The Allan Mckay Podcast

Rob Nederhorst is a veteran of the VFX industry. As a VFX Supervisor, he’s worked on titles like JOHN WICK: CHAPTER 3 - PARABELLUM, THE CONJURING, GHOSTBUSTERS, CAPTAIN AMERICA: THE FIRST AVENGER, and so many others. Rob has deep knowledge in compositing, lighting, 3D, 2D and programming. In addition, he does his own photography (https://www.flickr.com/photos/71678094@N00/) and teaches at University of Southern California.  In this Podcast, Allan McKay interviews VFX Supervisor Robert Nederhorst about his viral Generative AI Webinar for SAG-AFTRA Membership and the feedback that followed; the current CGI backlash and why the best visual effects are invisible; why AI will never replace VFX artists and why 2024 will be a year abundant with opportunities – and so much more! For more show notes, visit www.allanmckay.com/439.    

Eric Wachtman is a CG / VFX Supervisor and Art Director at LAIKA where he’s been working for nearly 20 years. Prior to that, he served as the Director of CG / Visual Effects and Art Director at the Cartoon Network. LAIKA was founded in 2005 in Oregon and is guided by the vision of its President & CEO Travis Knight. Located just outside Portland, Oregon, LAIKA was awarded a Scientific and Technology Oscar® for its innovation in 3D printing in 2016.  Its five films – MISSING LINK (2019); KUBO AND THE TWO STRINGS (2016); THE BOXTROLLS (2014); PARANORMAN (2012), and CORALINE (2009) – were all nominated for Oscars® and PGA Awards as Outstanding Animated Film.  MISSING LINK was the first LAIKA film to win the Golden Globe® for Best Animated Feature and was awarded two Visual Effects Society (VES) awards for Outstanding Visual Effects in an Animated Feature and Outstanding Animated Character, and received seven Annie Award nominations. KUBO received a second Oscar® nomination for Outstanding Visual Effects and w

Alex Wang is a VFX Supervisor. He started his career in visual effects at The Orphanage on THE DAY AFTER TOMORROW, right after graduating from Ringling College of Art and Design in 2003. He then joined Image Movers Digital to work on THE CHRISTMAS CAROL and MARS NEEDS MOMS. In 2010, Alex joined Digital Domain for TRON LEGACY, and then he worked on TRANSFORMERS: DARK OF THE MOON, JACK THE GIANT SLAYER and FURIOUS 7. He also served as a CG Supervisor on FAST AND FURIOUS 7 and then VFX Supervisor on DEADPOOL. In this Podcast, Allan McKay interviews VFX Supervisor Alex Wang about creating the post-apocalyptic practical and visual effects of the Emmy-nominated HBO show THE LAST OF US, the skills of a VFX Supervisor, staying relevant by keeping up with technology, how AI is changing VFX pipelines and so much more! For more show notes, visit www.allanmckay.com/437.

Freelance is such a big topic in visual effects! For those of you starting in the industry, you’re probably wondering how to get your foot in the door. Ultimately, 2024 will be a very busy year. That means that those of you who are good should be ready to turn down work.  The first thing you need to think about is how you’re positioning yourself in the business: What are the special skills that you have that allow you to stand out from others? We are in a problem solving business. Positioning means that you know how to sell yourself – by providing solutions to the potential employer – as well as understand your worth. You need to be aware of what you bring to the table and how to sell yourself. (That also means that you’re aware of what you’re not good at, which gives you room for improvement.) You also need to understand the needs of your employer. You show that understanding by providing a reel that sums up your best work – and is very heavily catered to the specific task that the employer is looking to fil

Chris LeDoux is the Co-Founder of Crafty Apes, a VFX Supervisor and an Entrepreneur.  Born and bred in Alaska, Chris earned Bachelor’s degree in both psychology and sociology, but his fascination with filmmaking led him to the world of visual effects. He began his career in VFX as a compositor at The Orphanage in 2004. He worked at numerous studios such as Uncharted Territory, Cafe FX and Scanline. Now a veteran of the film industry, his impressive resume includes compositing and VFX supervision on multiple titles, including 12 Years a Slave, Doctor Strange, Better Call Saul, among others. He has also directed music videos and led visual effects teams for U2, Chris Cornell, New Kids on the Block, Paramore, just to name a few. Crafty Apes is a full service, boutique VFX company based in Culver City, CA & Atlanta, GA. The company was launched in July of 2011 by three visual effects veterans Jason Sanford, Chris LeDoux and Tim LeDoux. Believing that strong 2D compositing is the backbone behind quality visual

