The Hamilcast: A Hamilton Podcast

Amanda Braun is on the podcast this and next week! Amanda first joined Hamilton as a swing in the original cast of the first national tour. After a short break from the Angelica Tour, she returned to Hamilton as a universal swing for two years (a VERY long time to do what is possibly the hardest gig in theatre), and is currently a swing on Broadway. Pretty impressive for someone who saw Hamilton at The Public and convinced herself the choreography was too hard for her to ever be cast in the show! Amanda started dancing at three years old and thrives on expertly navigating any challenge that is thrown her way. From taking childhood dance lessons from Stephanie Klemons, to doing her sophomore year of college online because she was on tour with Catch Me If You Can, to working with Andy Blankenbuehler on Joseph and the Amazing Technicolor Dreamcoat, Amanda has an arsenal of knowledge and experience.  Center Stage Dance and Theatre School Amanda on Instagram /// Gillian's Website The Hamilcast on Twitter The Hamil

Welcome back to another episode of The Shan Show™ with Shan Ako, who is currently playing Eliza Schuyler in Hamilton West End. This week, Shan discusses her beautiful relationship to Eponine in Les Miserables and how that role was right on time, helping prep her to finally land the role of Eliza. Shan discusses her strong connection to Eliza including what she brings to the role and what the role has done for her personally. Plus, Shan talks about her blog (and upcoming book!) The Shan Vibe, discussing her passion for mental health and positive well-being. Shan's Linktree The Shan Vibe Book! On My Own (Shan Ako) | Les Miserables: The Staged Concert (2019) | TUNE /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Shan Ako is a singer, songwriter, musician, actor, and author who has a degree in Music Business and is in the process of getting her Masters in Positive Psychology. Shan is currently playing Eliza Schuyler in the West End and previously played Eponine in multiple iterations of Les Miserables, Whitney Houston in Whitney: Queen of the Night, and blew everyone away as a member of Simon Cowell’s team on X-Factor. In her first episode, Shan talks about growing up in a musical household and how her musicianship is always at the forefront of her projects and artistry. Her main goal as a performer is honesty, and it comes through in every facet of Shan’s storytelling: from her surreal experience on X-Factor to falling in love with Eponine to hoping listeners are encouraged by the fact that she initially made it as far as final callbacks for Eliza only to be told “no” by the Hamilton creatives. As Shan herself says, “Welcome to The Shan Show!!!” Shan's Linktree Shan's Linktree The Shan Vibe Book! Shan sings original

A celebration of all the holiday classics, ’Twas The Night is a feel-good homage to the original poem, set in a world with security alarms, cell phones, and a little Christmas magic. Parents Ian and Margaret are having a serene Christmas night, their two children dreaming of sugar plums in the next room, when a series of noises and crashes cause concern that Margaret’s younger brother is playing a holiday prank. But who, really, arose such a clatter? In the end, the whole family remembers that it’s never too late to say what you mean and that the spirit of Christmas is stronger than ever. Listeners of 'Twas the Night are encouraged to donate to The Actors Fund, supporting their mission of fostering stability and resiliency, and providing a safety net for performing arts and entertainment professionals over their lifespan.  Visit twasthenightplay.com for more information.   Credits Aneesa Folds as Margaret​ Michael Paul Smith as Ian Nik Walker as Nick​ Fergie L Philippe as Max Lexi Garcia as Julie James Monroe

As we wrap up our chat, Alexander Ferguson (Hamilton Broadway) takes questions from the fantastic Patreon Peeps. He explains why he thinks Hamilton isn’t actually a history piece, talks about the characters he relates to the most, tells me why he turned down the opportunity to be on MasterChef, and speaks the truth about why our friends can be so inspiring. Alexander's Linktree Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

This week, Alexander Ferguson (Hamilton Broadway) talks about his experience taking a leave from the Broadway company to spend a few months on tour in Australia and New Zealand including adorable koalas, terrifying spiders, Flight of the Conchords, incredible restaurants, and loving audiences. And yes, we finally get to Alexander’s impressions! We talk about his viral YouTube videos, how he figured out he could actually *do* so many impressions, and the many influences and inspirations behind his sense of humor. Plus, more about Alexander’s animation, filmmaking, and other creative endeavors. Alexander's Linktree Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Alexander Ferguson has been with Hamilton since 2018. From the Angelica Tour to Broadway to Australia and New Zealand and back to Broadway again, he’s been Man 5 and he’s played Hamilton, Burr, King George III, Laurens/Philip, James Reynolds, and Philip Schuyler. A creator through and through, Alexander is also a talented impressionist, animator, and filmmaker. This week, Alexander explains his journey from regional theatre to Hamilton, including all the personal growth he’s experienced along the way. Alexander's Linktree Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

