Working Drummer

Al Murray is a Co-Founder and Managing Director of the British Drum Company He is also one of the UK’s most recognizable comedians! In his guise as the Pub Landlord he has played drums with the likes of Phil Collins and Queen as well as touring the world appearing on TV and radio. Al has published books and is planning a movie, but his first love is drums. A keen and enthusiastic drummer, Al has played since he was a kid, and is currently active in the band 'Fat Cops'. Lastly, Al and historian James Holland discuss all matters Second World War with their immensely popular podcast, We Have Ways of Making You Talk. The podcast is a bi-weekly show exploring the war in close up and James and Al have a stunning knowledge of the subject. In this episode, Al talks about:    His podcast, “We Have Ways of Making You Talk”    His interest in the 2nd World War    The British Drum Company    The variety of snare drums that The British Drum Company offers    His full time gig as a touring comic act, the Pub Landlord

Danny Pachall has been active on the Atlanta scene for nearly 20 years with gigs ranging from the most precise metal to the most experimental improvisation. He toured with "blues surrealist" Col. Bruce Hampton and was part of the long-standing jam session hosted by bassist Kevin Scott. He has also toured and recorded with metal guitar heavyweight Emil Werstler, Zappa alum Ike Willis, tribute outfit Georgia Players Guild, and many others. He is currently in the house band for "Metalsome Mondays," a live band metal karaoke show, and most recently he was tapped to perform live and record for a new side project by Mastadon's Brent Hinds. In this episode, Danny talks about His view of the current metal landscape His "Jim Keltner" approach to Brent Hinds' project Recording and touring with Emil Werstler's metal project "Verlorener" The influence of bassist Kevin Scott, and the role Kevin's experimental jam session on the Atlanta creative scene Playing with Col. Bruce Hampton Being capable of the precision of

    Jim Brock has proven to be an innovator in the world of drums and percussion. Within his forty five year career he has appeared on literally hundreds of recordings with artists such as Joe Walsh, Joan Baez, Kathy Mattea, Joe Cocker, Janis Ian, River Phoenix, and James McMurtry. With five solo recordings and a DVD entitled The Nature Of Drumming, Jim Has traveled the world extensively with performances on The Tonight Show, A Prairie Home Companion, Good Morning America, MTV, and multiple appearances on The View, just to name a few. Among these include a concert at the White House for President Clinton in 2000. In 2007, Jim was asked to compose the music for the documentary "The Spirit of Sacajawea". For this work he is the recipient of the prestigious Telly award, and was nominated for an Emmy award in the category of Composer/Arranger. In this episode, Jim talks about:    Learning to develop his own voice with percussion    When and when not to use traditional patterns and feels    Recording with Joe W

Brian Steever is a drummer on a mission to inject joy into every musical situation that he finds himself. One of the most in-demand drummers on the Kansas City scene, the drums have been his passion since he was born. He began his studies with Loyd Warden in Columbia Missouri and is an alumnus of UMKC where he studied with Doug Auwarter, Brandon Draper, Curtis Lundy, Michael Carvin and Bobby Watson. Brian enjoys many performance opportunities in the Kansas City area and beyond. He can be seen around town with Mike Metheny, Matt Otto, Bob Bowman, Jeff Harshbarger, and Hermon Mehari. Brian has also had opportunity to play with musicians from all over the world including Ben Allison, Javon Jackson, Deborah Brown, Bob Sheppard, Tony Tixier, Shunzo Ohno, and Sam Newsome among others. In this episode, Brian talks about: Having the three strong influences of a mentor, a peer, and a community all before he left high school How the Kansas City jazz scene is supportive of everyone's unique voice His experience at Un

As a session drummer, Shannon Forrest has contributed to the work of many well-known artists, including Brooks & Dunn, Taylor Swift, Rascal Flatts, Carrie Underwood, Mary Chapin Carpenter, The Chieftains, Willie Nelson, Ricky Skaggs, Trisha Yearwood, Lee Ann Womack, Jerry Douglas, Merle Haggard, and many others. Shannon is also a producer and engineer. Born in Easley, South Carolina and now living in the countryside just outside of Nashville, Shannon's recording career is unparalleled. In his twenty-plus years as one of Nashville’s top session drummers, he's constantly in demand for practically every top artist that town produces. The list includes mega stars Brooks & Dunn, Taylor Swift, Rascal Flatts, Carrie Underwood, Toby Keith, Faith Hill, Sugarland, Tracy Lawrence, LeAnn Rimes, The Chieftains, Michael McDonald, Willie Nelson, Alabama, Art Garfunkel, Ricky Skaggs, Trisha Yearwood, Blake Shelton, Martina McBride, Lee Ann Womack, Gretchen Wilson, Merle Haggard, Trace Adkins…and countless others. Shannon For

