Soundtracking With Edith Bowman

Our latest guest on Soundtracking is an actor, model and musician who established himself in the mainstream with his chilling performance as serial killer Paul Spector in critically acclaimed drama, The Fall. Jamie Dornan has since landed a string of leading roles, including the part of Christian Grey in the Fifty Shades series and Nick in Untogether, which was written and directed by former guest on this show, Emma Forrest.  His latest outing sees him appear alongside Kristen Wiig and Annie Mumolo in the madcap comedy Barb And Star Go To Vista Del Mar, which, we can assure you, is an absolute hoot. He also stepped in at the very last minute, for which we're eternally grateful!

Our latest guest on Soundtracking is truly born into cinematic royalty. Writer / director Edoardo Ponti is the son of Sophia Loren and Carlo Ponti, who produced Dr Zhivago among many, many other films.  Edoardo's latest project is The Life Ahead, which stars his mother as a former prostitute who forms an unlikely bond with a Senegalese street kid. You can watch it on Netflix now, and we highly recommend you take the time. Edoardo brims with enthusiasm, and has a mischievous sense of humour, making this a jolly entertaining listen indeed.

Our latest guest on Soundtracking is American playwright and film and theatre director, George C Wolfe. Now it's with a certain sadness we welcome George to the show, as his latest offering Ma Rainey's Black Bottom also happens to be Chadwick's last performance before his passing. But what a performance it is, as he and Viola Davis put on a virtuoso show as the eponymous blues singer and the trumpeter in her band.  It's available to watch on Netflix now - so you can see for yourself why it landed numerous award nominations and received widespread critical acclaim.

Our latest guest on Soundtracking is a composer whose name has been mentioned on countless occasions on this podcast, such has been his productivity across the diverse world of screen music Ilan Eshkeri has worked on numerous films, TV shows and video games - the latest of which is the quite simply breathtaking Ghost Of Tsushima for the PS4. He's also scored four documentaries for David Attenborough, including A Perfect Planet, which you can watch on the BBC iPlayer right now.  He's also built up several strong creative partnerships over the years with the likes of Matthew Vaughn, Ralph Fiennes and Mat Whitecross.

Our latest guests on Soundtracking are a husband and wife duo responsible for some of the most memorable original tracks to feature on our screens in recent times. For Bobby Lopez and Kristen Anderson-Lopez are the couple who wrote the songs in Frozen and Coco, winning Oscars for standouts Let It Go And Remember Mer respectively.  Now they have contributed theme tunes to episodes of the quite extraordinary WandaVision, which is streaming now on Disney +. Set in the Marvel Comic Universe, WandaVision takes place after the events in Avengers: Endgame, and sees Elizabeth Olsen and Paul Bettany reprise their roles from the film series.  Beyond that, it's quite hard to explain what's going on, so you'll just have to investigate for yourselves! 

Our latest guests on Soundtracking are a duo who've combined to great effect on the haunting drama and character study, Luxor. As we'll hear, writer / director Zeina Durra contacted Venezuelan composer Nascuy Linares somewhat out of the blue to score her film, which tells the story of an aid worker who heads to Egypt to escape the horrors of the civil war in Syria, and runs into an old flame while she's there. Andrea Riseborough's performance in the lead role is something to behold, as are the locations and cinematography, so do check all of the above out on home entertainment formats as and when you get a second. Originally, Zeina didn't want any incidental music at all, which perhaps informed the ambient, stripped-back aesthetic of Nascuy's score. But he's done a beautiful job from beginning to end - capturing both a mood and a sense of place.

Our latest guests on Soundtracking are a duo Edith's been chasing since we started this podcast, so it's an absolute thrill to finally lure them on. Trent Reznor and Atticus Ross burst onto the film-composing scene with their score for David Fincher's The Social Network, for which they won an Oscar in 2010. The trio have since joined forces on The Girl With The Dragon Tattoo and Gone Girl. Trent and Atticus's most recent work can be heard on Fincher's Mank and Pete Docter's Soul, which you can watch right now on Netflix and Disney + respectively. The two films couldn't be more different and had wildly contrasting musical requirements - which is testimony to the range of their talents. 

