, we’re featuring a special conversation between Cinema Tropical’s Co-founder and Executive Director, Carlos A. Gutiérrez, and Argentine director Martín Rejtman. A key figure of contemporary Argentine cinema, Rejtman discussed his filmography and the landmark deadpan comedy, Silvia Prieto. Silvia Prieto is a 1999 comedy of details that follows a young woman through a short, precarious stretch of her life in Buenos Aires. The new restoration of the Argentine gem is now playing during Neighboring Scenes. This talk was part of the 6th edition of Neighboring Scenes, the annual festival celebrating New Latin American Cinema, presented by Film at Lincoln Center and Cinema Tropical, now playing in our Virtual Cinema through April 12. This talk is presented by HBO. This episode of the Film at Lincoln Center podcast is sponsored by Amazon Studios, presenting Sound of Metal and One Night in Miami. Now streaming on Amazon Prime Video. For your consideration. Visit the li

This week on the Film at Lincoln Center Podcast we’re featuring a special discussion with Lost Course director Jill Li and producer Peter Yam, moderated by Film at Lincoln Center’s Assistant Programmer Tyler Wilson. Nearly 10 years in the making, Jill Li’s revelatory debut film—a documentary about the struggle against corruption in South China—follows the grassroots movement for justice led by a group of people from the fishing port of Wukan. Lost Course offers a timely and deeply affecting look at government wrongdoing and its infective reach into even the most idealistic minds. Lost Course is now playing in our Virtual Cinema.

This week on the Film at Lincoln Center podcast we’re featuring a special conversation between filmmakers Thomas Vinterberg and James Gray on Another Round, which was recently nominated for two Academy Awards. In the film, four friends, all teachers at various stages of middle age, are stuck in a rut. Unable to share their passions either at school or at home, they embark on an audacious experiment from an obscure philosopher: to see if a constant level of alcohol in their blood will help them find greater freedom and happiness. At first, they each find a new-found zest, but as the gang pushes their experiment further, issues that have been simmering for years come to a head, and the men are faced with a choice: reckon with their behavior or continue on the same course. Another Round is now playing in theaters and Hulu.

This week on the Film at Lincoln Center podcast we’re featuring a special conversation from the 58th New York Film Festival featuring Ephraim Asili and Garrett Bradley. Garrett Bradley’s Time, a Main Slate selection, and Ephraim Asili’s The Inheritance, the Opening Night film of the Currents program, were two of NYFF58’s most formally inventive and politically astute films. Combining original and archival material in evocative and unpredictable ways, they engage deeply with radical Black legacies of both cinema and political organizing. In this free talk, moderated by writer and researcher Yasmina Price, the two directors chatted about their approaches to representing history, working against dominant narrative forms through a focus on the everyday textures of life, and the impulses of activism and education that course through their art. Ephraim Asili’s The Diaspora Suite and The Inheritance are now playing in our Virtual Cinema, and Garrett Bradley’s Academy Award-nominated Time is now playing on Amaz

This week on the Film at Lincoln Center podcast we’re featuring a special conversation on Borat Subsequent Moviefilm with Sacha Baron Cohen, Maria Bakalova, and director Jason Woliner. Moderated by Variety's Chief Film Critic Peter Debruge. In this satire on Trump’s America, Borat, a Kazakh journalist, is sent to America to deliver a gift from his government to Vice President Mike Pence. Along the way, his worldview is turned upside down and steadfast beliefs are challenged by his teenage daughter. Borat Subsequent Moviefilm is now playing on Amazon Prime.

This week on the Film at Lincoln Center podcast we’re featuring a special conversation with One Night in Miami… director Regina King, screenwriter Kemp Powers, and stars Kingsley Ben-Adir, Eli Goree, Aldis Hodge, and Leslie Odom Jr. Moderated by Beandrea July. On the evening of February 25, 1964, four icons of sports, entertainment and activism celebrated one of the greatest upsets in boxing history in a modest motel room in Miami. After claiming the World Heavyweight title for the first time, Cassius Clay — who would soon change his name to Muhammad Ali — got together with three friends: human rights activist Malcolm X, music superstar Sam Cooke and football legend and emerging action-movie hero Jim Brown. One Night In Miami... is a fictional imagining of the historic night these towering figures spent together. Directed by Regina King and written by Kemp Powers based on his award-winning play, One Night In Miami... is set on the precipice of the momentous political and cultural upheaval of the 1960s. One N

This week on the Film at Lincoln Center podcast we’re featuring a conversation with Sound of Metal’s writer-director Darius Marder, actors Riz Ahmed, Paul Raci, Olivia Cooke, Chelsea Lee, Domenico Toledo, and actor/ASL coach Jeremy Stone. Moderated by Alison O’Daniel, a visual artist and filmmaker who is currently in production on her feature film, The Tuba Thieves. In the film, metal drummer Ruben begins to lose his hearing. When a doctor tells him his condition will worsen, he thinks his career and life is over. His girlfriend Lou checks the former addict into a rehab for the deaf hoping it will prevent a relapse and help him adapt to his new life. After being welcomed and accepted just as he is, Ruben must choose between his new normal and the life he once knew. This talk was first available to FLC members, who play such a vital role in all we do. Memberships start at just $85 and offer year-round discounts to films and festivals, exclusive invitations to sneak previews, filmmaker conversations, Film Cl

