All About Agatha (christie)

Things get a little wild when Miss Jane Marple herself tells the story in this, the final installment of the Tuesday Night Club. We've got carp; we've got haddock; we've got insanity; we've got the power of prayer. We may even have (gasp) true love? Has a romance been blossoming amidst these weekly tales of mayhem and intrigue? Leave it to Miss Marple to ferret it out... and to put it in its place.

Are you a fan of the 1990 blockbuster smash-hit film GHOST, starring Patrick Swayze, Demi Moore, and--most importantly--Whoopi Goldberg? If your answer to this question was a resounding "yes!" then this is your dream episode, as we found some startling parallels between the situational dynamics in this Miss Marple short story and that film. If your answer was "huh?" then we have so much to teach you.... Let's get started.

Our first interview! We were so thrilled to chat with Christie scholar Mark Aldridge, author of Agatha Christie on Screen, about the many film adaptations of Murder on the Orient Express…. Please join us in the second (and final) installation of our exploration of this Christie classic. And have no fear: we *will* be revisiting this topic come November when the new film adaptation is released!

This is a big one! So big, we decided to break it into two parts. This episode deals with the novel only; next episode we will tackle the three English-language adaptations and also touch on the feature film yet to be released, which looms darkly on the horizon.... Our ranking of this one is bound to be a bit controversial, and we'd love to hear any strong opinions you may have. But first, go get your sponge bag, your handkerchief, your pocket watch, your pipe cleaner, your scarlet dressing gown, and of course your passport (no smudges, please) and climb aboard the Simplon-Orient Express with Papa Poirot for this undeniable Christie "crown jewel" of a novel.

Another day, another episode wherein Miss Marple outsmarts all those foolish enough to underestimate her. This one is quite a pitch-black little story, as evidenced by its rather fantastic alternate title in the U.S.: Drip! Drip! And perhaps also by the fact that it's set in a place called "Rathole."

What do Poldark, Daphne Du Maurier, and the Spanish Armada all have in common? If you said Cornwall, then you are an ideal listener for this week's tale of Cornish intrigue brought to you by Miss Marple's nephew, the fake novelist Raymond West. (Spoiler: we do not like Raymond West.) Now for another one: what do Olivia de Havilland, Beverly Cleary, and Northanger Abbey all have in common? If you said nothing, then you are correct! Although technically, they are all tangents we explored on this rather freewheeling episode. Enjoy! (We certainly did.)

This one is a little controversial! In a few different ways. Join us for a rollicking discussion of our latest Poirot novel, including such topics as: feminist literary theory (and whether it has a place in the interpretation of this text), and our first instance of (a subtextual, yet heavily implied) homophobia.... Oh, and there's also David Suchet playing (gasp) Inspector Japp!

The real mystery of this very special episode is why Hercule "mal de mer" Poirot would choose to spend his summer holiday in a boat on the Mediterranean, but luckily for us he does, along with a cast of characters running the full spectrum of companionability from delightful to despicable.... So come soak in the sun with us as we explore Poirot's most extreme--and perhaps, ironically, darkest--solution of extralegal justice among his many, many cases.

Have you watched the new Murder on the Orient Express trailer? We have, and we have thoughts. Many of them. We also have a new Miss Marple short story, one that may be a little short on clues, but not on atmosphere. Not that our dear Aunt Jane’s razor-edged bear trap of a ratiocination machine (a.k.a. her mind) would ever be affected by such a silly thing as atmosphere....

So much to discuss in our first Miss Marple short story, including: 1) the "Peter Panning" of yet another beloved Christie detective; 2) the perils of dismissing your dear Aunt Jane if you happen to be a pretentious blowhard of a novelist; 3) the further adventures of dubiously tinned seafood. Throw a log on that fire, spill some lace down your chest, and settle in for some good old-fashioned cynicism, Marple-style.

There is so much to cover in this devilishly clever and somewhat underrated Poirot mystery. (Plus cocaine. A lot of cocaine.) Join us as we discuss just how bad a job M. Poirot does in this one (it's surprising!), the finer points of Art Deco design, and the delightfulness of Cornwall as a setting (though sadly, sans Poldark).

All right, it's time to talk about the *one* case our M. Poirot failed to solve. A better title might be: The One That Got Away, or in the case of the Suchet adaptation, The One *Who* Got Away.... Join us as we discuss television's penchant for spelling out sorrowful/traumatic backstories, and ponder just how big a chocolate can possibly be. We promise you'll never hear the line, "My mama always said, life is like a box of chocolates" quite the same way again.

There are so many things lost in this story: a mine; the papers pinpointing the location of said mine; the narrative facade whereby Hastings is supposedly the one telling us this story (more on this last point in our next episode).... But one thing we were sure *not* to lose was context, because boy is it necessary while wading through the colonialist Orientalism on display here.... So pull on your gaiters and wade with us. Along the way we get to hear Poirot call Hastings a "grumpus," so all is not lost.

We are heading to the University of Cambridge in June to present a paper on Agatha Christie! We wanted to share this news with you because 1) we are so excited; and 2) we encourage you to join us there if you can! (Check out http://www.agathachristieconference.com for more details.) Our regularly scheduled programming will resume next week....

Well, this turned out to be rather a delightful read, despite a surprising number of unpleasant characters of the male persuasion. Perhaps that is the ultimate revenge of our plucky heroine, Emily Trefusis (not to mention Dame Agatha herself), in this, our very first standalone novel. So make yourself a hot cocoa (sans strychnine, please) and come enjoy with us the wintry wonders of Devon....

Irish brides, Chinese boxes, Dutch murders... this mini-thriller masquerading as a Poirot short story has it all! Except for clues. But what it is lacking in clues it makes up for in FUN, particularly in the Suchet adaptation.... Woe to those who find themselves in a cell block next to "Mad Dog" Poirot. It's only a matter of time before he figures out how to make a shiv out of that mustache comb.

It isn't often we're more critical than adoring of *both* a Christie story and its adaptation, but that seems to be the case here. I guess you could say where there's a missing will, there's a missing way. (Oof; just because you *could* say that doesn't mean you should....)We actually had a lot of fun exploring our different issues with each medium here. So put on your best suffragette-white outfit and come spend a spell with "new woman" Violet Marsh.

Introducing… Miss Jane Marple! We could not be more thrilled to have reached, at long last, Dame Agatha’s most celebrated amateur detective. Join us as we endeavor to untangle not just the rather traditional puzzle mystery we find in this novel, but the character of Miss Marple herself. Is she a cynical yet well-meaning old lady with a knack for problem solving, or is there something more devious, even sinister about her powers of observation and inference? Come take a listen before you too fall victim to “sleepy sickness” and turn into a completely different person. (No, seriously: that is a thing in this book. It’s very weird. And not at all a spoiler because it has nothing to do with... anything.)

This one is a comely little Christie puzzle that is definitely not going to win any awards for ingenuity, but it's pleasant enough to read. And to discuss. Warning: you might not want to sit down to this one with a cup of coffee. Or a rice soufflé. Or any food, really.... (That's not a spoiler: when Hercule Poirot stares at the remains of a meal for as long as he does at the beginning of this story, you know the meal has to be significant.)

This week's pleasing Poirot puzzle is noteworthy for a few reasons: 1) it features Agatha Christie's recitation of the different ways a person might disappear, written five years *before* her own disappearance; 2) the Suchet adaptation features a bit of delightful wordplay involving a parrot; and 3) that same parrot leads to perhaps the greatest Hastings putdown ever recorded. Poor, poor Hastings....