After spending the first part of his career in the New York-based jazz world, Corey Fonville has evolved into playing and producing more groove-based music. With his band Butcher Brown and most recently with Charlie Hunter and Kurt Elling on new album SuperBlue, Corey is exploring playing and tones that are firmly in the supporting role rather than the more explosive/interactive jazz role. Corey is the product of a couple of non-traditional educational environments; The New School in New York and the Dave Brubeck Institute in Stockton, CA, and his jazz resume includes Christian Scott, Nicholas Payton, Jacky Terrasson and many more. But he has found himself moving past that world in search of drumming and music that's more true to his musical identity and values. In this episode, Corey talks about: How the SuperBlue project came about, and how Charlie and Kurt turned to him to help shape it Being a bridge between Kurt's energy and Charlie's energy Being influenced by Kareem Riggins, Kendrick Scott, Obed Cal

Originally from Syracuse, New York, Nate Felty is an experienced live/session drummer and educator who enjoys performing a wide range of musical styles. Nate has been living and working in Nashville, Tennessee since 2012 and earned his Masters in Commercial Music at Belmont University in 2014. Nate is the drummer for Nashville-based, nationally touring country/roots artist, Kelsey Waldon. With Waldon, he has shared the stage on tour with Grammy Award-winning artists such as Ricky Skaggs & Kentucky Thunder, Marty Stuart and His Fabulous Superlatives, and John Prine. Since his arrival in Nashville, Nate has performed and recorded with notable touring bands from Nashville. Among these are The Amanda Broadway Band, Abby Anderson, Devon Gilfillian, Dan Smalley, Marquee Mayfield, and a 9-piece funk/fusion group Dynamo. While with Dynamo, the group earned Nashville Industry Music Awards (NIMA's) in 2015 for "Best Funk/Fusion Band" and "Album of the Year" for their 2015 release, Find Your Way. When not on tour, Nate

Jordan Perlson has spanned about as wide a stylistic reach as one can imagine. Be it with jazz legends Seamus Blake and Gary Burton, folk heroes Alison Brown and Missy Raines, reggae giants Matisyahu and Trevor Hall, cutting edge music innovators like Becca Stevens, Snarky Puppy, and Jeff Coffin, progressive innovators Adrian Belew or Kaki King, or fusion megastar Hiromi, Jordan has become a known force in these many circles. With credits on 100+ recordings, including national and international ad campaigns, Jordan is as at home in the studio as he is on stage. Having taught at prestigious institutions such as Berklee College of Music, New York University and masterclasses all over the world, Jordan is a passionate educator. An author of 2 books for Mel Bay publishing, Jordan’s books have been translated into several languages and are used the world round by teachers and students of many levels. In this episode, Jordan talks about: Why he moved to Nashville after 12 years in New York Curating musical situat

At age sixteen, Michael Bland won the "twin cities' best drummer" contest and was the beginning of a rewarding career. With his recognition as a prodigy, Michael was actively sought by many local acts. At seventeen, Hiram Bullock snagged him up, and took him to Pittsburgh and New York to do some one-nighters. That same year, he joined Dr. Mambo's Combo, a house band at Bunker's Music Bar and Grill, a local club where many Minneapolis musicians cut their teeth. Bunker's is where Prince first spotted Michael, Michael joined prince in 1989 and he toured, recorded, and performed with the new power generation for the next seven years. In 1996, immediately after his tenure with Prince, Michael went on tour with Paul Westerberg, which led to tours and recordings with other national acts, such as Chaka Khan, Maxwell, Dionne Farris, George Benson, Phil Upchurch, Howard Hewitt, and many others. Since 2005, Michael has been a member of the band Soul Asylum. In this episode, Michael talks about:    The demands of workin