In this episode, Nikisha Williams explains her transition from Woman 5 to coming back as Eliza full time (even after she thought she was done with Hamilton entirely) and how she brings her experience as an educator to the role of Eliza. Plus, we go in on our unabashed love of all things fall including but not limited to: cute autumn outfits, why everyone needs to lighten up about pumpkin spice lattes, and our favorite scary movies. Nikisha is kind of an expert considering she co-hosts the Talking Horror podcast, which you should definitely check out! Nikisha's Website Nikisha on Instagram Talking Horror Podcast Broadwaysted Podcast Broadwaysted on Instagram Victoria Monet - On My Mama Laufey - From the Start Ratatouille The Musical with Bonus Features Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

I’m so excited to welcome Nikisha Williams, who currently plays Eliza Schuyler on the Philip Tour, to the podcast! Prior to joining Hamilton in 2018, Nikisha gained a ton of experience performing in musicals and operas across the country. Oh! She was also a high school choir teacher! Yep, Nikisha has a masters degree in Choral Conducting and a Bachelor’s degree in Vocal performance so she has the unique ability to bring her experience as an educator to the role of Eliza.  This week, Nikisha talks about her journey as both a teacher and a performer: from auditioning multiple times to get into her vocal performance program, to leading an award-winning all girl high school a cappella group, and how her students got her into Hamilton.  A firm believer in taking care of your mental health and meeting yourself where you are, Nikisha also talks about the strength of the women in the show and the strength of her Eliza specifically. For example, her version of “That Would Be Enough” isn’t begging Hamilton to stay, but

Brandee Danielle Huston (Hamilton Broadway's Hair Supervisor) wraps up her episodes with more questions from The Patreon Peeps. Brandee explains how and why Hamilton sets her up for success, debunks the very wrong idea that hair and makeup is "stupid girl stuff", talks about her favorite and most challenging hairstyles she's worked on, and her goals of working in other aspects of theatre somewhere down the line. We also discuss Brandee's activism, the importance of therapy, and why the world is wide enough for both New York *and* Chicago-style pizza. /// Brandee on Instagram Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Brandee Danielle Huston loves being Hamilton Broadway's Hair Supervisor, but it wasn't an easy journey getting there. As Brandee tell us in this episode, things are a lot different for people of color, women, LGBTQ+ folks, and those in women-dominated fields. From poor work conditions to pay disparities to unpleasant interactions, there is inequity all over this industry. It's so important making someone feel confident going on stage, and the work is very personal, but that isn't always acknowledged. Since working at Hamilton, though, Brandee finally feels like she's been set up for success. Brandee tells us how she got there, and walks us through how she earned the trust of the cast as a white woman working with BIPOC hair. /// Brandee on Instagram Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

aBrandee Danielle Huston is currently the Hair Supervisor at Hamilton Broadway, and has been in the entertainment industry her entire life. She grew up in a 5th generation carnival concession business and has been working since she was two years old. Inspired by painting people's faces at carnivals, she started working in theatre, and when she saw that there was a job in fixing the Santa beards for the famous Rockettes show and she thought, "Why am I not doing THIS?!" Brandee did everything from pushing boxes backstage, electrical work, sound, handling props, driving a forklift, you name it... all while going to cosmetology school. There's not a guidebook for breaking into the industry and working with the unions but this episode is definitely a very good start. IATSE Yellow Cards /// Brandee on Instagram Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

This week, Julian Ramos (Hamilton LA, And Peggy, Philip Tour) is back with a love letter to New York, New York: both the city and the musical. He tells us about the tap number on the beam, what instruments he actually knows how to play, and why the one and only John Kander is the coolest person he has ever met.  Plus, more love and stories from his time with Hamilton, what it was like working with Lin-Manuel Miranda again on another show, and the inspirations behind his fantastic sense of style.  New York, New York Original Broadway Cast Recording Tyla - Been Thinking /// Episode 107 Episode 108 Julian on Instagram Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

The effervescent Julian Ramos is back on the podcast! He was first on back in 2018, when he and Fergie Philippe came on together during rehearsals for the Philip Tour. Julian spent over four years touring with Hamilton, and his story with the show is incredible. He recently made his Broadway debut in New York, New York and is truly living his dreams, which all started with a certified meet-cute with living legend Susan Stroman.   This week, Julian tells me about growing up in Indiana, falling in love with musical theatre, and then moving to New York City to pursue his career. He even worked as a host at The Public Theater when Hamilton was there, seating people like Lin-Manuel Miranda, Thomas Kail, and Oskar Eustis. /// Episode 107 Episode 108 Julian on Instagram Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

In the final episode of this three part series, Cristina Lundy and Fergie L. Philippe bring it home in a way only the two of them can. We kick off the Patreon Peeps and they’re off and running talking about The Muppets, Sesame Street, Othello, unexpected takes on Shakespeare (Romeo and Juliet set in a nursing home, for example), favorite Shakespeare take downs, movies we can't believe haven't been turned into musicals yet, and the idea of kids putting on Hamilton Jr. Will in the World Shakespeare Lexicon and Quotation Dictionary, Vol. 1: Volume 1 /// New York Shakespeare Exchange Fergie's Website Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