Our latest guest on Soundtracking is a composer who's been nominated for a BAFTA on no fewer than five occasions for his sterling output for television. Murray Gold is perhaps best-known for his work on Doctor Who, which saw him continue a long-time partnership with top screenwriter, Russell T Davies. The pair first joined forces on Queer as Folk, and have since collaborated on numerous critically celebrated shows such as Years And Years and A Very English Scandal. Their latest project is It's A Sin, which premiers on Channel 4 here in the UK on January 22nd. A tale of extreme highs and ghastly lows, it recounts the story of five 18-year-olds who move to London in the early 80s and have their lives turned upside down by the AIDS crisis. The legend that is Frank Oz also gets a more than honorary mention!

Our latest guest on Soundtracking is a first time film composer who's smashed his debut score right out of the park. Adam Janota Bzowski has a background in both music and sound design, and has expertly married the two arts with his work on Rose Glass's Saint Maud. Garnering widespread critical acclaim, Saint Maud defies categorization, but broadly tells the story of a hospice nurse who becomes obsessed with a former patient in her care, believing she must save her soul. It's available on home entertainment formats from 1st February, and we suggest you pop a note in your diary for that - as it really is that good. Adam's score compliments the unsettling atmosphere of the narrative, script and visuals perfectly - and is an incredibly accomplished first foray into the business.

Merry New Year, everybody! To see it in, it's another double-header for you. First up, a true legend of recent cinema. Pete Docter is the Chief Creative Officer at Pixar. As well as winning Oscars as the director of Inside Out and Up, he was one of the main reasons we have Toy Story and has played some sort of hand in pretty much every movie to have come out of the studio. His latest project is the hugely ambitious Soul, which he both wrote and directed. Streaming now on Disney +, the story follows a music teacher voiced by Jamie Foxx, who seeks to reunite his soul and his body after they are accidentally separated, just before his big break as a jazz musician. Then we have Tessa Thompson talking about Sylvie's Love, another film to have jazz at its very core. Set in 50s Harlem, it's a classic romance between Tess's character, with ambitions of her own, and a saxophonist that beautifully evokes the spirit of the age. It's available to watch now on Amazon Prime.

We have one of Edith's dear old friends on this festive episode of Soundtracking - the one and only Andy Burrows As well as teaming up with Edith's fella Tom in their Smith & Burrows guise, Andy drummed with Razorlight, is Ricky Gervais's go-to guy, and scored Snowman & The Snowdog with Ilan Eshkeri. He and Edith discuss all of this and more. Hope you enjoy, merry Christmas everybody!

We're very excited about our latest episode of Soundtracking, which sees a welcome return to the podcast for the Boss, Bruce Springsteen, and his longtime collaborator Thom Zimny. The pair joined Edith during lockdown to discuss Bruce's new album, Letter To You, and Thom's gorgeous accompanying film of the same name. Letter To You saw Bruce reunite with the E-Street Band for the first time since 2014, and was recorded over 5 days at his home studio under Thom's watchful eye. Like Western Stars before it, it interweaves music, archive and the meditations of its protagonist to genuinely profound effect. We highly recommend checking it out on Apple TV now.

Our latest guest on Soundtracking is a composer we've been wanting to get on for absolutely ages.  Michael Price has worked on a huge range of projects for film and television, including Dracula, Horrid Henry, Hot Fuzz, Band Of Brothers and, of course, Sherlock - for which he won an Emmy with David Arnold. He's also music edited some incredible movies, from Lord Of The Rings to Love Actually and Children Of Men His most recent film score is for Eternal Beauty. Eternal Beauty saw him team up with recent guest on this show Craig Roberts, after they first collaborated on Just Jim. We don't talk about music in as much detail, but don't worry, we'll get him back in 2021 and get granular. Michael doesn't know that yet, but still ...