Over the last decade plus, Quinton "Q" Robinson developed a busy and sustainable career drumming with Gospel and R&B acts such as Avery Sunshine, Peebo Bryson, and Anthony David, and recording in his home studio. But he got interested in musical theatre and started spending time in New York meeting Broadway drummers, musical directors, and contractors, and playing readings and off-Broadway productions. He also got in with the Alliance Theatre in Atlanta played a litany of shows there. That legwork has culminated in Q landing the drum chair for the touring production of "Ain't Too Proud," the Tony-winning Temptations musical. In this episode, Q talks about: The process of getting on the radar of decision makers in the musical theatre world His experience at The Alliance Theatre in Atlanta How he got on Clayton Craddock's radar, and how Clayton came to recommend him for "Ain't Too Proud" The intricacies of the show The qualities required of a musical theatre drummer His goals for the new studio he's about

Clifford Koufman is a Nashville-based, award-winning drummer who founded Sound & Rhythm Drumming School in 2000. With over 20 years of experience, Clifford carries a world of experience to every scenario, whether creating music, performing or teaching. He's honored to be the recipient of multiple grants, the Thrive award to build community through community drumming classes, performances, and drum circles, and the Regional Arts & Culture Council professional development grant to study music in Guinea, West Africa. He's toured internationally, throughout the US, and in Alaska. Clifford has spent time living and learning from master musicians in Ghana and then Guinea, West Africa, and has performed, taught, and worked with thousands of people as well as working with numerous bands, songwriters, and composers throughout the United States. In an effort to share in his musical experience, inspiration and to connect with creative people through conversation, he began "Clif Chats" where he's has conducted over sixty

Blair has been an LA staple for over two decades, having recorded and/or toured with Alanis Morissette, Chris Cornell, Gwen Stefani, Brandi Carlisle, Melissa Etheridge, and many others. Blair has a couple of new calling cards, one of them is his podcast Recording Drums, he’s getting ready to get season 2 of that going. And the other is his suite of online courses, Introduction to Recording, The Snare Sound Bible, and Improve Your Groove. For the month of March, Blair is offering a 15% discount on these courses to drum click listeners, check ‘em out at blairsinta.com and use the promo code BFSDSDB at checkout. In this episode, Blair talks about: Tracks that require a set of drum sounds and parts vs. tracks that require a drum performance What led him to create his online course Focusing on a narrow or specialized set of goals/skills in the studio vs. taking on the challenge of going after any sound His six week zoom course What "listening with your eyes" means Phone audio considerations His time with A

Noah Levy is an in demand drummer that lives in the Minneapolis / St Paul area of Minnesota. He has toured and recorded with a long list of international artists including Five For Fighting, The Honeydogs, Peter Frampton, Nelson, The Bodeans, and Golden Smog. Noah spends a lot of time as a session player working in studios around town as well as his own home studio. He currently plays with Brian Setzer in his Rockabilly Riot, and Orchestra. In this episode, Noah talks about:    Building his home studio    Self discovery    Time management in the home studio    The power of 2 and 4    The talent in Minneapolis / St Paul    Working with Brian Setzer    Studio etiquette

Zack was recently in Nashville for a gig, so he and Matt took the opportunity to sit down and chop it up. In this episode, Matt and Zack talk about: What "burying the click" really means and how it fits into the greater goal of sounding and feeling good The phenomenon and business model of the social media drummer An interaction we had with a listener regarding our interview style What's coming up with The Drum Click Network from discounts to a Nashville Drum Camp

Rob Rufus is an author, musician, screenwriter, and advocate. He is the recipient of the American Library Association’s prestigious ALEX Award. His literary debut, Die Young With Me, was named one of the Best Books of the Year by Hudson Booksellers and is currently being developed as a major motion picture. His follow-up, The Vinyl Underground, was named one of the Junior Library Guild’s Gold Standard Selections. He lives with his dog in East Nashville, Tennessee. Catch him on the road with his bands The Bad Signs or Blacklist Royals, and learn more at www.robrufus.net In this episode, Rob talks about:    His first book - Die Young With Me    The power of artistic expression    His 2nd and 3rd book: The Vinyl Underground and Paradise, WV    Touring with his band The Blacklist Royals    The “Band Drummer” vs the “Working Drummer”    Realities of being a working creative    Facing down cancer that gave him a new outlook on life