This week we bring back #YayHamlet! Cristina Lundy and Fergie L. Philippe talk about the similarities between Hamilton (the musical) and the works of Shakespeare, and why actors need to honor those pieces in the same way. Hint: no need to overact it; all the words are right there on the page. And they're not saying it's easy! Fergie used to think he had to do Shakespeare in a British accent because FANCY. We also talk about an unrealistic need for all works of art to be perfect and right and accurate when in reality, so much of it is about writers being inspired by, as Cristina says, "the influences that pollinate them as artists." Plus! Dream casting! Cristina and Fergie cast Hamilton actors in a slew of Shakespeare plays, they cast a Ted Lasso Much Ado About Nothing, and then we cast Ted Lasso characters in Hamilton. A Tribe Called Quest ft. Busta Rhymes - Scenario (LP Mix) The Method: How the Twentieth Century Learned to Act /// New York Shakespeare Exchange Fergie's Website Gillian's Website The Hamilcas

Nope, the title of this episode is not a typo. My dear friends Cristina Lundy and Fergie Philippe are back on the podcast, this time together! We explain it all in the episode but they both had so much more to say so we thought we'd have a little party.  Quick refresher: Fergie recently ended his five year run as Mulligan/Madison (both on tour and on Broadway) and Cristina Lundy is currently a dresser for the Broadway company as well as the Artistic Director of the New York Shakespeare exchange. In the first of three episodes, we talk about the 2023 Tony Awards, Fergie's experience performing at the show, how the writer's strike affected the evening, and the fact that HISTORY WAS MADE with BIPOC and non-binary folks taking home so many awards.  Fergie and Cristina are both massive Shakespeare nerds (that's a compliment!) so these are very Bard-heavy eps. This week we talk a lot about modern adaptations like Ten Things I Hate About You (1999) and Baz Luhrmann's Romeo + Juliet (1996).   New York Shakespeare Exc

Alright, dear listeners, get ready for an absolutely bananas episode of The Hamilcast. Fergie L. Philippe, my lovely friend, is rounding out his big return to the podcast aka our booze-fueled lovefest. This week, Fergie dives more into his experience with Camelot on Broadway: his audition process, his stage combat experiences, and his big dream of bringing the lost Muppets in Camelot idea to life. Plus, Fergie goes in on why Sweeney Todd is his favorite show of all time and his ultimate dream role. We round out this episode talking about ADHD, neurodiversity, the importance of therapy, more Hamilton discussion, and Fergie gives his expert opinion on how to plan the perfect Disney vacation. It's been a blast hanging with Fergie for these episodes and I hope you had as much fun as we did. Catch up with all things Fergie: #107: We tell your story // Part One #108: We tell your story // Part Two #129: I came as soon as I heard // #LasVegust Part One #300: James Monroe Iglehart and Friends Take Over the Podcast

Fergie L. Philippe is back for another round this week and yes... I mean that both figuratively andddd literally. Choices were made by two very good and excitable ADHD-ridden friends, dear listener! In this episode, we tackle important issues such as the writer's strike, theater contracts, negotiations, and misconceptions about creative jobs. Fergie shares his personal journey with Hamilton, from identifying primarily with Mulligan in 2017 to fully embracing the vibe of Madison. We explore the nuances of these characters, including Fergie's embodiment of both Hercules Mulligan and his slave, Cato, as well as the different dynamics between his Madison and various Jeffersons. And of course, this led us to a conversation about how the context of the show has evolved since 2016 and it will only continue to change as the world around us does the same. Catch up with all things Fergie: #107: We tell your story // Part One #108: We tell your story // Part Two #129: I came as soon as I heard // #LasVegust Part One

Note: These episodes are brought to you by Everclear and whiskey. Not an ad, just an admission.  I'm thrilled to have my dear friend Fergie Philippe back on the podcast. Fergie is a multi-talented artist – an actor, writer, director, and puppeteer – who recently concluded his five-year run as Hamilton's Mulligan/Madison in February 2023. Starting from the Philip Tour and making his way to Broadway, Fergie considers these episodes as his post-mortem reflections on his time with the show. This week, Fergie delves into the experience of not just meeting but working with his heroes, which happened when he was cast as Lord Sagramore in the Broadway adaptation of Camelot by Aaron Sorkin. Fergie also opens up about his post-Hamilton life after Broadway, sharing stories about performing to the seat he once sat in as a fan, his last show that never happened, and how he knew it was the right time to move on. Plus lots of love for the inimitable Philip company, the unbreakable friendships formed through Hamilton (both o