New Books In Eastern European Studies

In October 1938, eight-year-old Josef Rosenbaum, his mother, and his younger sister set out from Germany on a cruel odyssey, fleeing into eastern Europe along with thousands of other refugees. Sent to Siberian slave labor camps in the wildernesses, they suffered brutal cold, famine, and disease. When Germany invaded Russia many refugees were forced out of Siberia to primitive tent camps in Uzbekistan, accompanied by the Polish army-in-exile previously imprisoned by the Soviets. Within weeks the commander of the army, General Wladyslaw Anders, received orders to relocate his army to Iran to train to fight alongside the British in North Africa. Instructed to leave without the civilians, Anders instead ordered all evacuees, including Jews, to head southward with his troops. Joe and the refugees were again loaded on trains, accompanied by the Polish soldiers, and sent to the port of Pahlavi on the Caspian Sea.  Then, transported by trucks over treacherous mountain roads, they finally arrived in Tehran, where they

This conversation is with Brett Wilson, who has composed the first English translation of the classic and controversial novel from late Ottoman Turkey Nur Baba--a classic of modern Turkish literature written by Yakup Kadri Karaosmanoğlu--offers a unique window into Sufi lodges, social dilemmas, and intellectual life in early twentieth-century Istanbul. Wilson’s tranlsation is both lyrical and captivating, and will make for an excellent resource for courses on Sufism and Islam more broadly Inspired by Karaosmanoğlu's personal experiences with Islamic mystical orders, it is a story of illicit romance and spiritual inquiry, depicting a colourful lodge of Sufi dervishes led by a charismatic, yet morally suspect, spiritual master named Nur Baba. The plot follows his attempts to seduce an attractive married woman from an elite family and recounts her dramatic experiences in the life of a Sufi community. The setting shuttles between the grand mansions of Istanbul's elite families and a Sufi lodge where rich and poor

Diaries, testimonies and memoirs of the Holocaust often include at least as much on the family as on the individual. Victims of the Nazi regime experienced oppression and made decisions embedded within families. Even after the war, sole survivors often described their losses and rebuilt their lives with a distinct focus on family. Yet this perspective is lacking in academic analyses. In Eliyana R. Adler and Katerina Capková's edited volume Jewish and Romani Families in the Holocaust and its Aftermath (Rutgers UP, 2020), scholars from the United States, Israel, and across Europe bring a variety of backgrounds and disciplines to their study of the Holocaust and its aftermath from the family perspective. Drawing on research from Belarus to Great Britain, and examining both Jewish and Romani families, they demonstrate the importance of recognizing how people continued to function within family units--broadly defined--throughout the war and afterward. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nâzım Hikmet (1902-1963) is best known as a poet and communist whose daring flight by motorboat from Turkey to the Eastern Bloc captured international headlines in 1951. One of the most important poets to have written in the Turkish language, Nâzım Hikmet's dramatic life story is fascinating in its own right, but also intersects with the story of the broader twentieth century. In Red Star over the Black Sea: Nâzım Hikmet and his Generation (Oxford University Press, 2022), James H. Meyer situates Nâzım Hikmet within the broader context of Turkish communist "border-crossers," individuals whose lives would go on to be shaped significantly by their ability, inability, or need to traverse the frontier. Born at the turn of the twentieth century and coming of age in the early 1920s, the women and men from Nâzım Hikmet's generation were the last of the Ottomans. Children of empire, they had grown up in an era of porous frontiers, but by the time they reached their third decade, these borders had begun to close. Drawi