Chicago drummer George Fludas was born in Chicago on October 10, 1966. He was inspired to play drums by his father, who was also a drummer, and who exposed him to great jazz drummers such as Art Blakey, Max Roach, and "Philly" Joe Jones. He has played with many stellar musicians such as Lou Donaldson, Kenny Burrell, Betty Carter, Benny Green, Roy Hargrove, Hank Jones, Cedar Walton, Diana Krall, Benny Carter, Phil Woods, and Bobby Hutcherson. George has performed at numerous jazz venues in the U.S. such as the Jazz Showcase in Chicago, Yoshi’s in Oakland, the Blue Note, Village Vanguard, Smoke and the Jazz Standard in New York and Catalina's in Hollywood, as well as many international Jazz Festivals, including Montreal Festival du Jazz, Bern Jazz Fest in Switzerland, and Glasgow and Edinburgh Jazz Fests. He toured Europe and Japan extensively as a member of Ray Brown's Trio, and with groups led by Hank Jones, Diana Krall, Monty Alexander, Cedar Walton and Joey Defrancesco. He can be heard on numerous recording

Simon Phillips, multifaceted drummer and composer, producer and engineer, is renowned for his historic stints with Jeff Beck, The Who, Toto, Jack Bruce, Mike Oldfield, Joe Satriani, Judas Priest and countless others. His life of top-tier session work has fostered an extraordinary versatility and boundless artistic curiosity, something he’s long carried into his work as a leader, mainly under the banner of Protocol. An entirely self-taught composer, Phillips debuted the solo Protocol project eponymously in 1989, then revived it in quartet form on Protocol II (2013), Protocol III (2015) and Protocol IV (2017). Throughout, Phillips has grown his vision for an instrumental music with pop sensibility and lyrical, almost singable melody, all over a complex and elusive harmonic foundation. Of the original members (guitarist Andy Timmons, keyboardist Steve Weingart, bassist Ernest Tibbs), Tibbs remains in the fold; he joined keyboardist Dennis Hamm (Thundercat) and guitar virtuoso Greg Howe for Protocol IV. He is gam

Ash Soan is one of the most in-demand drummers in the world, with a long list of live and studio credits that includes many of the biggest names in pop music over the last few decades. In addition to his studio and touring work, he is also well-known for his seven-year stint as the house drummer on The Voice UK. He is the creator of a series of video lessons available on his website and commands a wide social media influence from the confines of his small home studio, a converted 18th century windmill base that resides on his property outside London and has become synonymous with his drumming. In this episode, Ash talks about: His approach to mixing drums after he's tracked raw sounds Finding sounds through science and manuals vs. intuition, experimentation, and trial and error Knowing your sound and yourself well enough to be not just capable, but confident in any situation Following iconic drummers on a gig without trying to be them How he's avoided any major physical issues through a relaxed approach

Kenny has entertained millions of people with his drumming all across the world, played on thousands of records, provided the beat of America’s culture for four decades, and has been the “go to” drummer for the biggest stars in music, ranging from John Mellencamp to Lady Gaga, Bob Dylan to The Smashing Pumpkins, and everyone in between! In this episode, Kenny talks about: Learning to focus on 1 or 2 things and making them perfect Questions from a few of our Patreon members       James Osborne, Jimi Allison & Isaac Sanchez Preparing every detail for TV performances Work / Life balance Eight Steps to a Healthy Life His book “Sex, Drums, Rock n’ Roll” Early days with John Mellencamp Charlie Watts

As a studio musician, Brandon has performed on over 100 recordings including Grammy nominated and winning releases by John Mayer, Sugarland and Shawn Mullins. As a member of the multi-platinum-selling rock band Train, Brandon toured the world, indulging in his life-long rock and roll fantasy of performing a keyboard solo on a smoke-emitting Moog synthesizer. These days, in addition to touring with country music mega stars Sugarland, Brandon is a member of the music collective Songs of the Architect where he works as a songwriter, composer and producer on a wide variety of projects including film, TV, gaming and media formats. In recent years, he and his brother Kristian have been collaborators in the original project Dark Water, as well as numerous musical theatre productions with Kristian as composer and Brandon as musical director. In this episode, Brandon talks about: The many responsibilities of being MD for a musical, from the micro (drum notation) to the macro (room tuning) Being self-critical without