This week on the Film at Lincoln Center podcast, we’re featuring a Q&A with Shaka King, director of Judas and the Black Messiah, moderated by Eugene Hernandez, Film at Lincoln Center’s Deputy Executive Director of Programs. Fred Hampton, a young, charismatic activist, becomes Chairman of the Illinois chapter of the Black Panther Party — putting him directly in the crosshairs of the government, the FBI, and the Chicago Police. But to destroy the revolution, the authorities are going to need a man on the inside, enter William O'Neal.  Judas and the Black Messiah stars Daniel Kaluuya, LaKeith Stanfield, Jesse Plemons, Dominique Fishback, Ashton Sanders, and Martin Sheen. This Black History Month special event was organized by Film at Lincoln Center and Warner Bros. Pictures to provide cinema and arthouse audiences with an early preview of this timely and vital film, along with an extended conversation. Judas and the Black Messiah is now available on HBO Max.

This week on the Film at Lincoln Center podcast we’re featuring a Q&A with the director and cast of Minari, moderated by Film at Lincoln Center’s Director of Programming Dennis Lim. A tender and sweeping story about what roots us, Minari follows a Korean-American family that moves to a tiny Arkansas farm in search of their own American Dream. Amidst the instability and challenges of this new life in the rugged Ozarks, Minari shows the undeniable resilience of family and what really makes a home. Join director Lee Isaac Chung, and actors Steven Yeun, Yeri Han, Yuh-Joung Youn, Alan Kim & Noel Cho for an insightful conversation about the making of this highly anticipated film. Special thanks to A24 for partnering with Film at Lincoln Center for the release of Minari.

This week on the Film at Lincoln Center podcast we’re featuring a conversation about Pixar’s Soul with director Pete Docter and producer Dana Murray moderated by Glenn Kiser, Senior Director of the Dolby Institute. Soul introduces Joe Gardner, voiced by Jamie Foxx, a band teacher who gets the chance of a lifetime to play at the best jazz club in town. But one small misstep takes him from the streets of New York City to The Great Before – a fantastical place where new souls get their personalities, quirks, and interests before they go to Earth. Determined to return to his life, Joe teams up with 22, a precocious soul voiced by Tina Fey, and discovers the answers to some of life’s most important questions. Disney and Pixar’s Soul is now streaming on Disney+. This conversation is presented by the Dolby Institute.

This week on the Film at Lincoln Center podcast, we’re presenting a special conversation between filmmakers David Fincher and Kent Jones on Mank. Fincher's first film since his NYFF Opening Night selection Gone Girl follows the 1930s Hollywood screenwriter Herman J. Mankiewicz, played by Gary Oldman, as he develops the screenplay for Citizen Kane. Mank is now available on Netflix. This talk was first available to FLC members, who play such a vital role in all we do. Memberships start at just $85 and offer year-round discounts to films and festivals, exclusive invitations to sneak previews, filmmaker conversations, Film Clubs, and much more. If you're interested in supporting FLC by becoming a member, visit filmlinc.org/members for more information.

This week on the Film at Lincoln Center podcast we’re presenting conversations on Notturno and Identifying Features, two equally impressive films, both of which are New York Times Critic's Picks and are now playing in our Virtual Cinema. The first discussion features Oscar-nominated filmmaker, Gianfranco Rosi, in conversation with New York Film Festival’s Director of Programming Dennis Lim on Rosi’s latest immersive work of nonfiction. Shot over the course of three years along the borders of Iraq, Kurdistan, Syria, and Lebanon, Notturno is a nighttime ramble through a region rocked and shattered by catastrophe and violence. The second conversation centers on Identifying Features and includes director Fernanda Valadez, and co-writer and producer Astrid Rondero in a dialogue with FLC's Assistant Programmer Dan Sullivan at the 49th New Directors/New Films. The film is a suspenseful slow burn, equally constructed of moments of beauty and horror surrounding a mother's search for the truth about her son. Nationw

This week on the Film at Lincoln Center podcast we’re featuring a conversation between filmmakers and long-time collaborators, Sam Pollard and Spike Lee. Sam Pollard's impressive career boasts collaborations with some of cinema's greatest filmmakers, including Spike Lee who has hailed Pollard as “a master filmmaker.” Timed to our Sam Pollard tribute and the release of his latest, MLK/FBI, join us for an in-depth conversation between the two legendary filmmakers. Get virtual tickets, available nationwide through 1/22, to our Sam Pollard retrospective: https://virtual.filmlinc.org The full video of this talk is also available on FLC’s YouTube channel.

This week on the Film at Lincoln Center podcast we’re featuring a conversation between filmmakers Errol Morris and Frederick Wiseman on Morris’ new documentary My Psychedelic Love Story. Told through the lens of Joanna Harcourt-Smith, Timothy Leary’s lover, the film examines the possible CIA conspiracy and fascinating love story as Leary, the High Priest of LSD, seemingly sells out and becomes a narc in 1974. Through a series of candid interviews, Morris and Harcourt-Smith reexamine this chaotic period, resulting in a singular snapshot of the early 1970s’ cultural landscape and its profound impact on the trajectory of one woman’s life. My Psychedelic Love Story is now available digitally, courtesy of Showtime.