The White Terror was a movement of right-wing militias that for two years actively tracked down, tortured, and murdered members of the Jewish community, as well as former supporters of the short-lived Council Republic in the years following World War I. It can be argued that this example of a programme of virulent antisemitism laid the foundations for Hungarian participation in the Holocaust. Given the rightward shift of Hungarian politics today, Béla Bodó's book The White Terror: Antisemitic and Political Violence in Hungary, 1919-1921 (Routledge, 2019) has a particular resonance in re-examining the social and historical context of the White Terror. Béla Bodó is Professor of East European History at the University of Bonn. He is the author of  Tiszazug: The Social History of a Murder Epidemic Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Writer and academic Anthony Gardner (NSK from Kapital to Capital, Politically Unbecoming) interviews Marko Ilić about his new book A Slow Burning Fire, which documents Yugoslavia's cultural output throughout the 60s, 70s and 80s. This first comprehensive study of the former Yugoslavia's alternative art scene tells the origin stories of some of the most significant artists of the late twentieth century. In Yugoslavia from the late 1960s to the late 1980s, state-supported Students' Cultural Centers became incubators for new art. This era's conceptual and performance art—known as Yugoslavia's New Art Practice—emerged from a network of diverse and densely interconnected art scenes that nurtured the early work of Marina Abramović, Sanja Iveković, Neue Slowenische Kunst (NSK), and others. In this book, Marko Ilić examines Yugoslavia's New Art Practice in light of the political upheavals of the 1980s. Countering the usual binary of official versus unofficial art, Ilić shows that the Students' Cultural Centers were a

"We act like children with our dead," Halyna Kruk writes as she struggles to come to terms with the horror unfolding around her: "confused, / as if none of us knew until now/ how easy it is to die." In poem after devastating poem, Kruk confronts what we would prefer not to see: "a person runs toward a bullet/ with a wooden shield and a warm heart..." Translated with the utmost of care by Amelia Glaser and Yulia Ilchuk, A Crash Course in Molotov Cocktails (Arrowsmith Press, 2023) is a guidebook to the emotional combat in Ukraine. These stunning poems of witness by one of Ukraine's most revered poets are by turns breathless, philosophical, and visionary. In a dark recapitulation of evolution itself, Kruk writes: "nothing predicted the arrival of humankind..../ nothing predicted the arrival of the tank..." Her taught, lean lines can turn epigrammatic: "what will kill you will seduce you first," or they can strike you like Lomachenko's lightening jabs: "flirt, Cheka agent, bitch." Leading readers into the world's

Dr. Naoíse Mac Sweeney presents a radical new account of how the idea of the West has shaped our history, told through the stories of fourteen fascinating lives in her book The West: A New History of an Old Idea (Dutton, 2023). We tend to imagine Western Civilisation as a golden thread, leading through the centuries from classical antiquity to the countries of the modern West - a cultural genealogy that connects Plato to NATO. It is an idea often invoked in the speeches of politicians and the rhetoric of journalists, and which remains deeply embedded in popular culture. But what if it is wrong? In an epic sweep through the ages, prize-winning archaeologist and historian Naoíse Mac Sweeney charts the history of this idea - an idea of enormous political significance, but which is nonetheless factually incorrect and obscures the wondrous, rich diversity of our past. She reveals how this particular version of Western history was invented, how it has been used to justify imperialism and racism, and why it is no lo

Ukraine may be the only country on earth that owes its existence, at least in part, to a poet. Ever since the appearance of Taras Shevchenko's Kobzar in 1840, poetry has played an outsized role in Ukrainian culture. "Our anthology begins: Letters of the alphabet go to war and ends with I am writing/ and all my people are writing," note the editors of this volume, acclaimed poets Carolyn Forché and Ilya Kaminsky. "It includes poets whose work is known to thousands of people, who are translated into dozens of languages, as well as those who are relatively unknown in the West." The poems in In the Hour of War: Poetry from Ukraine (Arrowsmith Press, 2023) offer a startling look at the way language both affects and reflects the realities of war and extremity. This anthology is sure to become the classic text marking not only one of the darkest periods in Ukrainian history, but also a significant moment in the universal struggle for democracy and human rights. Nataliya Shpylova-Saeed has a Ph.D. in Slavic language

Where lay the fissures of Soviet power in Eastern Europe during the Cold War? Why did France fail in its postwar efforts to make its African colonies part of France itself? In two complementary books, Rachel Applebaum and Emily Marker explore the soft-power mechanisms of the Soviet and French empires after World War II. Their findings shed light on not only the distinctive characteristics of postwar empires, but on the reasons why Soviet internationalism and the unique French model of decolonization ultimately failed. Applebaum is author of Empire of Friends: Soviet Power and Socialist Internationalism in Cold War Czechoslovakia (Cornell UP, 2019). Marker is the author of Black France, White Europe: Youth, Race, and Belonging in the Postwar Era (Cornell UP, 2022). Stephen V. Bittner is Special Topics Editor at Kritika: Explorations in Russian and Eurasian History and Professor of History at Sonoma State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a p