Chris LeDoux is the Co-Founder of Crafty Apes, a VFX Supervisor and an Entrepreneur.  Born and bred in Alaska, Chris earned Bachelor’s degree in both psychology and sociology, but his fascination with filmmaking led him to the world of visual effects. He began his career in VFX as a compositor at The Orphanage in 2004. He worked at numerous studios such as Uncharted Territory, Cafe FX and Scanline. Now a veteran of the film industry, his impressive resume includes compositing and VFX supervision on multiple titles, including 12 Years a Slave, Doctor Strange, Better Call Saul, among others. He has also directed music videos and led visual effects teams for U2, Chris Cornell, New Kids on the Block, Paramore, just to name a few. Crafty Apes is a full service, boutique VFX company based in Culver City, CA & Atlanta, GA. The company was launched in July of 2011 by three visual effects veterans Jason Sanford, Chris LeDoux and Tim LeDoux. Believing that strong 2D compositing is the backbone behind quality visual

Mark Spindler is a Visual Effects Supervisor at Pixomondo in Frankfurt, Germany. He’s worked on feature films such as Midway, Justice League, Star Trek: Into Darkness, as well tv shows like The Mandalorian and Game of Thrones for which he received two VES Award nominations. His most recent work on House of the Dragon has also been recognized with an Emmy nomination. He began his career path as a Compositor after finishing his Master of Arts in Media Production in 2012, then became a Lead Compositor and Compositing Supervisor before being promoted to his Supervisor position. Besides his career as a Supervisor, Mark has also contributed to visual effects by developing several tools for Nuke. Some of those Gizmos, Python scripts and C++ plug-ins can be downloaded from the tools section on his website (http://www.mark-spindler.com/tools.html) or from Nukepedia. In this Podcast, Allan McKay interviews VFX Supervisor Mark Spindler about his work on both HOUSE OF THE DRAGON and GAME OF THRONES; the pipeline, creativ

Eric J. Robertson is the Executive Vice President of ReDefine, as well as a Producer, Cinematographer and Entrepreneur. As part of the DNEG Group, ReDefine leverages an incredible legacy of creative and technical innovation to cater to projects that benefit from their agile boutique approach. The studio designs solutions that are tailored to the requirements of each show and always delivers to the highest levels of quality. The list of their credits includes DUNE: PART II, BORDERLANDS, WACO: THE AFTERMATH, and so many more! Prior to joining ReDefine, Eric co-founded a New York based VFX Studio Mr. X Gotham. Over the course of his career, he supervised and produced visual effects for over 50 feature films and worked with some of film’s most respected directors including Ron Howard, Jonathan Demme, Sam Mendes, Joel and Ethan Cohen, Jim Jarmusch and Charlie Kaufman. With a career that spanned all genres, Eric enabled Sacha Baron Cohen’s General Alladeen to walk a tightrope above midtown New York in THE DICTATOR;

Ghost Robot is the creative studio of the future based in Williamsburg, Brooklyn, NY. They work with a global community of artistic talent to create content for forward thinking clients. Ghost Robot was founded in 2002 by Zachary Mortensen. The company derived its name from the theme of a music video Ghost Robot was producing at the time. The video was for the song "In The Waiting Line" by the band Zero7. "In The Waiting Line" was the first commercial use of machinima using the animation engine from the Quake video game. In 2005 Mark DePace joined the company as a full partner and spearheaded the formation of the company's roster of directors for commercial representation. The addition of DePace repositioned the company within the industry and began their official move into advertising and commercial production. In this Podcast, Allan McKay interviews Ghost Robot’s CEO Zach Mortensen and COO Mark DePace about the inspiration behind launching Ghost Robot and its name; how keeping track of latest innovations is

Zacharias “Zach” Reinhardt is a 3D Artist, as well as Founder and Lead Instructor at CG Boost. CG Boost provides Blender tutorials and resources for 3D artists, in order to make creating passionate 3D projects achievable for anyone. In this Podcast, Allan McKay interviews the Founder of CG Boost Zach Reinhardt about starting his YouTube Channel and gaining traction, the inspiration behind launching his company, alternative packages to study Blender, which area of the industry uses Blender the most – as well as how to make a living as a 3D artist! For more show notes, visit www.allanmckay.com/430.  