Christmas continues to come early on Soundtracking, as once again we have two guests for you instead of one. First up, a bit of a legend in our mind, given that he scripted both American Beauty and Six Feet Under. Alan Ball has now written and directed a little gem of a movie in the shape of Uncle Frank, which you can watch on Amazon Prime. Starting Paul Bettany and Sophia Lillas, Uncle Frank tells the story of a gay man forced to confront his past on a road trip with his niece, and has all the wit and nuance of Alan's previous stellar work. Then, perhaps even more impressively on a certain level, Edith is joined by Viggo Mortensen, who not only wrote and directed, but also starred in, and composed the score for, Falling - his first film behind the camera. A long time in the making, Falling sees Lance Henriksen play the homophobic Willis, who is forced to move in with his gay son when he starts to exhibit signs of dementia. Falling has a cinematic release, but you can also watch it at home. Head to modern

It's all about girl power on this latest episode of Soundtracking, with not one but two women at the very top of their game. First up is Sofia Coppola, returning to the podcast to discuss her new film, On The Rocks, which she both wrote and directed. Starring Rashida Jones and Bill Murray, it tells the story of Laura, a mum having doubts about her marriage whose charming yet cynical father, Felix, suggests her husband may be having an affair. It's streaming on Apple TV now, and sees both leads on fine, fine form.  Then Edith is joined by Alison Brie. Best known for her roles in Mad Men, Community and Glow, Alison has now directed an episode of Marvel 616. Marvel 616 is a series of 8 documentaries about everyday folk who are in some way connected to the universe of the comics. We'll let her explain further during the interview, but you can find out what it's all about for yourselves on Disney+ Enjoy!

As promised, we've another double-header for you on this latest episode of Soundtracking, as we span the globe with an Australian and an American. First up is Ben Frost - a composer of extraordinary versatility. We spent much of the time discussing his scores for the mind-bending German Netflix sci-fi / thriller / mystery / time-travel drama Dark. His work on all three seasons is available to buy right now at invada.co.uk - so get ordering online at the first opportunity. Then we bring you Radha Blank discussing The 40-Year-Old Version - a film she wrote, directed and stars in. Blurring the lines between reality and fiction, it tells the story of, you guessed it, Radha, a down-on-her luck playwright moving between the worlds of theatre and hip-hop.

It's two for the price of one on our latest episode of Soundtracking, as we bring you a superb composer and splendid writer/director. First up is our old friend Ludwig Goransson, here to talk specifically about season two of the Mandalorian - which is streaming now on Disney +, one episode at a time. Then we bring you Bassam Tariq on Mogul Mowgli, which had a theatrical release before the second lockdown, and is now available to watch on the BFI Player and Curzon Home Cinema. More details are available here: https://www.mogulmowgli.co.uk/ Starring former guest on this show, Riz Ahmed, It's such a startlingly original piece of filmmaking, we really wanted to give it a little bit of love. Hence the bonus guest! Enjoy!

Our latest guest is a composer whose work you'll almost certainly know and love. As you'll hear, Steven Price took the scenic route into full blown film scoring with Attack The Block in 2011, after many years on the periphery of the business. His patience has been well rewarded - he went on to win an Oscar for Gravity, and has also worked on World's End, Baby Driver, Suicide Squad and The Aeronauts among many other things. Steven joined Edith to discuss a couple of new projects he's done for Netflix, which you can watch right now: Glen Keane's beautiful animation, Over The Moon, and David Attenborough's A Life On Our Planet. Both very different, but both extremely moving in their own way - in no small part thanks to Steven's music.

We're really thrilled to be able to bring you this latest episode of Soundtracking, as it's the first thing we've done in front of a live audience post-lockdown. As part of the London Podcast Festival, Edith was joined by the one and only Nick Frost before a small, socially distanced gathering at King's Place to discuss all manner of things, including his new Amazon show Truth Seekers, a comedy-horror about a team of paranormal investigators. We're hugely grateful to Nick for making the effort - and he was on predictably fine form. Thanks also to everyone who made the effort to be there in person or join us online. We really do appreciate it!

We've got a proper friend of the show on this latest episode of Soundtracking, as Ben Wheatley returns for his fourth - yes, fourth - sitting.  Our first ever guest, he previously joined us to discuss High Rise, Free Fire and Happy New Year, Colin Burstead. This time round he's here to talk about his take on Daphne Du Maurier's Rebecca, from a screenplay by Jane Goldman, Joe Shrapnel and Anna Waterhouse. If you haven't seen it yet, you can watch it right now on Netflix. Rebecca sees Ben reunited with composer Clint Mansell, who also provided the scores for High Rise and Colin.