Today I talked to Elly Gotz, author of the memoir Flights of Spirit (Azrieli Foundation, 2018). Sixteen-year-old Elly Gotz hides with his family in an underground bunker in the Kovno ghetto in Lithuania, prepared to die rather than be found by the Nazis. After surviving three years in the ghetto, where thousands from his community have been murdered, Elly and his family refuse to be the Nazis' next victims. But there is no escape from the ghetto's liquidation in the summer of 1944, and Elly and his family eventually surrender, only to be separated when he and his father are taken to the notorious Dachau concentration camp. There, Elly's skills as a locksmith and metal worker—learned in the ghetto trade school—literally save his life and that of his father's. But as the Allies fly over the camp and the end of the war looms, Elly’s father weakens, and Elly fears his father will not live to see the day of liberation. After the war, fleeing from Europe and their past, Elly fights to regain his lost youth and his

From summer 1941 onwards, Romania actively pursued at its own initiative the mass killing of Jews in the territories it controlled. 1941 saw 13,000 Jewish residents of the Romanian city of Iai killed, the extermination of thousands of Jews in Northern Bukovina and Bessarabia by Romanian armed forces and local people, large-scale deportations of Jews to the camps and ghettos of Transnistria, and massacres in and around Odessa. Overall, more than 300,000 Jews of Romanian and Soviet or Ukrainian origin were murdered in Romanian- controlled territories during the Second World War.  In Simon Geissbühler's edited volume Romania and the Holocaust: Events, Contexts, Aftermath (Ibidem Press, 2016), a number of renowned experts shed light on the events, the contexts, and the aftermath of this under-researched and lesser-known dimension of the Holocaust. 75 years on, this book gives much-needed impetus to research on the Holocaust in Romania and Romanian-controlled territories. Learn more about your ad choices. Visit me

Throughout centuries of persecution and marginalization, the Roma and Adivasi have been viewed as both victims and fighters, as royals and paupers, beasts and gods, and lately have been challenging the political and social order by defying the status quo. In Power on the Move: Adivasi and Roma Accessing Social Justice (Bloomsbury Publishing, 2022), author Cristina-Ioana Dragomir traces the struggle for social justice in Roma and Adivasi communities based on intensive ethnographic work in Romania and India conducted over six years. Different from commonly held suppositions that assume most marginalized and mobile communities typically resist the state and engage in hostile acts to undermine its authority, Power on the Move shows how these groups are willing to become full members. By utilizing different means, such as protests, sit-ins and grassroots organizing, they aim to gain the attention of the state (national and international), hoping to reach inclusion and access social justice. Dr. Cristina-Ioana Drag

"The Ukrainian nation will emerge from this war more united and certain of its identity than at any other point in its modern history," writes Serhii Plokhy at the end of The Russo-Ukrainian War (Norton, 2023). But that's not all, says the man acclaimed by the Financial Times as “the world's foremost historian of Ukraine” - author of Chernobyl: History of a Tragedy, The Gates of Europe: A History of Ukraine, and Nuclear Folly: A History of the Cuban Missile Crisis. "Ukraine’s successful resistance to Russian aggression is destined to promote Russia's own nation-building project. Russia and its elites now have little choice but to reimagine their country's identity by parting ways not only with the imperialism of the Tsarist past but also with the anachronistic model of a Russian nation consisting of Russians, Ukrainians and Belarusians. By paying an enormous price in wealth and blood of its citizens, Ukraine is terminating the era of Russian dominance in a good part of eastern Europe and challenging Moscow's

Writing Fear: Russian Realism and the Gothic (U Toronto Press, 2022) argues that nineteenth-century Russian writers actively engaged with narrative models borrowed from European gothic fiction to articulate experiences such as fear, dread, and anxiety in realist literature. By examining a series of case studies focused on literary texts that address issue such as urban life, the women question, revolutionary terrorism, and the decline of the family, Katherine Bowers reveals the myriad ways in which political and cultural anxiety take shape via the gothic mode in the age of realism. Katherine Bowers is an Associate Professor within the Department of Central, Eastern, and Northern European Studies at the University of British Columbia. She is an expert in Russian literature and culture, and her research interests include genre, narrative, environmental humanities, imagined geography, and digital humanities. She is also actively involved in the field of Dostoevsky studies and is a co-editor of A Dostoevskii Comp