Tim Simmons is an experienced media producer with a demonstrated history of creating short and long form video to create engaging content.Tech Savvy, people savvy, and self motivated creator with a successful track record of building a brand from scratch, Tim is passionate about sharing his knowledge with others – and exploring the intersection of creative content and AI. In 2022, Tim created Theoretically Media, a channel focusing on creative AI imagery. The Channel dives into filmmaking, music, writing, and art, all enhanced by AI latest tools. Believing in technology's power to elevate independent artists' work, Tim explores the cusp of AI and art. The YouTube Channel currently has over 46K Subscribers. In this Podcast, Allan McKay interviews Tim Simmons, the Creator of Theoretically Media, a YouTube Channel focused on creative AI imagery. Allan and Tim dive into the topic of AI: the rapid growth of AI and the reaction of the artistic community to this technology, the dual Hollywood strike and the issue of

Melinda Ozel is an Expression Scientist, Consultant and Educator of all things face related.  Before pioneering a career path in expression science, she worked as a Researcher at Meta and Affective where she used her expression expertise to advise the tracking and simulation of facial behavior. She now helps companies in film, game and tech create compelling animated characters and build high-fidelity face tracking technology. In this Podcast, Allan McKay interviews Expression Scientist Melinda Ozel about neuroscience, neuro-marketing and psychology; her contribution to the FACS system and working as an educator; as well as tips for building your own consulting business and the importance of coding, SEO and social media. For more show notes, visit www.allanmckay.com/428.

Activision Blizzard’s history goes back more than 40 years. Two incredible gaming brands Activision and Blizzard Entertainment merged, bringing together the best creative talent in gaming. The acquisition of King in 2016 further strengthened the company’s vision to bring the world together through epic entertainment. Their professional gaming properties include the Overwatch League™, the Call of Duty League™, Hearthstone® Grandmasters, and the World of Warcraft® Arena World Championship, among others. Activision Blizzard Esports also operates Tespa™, the leader in collegiate esports. In this Episode, Activision Blizzard King’s Executive Principal Recruiter for Art in Animation and Creative Robin Alan Linn gives insider tips about what makes a successful reel, how to negotiate a salary, importance of relationships and reputation, why visual effects is always about storytelling – and why the most crucial question an interviewee can ask is: “What am I bringing to the table?” For more show notes, visit www.allanm

A veteran facilitator with over 25 years experience in VFX and animation, Jep Hill is an Executive Creative Director at Alkemy X, an award-winning global creative company at the intersection of advertising, brands and entertainment. The company is a creative partner for the biggest names in film and television, such as Fear of the Walking Dead, Wednesday, The Whale, Westworld, Power, Dear White People, Hunters, Mr. Robot, and many more. Since 1981, Alkemy X has been a pioneer in a continuously evolving industry — entrusted with projects generating billions of dollars in revenue. With the craft and talent to take on any project, they’re a vertically integrated creative company, offering strategy and execution with speed, quality and efficiency that always exceeds expectation. In this Podcast, Allan McKay interviews the Executive Creative Director of Alkemy X Jep Hill about leadership skills for artists, the age of AI in VFX — and how artists can take advantage of it; go-to tools and soft skills of a VFX Superv

Todd Sheridan Perry is an On-Set Supervisor on the show with a diverse background in video games, film and television. He’s worked on titles like Lord of the Rings: The Two Towers to Final Destination 5, The Immortals, Total Recall, Resident Evil 5 and Avengers: Age of Ultron. Todd has also worked as a CG Supervisor on Marvel’s Doctor Strange which was nominated for a Best Visual Effects Oscar. Scott Kirvan is a VFX and Virtual Production Supervisor, Tech Enthusiast and multidisciplinary creative. He is also the Co-Author of globally recognized Brazil Rendering System, a high performance production quality GI ray trace renderer. As a Virtual Production and Visual Effects Supervisor, Scott has over 20 years of leadership experience, including client-side supervisory roles and in-studio digital production work. He has a diverse background in filmmaking, VFX, business leadership, and engineering, making him a valuable asset to any production team. In this Podcast, VFX Supervisors Todd Sheridan Perry and Scott Ki

With 10+ years of VFX industry experience, Digital Artist and VFX Sup Marco Baratto is more than ever interested in being an integral part of it through compositing and creative leadership. An understanding of light, color and composition are essential to his approach. His additional interests include photography, concept art, cinema and mathematics.  His most recent credit is the role of a Digital Artist in Christopher Nolan’s OPPENHEIMER. His other credits include EXODUS: GODS AND KINGS and GUARDIANS OF THE GALAXY. In this Podcast, Digital Artist Marco Baratto talks about his work on OPPENHEIMER and how much CGI should or should not be utilized is storytelling; as well as the pros and cons of working remotely, the benefit of getting a degree in VFX and the importance of doing your personal work as a VFX artist. For more show notes, visit www.allanmckay.com/424.  

Curious Refuge is a home for unlocking your inner artist using the latest tools. Founded by Caleb and Shelby Ward, the company believes in giving back to the creative community with their videos, blog content and interactive courses. They develop compelling and innovative video and blog content for free and have a blast with every video. They also work with world-class clients and storytellers to bring their creative visions to life. Self described as a bunch of goofballs who have a love for life and creativity, they love to share content and inspiration. Caleb Ward has led marketing teams for startups, Fortune-500 companies and creative brands around the world. His background in filmmaking and marketing has led him to develop keen intuition about what it takes to launch a successful idea.  In this Podcast, Allan McKay interviews Caleb Ward, the Co-Founder of Curious Refuge, a community for artists that tackles the latest tools including AI, about his starting the company as a positive change, going viral on

Grant Miller is a Partner and an Executive VFX Supervisor at Ingenuity Studios. Grant brings a deep level of technical and artistic acumen to his role as Executive VFX Supervisor at Ingenuity Studios. He oversees the studio's CG, FX, and Pipeline teams, ensuring that final results meet the exacting demands of sophisticated clients. Working closely with directors and creative decision-makers, Grant provides guidance and methodology during preproduction, supervision on set, and ensures seamless collaboration and high-quality results through post. Over the years, Grant has supervised visual effects for a long list of notable clients, including episodic television shows such as The Night Agent, The Orville, The Boys, and Westworld; films such as Get Out and A Star is Born; music videos for Taylor Swift, Billie Eilish, and Lady Gaga; and Super Bowl commercials for Fox Sports. Grant got his start working in video games in 2007, a background that he pulls from as the industry moves toward real-time VFX. Based in Los

With a passion for storytelling and a flare for the visual, Matt Whelan has been making short films and commercials for over 10 years. Training as a classical animator at Sheridan College, Whelan's experience spans live-action and digital Directing, storyboarding, CG animation, and VFX supervision, where he has received international nominations for multiple film/television works. His current focus is on live action narrative. Whelan received a 2023 Emmy® nomination for his work on Apple TV+ series FIVE DAYS AT MEMORIAL. Eric Durst is a Visual Effects Supervisor known for his work on GODS OF EGYPT (2016), SNOWPIERCER (2013), and BATMAN FOREVER (1995). Durst received a 2023 Emmy® nomination for his work on Apple TV+ series FIVE DAYS AT MEMORIAL. He was previously nominated for an Emmy® in 2017 for his work on National Geographic’s GENIUS. In this Podcast, Allan McKay interviews VFX Supervisors Eric Durst and Matt Whelan about their work on FIVE DAYS AT MEMORIAL for Apple TV+, the most memorable and challenging

James MacLachlan is a London-based VFX Supervisor and Director with a career spanning 19 years.He has worked for studios in New Zealand, Australia and the United Kingdom.  James has worked at a number of London VFX houses including Glassworks and The Mill and is currently a Freelance On-set VFX Supervisor, Flame and Nuke Artist. He offers secure remote artistry on both Flame and Nuke in his London studio. Over the years he has completed high end VFX on TV Commercials, TV Series effects and design, Channel Idents, Feature Films, Music Videos, Virals and Interactive Online Video projects. He is also known for his work on 28 WEEKS LATER (2007), WICKED SCIENCE (2004) and TED LASSO which has been nominated for an Emmy for Outstanding Special Visual Effects, in 2023. In this Podcast, Allan McKay interviews VFX Supervisor James MacLaghlan about his work on the 2023 Emmy-nominated Episode of TED LASSO, the preparation and improvisation of VFX supervision, the tools used on set, how to fast track your career as a VFX