The twentieth-century artist Bruno Schulz was born an Austrian, lived as a Pole, and died a Jew. First a citizen of the Habsburg monarchy, he would, without moving, become the subject of the West Ukrainian People’s Republic, the Second Polish Republic, the USSR, and, finally, the Third Reich. Yet to use his own metaphor, Schulz remained throughout a citizen of the Republic of Dreams. He was a master of twentieth-century imaginative fiction who mapped the anxious perplexities of his time; Isaac Bashevis Singer called him “one of the most remarkable writers who ever lived.” Schulz was also a talented illustrator and graphic artist whose masochistic drawings would catch the eye of a sadistic Nazi officer. Schulz’s art became the currency in which he bought life. In Bruno Schulz: An Artist, a Murder, and the Hijacking of History (Norton, 2023), Benjamin Balint chases the inventive murals Schulz painted on the walls of an SS villa―the last traces of his vanished world―into multiple dimensions of the artist’s life

Mark Galeotti's book Putin's Wars: From Chechnya to Ukraine (Bloomsbury, 2022) is a timely overview of the conflicts in which Russia has been involved since Vladimir Putin became prime minister and then president of Russia, from the First Chechen War to the two military incursions into Georgia, the annexation of Crimea and the eventual invasion of Ukraine itself. But it also looks more broadly at Putin's recreation of Russian military power and its expansion to include a range of new capabilities, from mercenaries to operatives in a relentless information war against Western powers. This is an engrossing strategic overview of a rejuvenated Russian military and the successes and failures on the battlefield. Thanks to Dr Galeotti's wide-ranging contacts throughout Russia, it is also peppered with anecdotes of military life, personal snapshots of conflicts, and an extraordinary collection of first-hand accounts from serving and retired Russian officers. Russia continues to dominate the news cycle throughout the

Recep Tayyip Erdoğan, Turkey's pugnacious president, is now the country's longest-serving leader. On his way to the top, he has fought many wars. This book tells the story of those battles against domestic enemies through the lens of the Syrian conflict, which has become part and parcel of Erdoğan's fight to remain in power. In Erdoğan's War: A Stongman's Struggle at Home and in Syria (Oxford University Press, 2022), Turkey expert Gönül Tol traces Erdoğan's ideological evolution from a conservative democrat to an Islamist and a Turkish nationalist, and explores how this progression has come to shape his Syria policy, changing the course of the war. She paints a vivid picture of the president's constantly shifting strategy to consolidate his rule, showing that these shifts have transformed Turkey's role in post-uprising Syria from an advocate of democracy, to a power fanning the flames of civil war, to an occupier. From the first days of Erdoğan's rule through the failed coup against him, via the Kurdish peace

In 1995, the Fourth World Conference on Women in Beijing launched the Women, Peace, and Security (WPS) agenda. Successive UN Security Council resolutions highlighted the need to include more women in peace processes, the perpetration of gender-based violence during war, the underrepresentation of women as peacekeepers, and the need for greater diversity at all levels of governance to respond to international security challenges. These norms seemed clear, feminist, and ambitious.  Dr. Stéfanie von Hlatky’s new book, Deploying Feminism: The Role of Gender in NATO Military Operation (Oxford UP, 2022), argues that these WPS norms were distorted during the implementation process. NATO, a predominantly male organizations experimented with gender mainstreaming but instead of serving general equality goals, the Women, Peace, and Security norms served operational effectiveness. Women on the battlefield in Afghanistan and Iraq were seen as a military asset – because they were able to interact with local women and child

In 2021, the world commemorates the 80th anniversary of the massacres of Jews at Babyn Yar. The present collection brings together for the first time the responses to the tragic events of September 1941 by Ukrainian Jewish and non-Jewish poets of the Soviet and post-Soviet periods, presented here in the original and in English translation by Ostap Kin and John Hennessy. Written between 1942 and 2017 by over twenty poets, these poems belong to different literary canons, traditions, and time frames, while their authors come from several generations. Together, the poems in Babyn Yar: Ukrainian Poets Respond (HURI, 2022) create a language capable of portraying the suffering and destruction of the Ukrainian Jewish population during the Holocaust as well as other peoples murdered at the site. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooks