New Books In European Studies

The long nineteenth-century--the period beginning with the French Revolution and ending with World War I--was a transformative period for women philosophers in German-speaking countries and contexts. The period spans romanticism and idealism, socialism, Nietzscheanism, and phenomenology, philosophical movements we most often associate with Hegel, Schopenhauer, Kierkegaard, Nietzsche, and Marx--but rarely with women. Yet women philosophers not only contributed to these movements, but also spearheaded debates about their social and political implications. While today their works are less well-known than those of their male contemporaries, many of these women philosophers were widely-read and influential in their own time. Their contributions shed important new light on nineteenth-century philosophy and philosophy more generally: revealing the extent to which various movements which we consider distinct were joined, and demonstrating the degree to which philosophy can transform lives and be transformed by lived

This is the late 1970s and '80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists. Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher's Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. "Tell us the truth," Sham 69 demanded, and pop music, however improbably, did. It's a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher's fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing: A History of Thatcher's Britian in 21 Mixtapes (PM Press, 2023) presents an original and polemical account of the era. Hugh Hodges has written extensively on African and West Indian music, poetry, and fict

Playing Oppression: The Legacy of Conquest and Empire in Colonialist Board Games (MIT Press, 2023) by Dr. Mary Flanagan & Dr. Mikael Jakobsson is a striking analysis of popular board games' roots in imperialist reasoning—and why the future of play depends on reckoning with it. Board games conjure up images of innocuously enriching entertainment: family game nights, childhood pastimes, cooperative board games centered around resource management and strategic play. Yet in Playing Oppression, Dr. Flanagan and Dr. Jakobsson apply the incisive frameworks of postcolonial theory to a broad historical survey of board games to show how these seemingly benign entertainments reinforce the logic of imperialism. Through this lens, the commercialized version of Snakes and Ladders takes shape as the British Empire's distortion of Gyan Chaupar (an Indian game of spiritual knowledge), and early twentieth-century “trading games” that fêted French colonialism are exposed for how they conveniently sanitized its brutality while a

Who's Black and Why?: A Hidden Chapter from the Eighteenth-Century Invention of Race (Harvard University Press, 2022) is the first translation and publication of sixteen submissions to the notorious eighteenth-century Bordeaux essay contest on the cause of black skin. In 1739 Bordeaux's Royal Academy of Sciences announced a contest for the best essay on the sources of "blackness." The authors ranged from naturalists to physicians, theologians to amateur savants. Documented on each page are European ideas about who is Black and why.  Looming behind these essays is the fact that some four million Africans had been kidnapped and shipped across the Atlantic by the time the contest was announced. The essays themselves represent a broad range of opinions. Some affirm that Africans had fallen from God's grace; others that blackness had resulted from a brutal climate; still others emphasized the anatomical specificity of Africans. All the submissions nonetheless circulate around a common theme: the search for a scien

Upon the French invasion of Algeria in 1830, the territory quickly became a placeholder for French dreams, debates, and experiments in social engineering, economic development and even religious culture. Missionaries and Jesuit priests sent to minister to the new French colonial population there commented favorably on Arab Muslims’ religiosity, seeing in it both the possibility of effective missionization and an example of how religion and civil society might work together. After decades of failed missionary efforts, violent conquest and conflict, and influential international events, liberal Catholics in Algeria like the Bishop Charles Lavigerie—founder of the White Fathers—had abandoned active evangelization and instead embraced a visceral and violent rejection of racialized Islam as the antithesis of French civilization. These transitionary decades serve as the backdrop to Joseph W. Peterson’s wide-ranging and deeply human book, Sacred Rivals: Catholic Missions and the Making of Islam in Nineteenth-century

In Euromissiles: The Nuclear Weapons That Nearly Destroyed NATO (Cornell UP, 2022), Susan Colbourn tells the story of the height of nuclear crisis and the remarkable waning of the fear that gripped the globe. In the Cold War conflict that pitted nuclear superpowers against one another, Europe was the principal battleground. Washington and Moscow had troops on the ground and missiles in the fields of their respective allies, the NATO nations and the states of the Warsaw Pact. Euromissiles―intermediate-range nuclear weapons to be used exclusively in the regional theater of war―highlighted how the peoples of Europe were dangerously placed between hammer and anvil. That made European leaders uncomfortable and pushed fearful masses into the streets demanding peace in their time.  At the center of the story is NATO. Colbourn highlights the weakness of the alliance seen by many as the most effective bulwark against Soviet aggression. Divided among themselves and uncertain about the depth of US support, the member st

In Fictions of Credit in the Age of Shakespeare (Oxford University Press, 2021), Laura Kolb examines how Shakespeare and his contemporaries represented credit-driven artifice and interpretation on the early modern stage. It also analyses a range of practical texts—including commercial arithmetics, letter-writing manuals, legal formularies, and tables of interest—which offered strategies for generating credit and managing debt. Looking at plays and practical texts together, Fictions of Credit argues that both types of writing constitute “equipment for living”: practical texts by offering concrete strategies for navigating England's culture of credit, and plays by exploring the limits of credit's dangers and possibilities. In their representations of a world re-written by debt relations, dramatic texts in particular articulate a phenomenology of economic life, telling us what it feels like to live in credit culture: to live, that is, inside a fiction. Laura Kolb is an Assistant Professor of English at Baruch Co

Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today. The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the

What would medieval English literature look like if we viewed it through the lens of the compendium? In that case, John Trevisa might come into focus as the major author of the fourteenth century. Trevisa (d. 1402) made a career of translating big informational texts from Latin into English prose. These included Ranulph Higden's Polychronicon, an enormous universal history, Bartholomaeus Anglicus's well-known natural encyclopedia De proprietatibus rerum, and Giles of Rome's advice-for-princes manual, De regimine principum. These were shrewd choices, accessible and on trend: De proprietatibus rerum and De regimine principum had already been translated into French and copied in deluxe manuscripts for the French and English nobility, and the Polychronicon had been circulating England for several decades.  John Trevisa's Information Age: Knowledge and the Pursuit of Literature, c. 1400 (Oxford UP, 2021) argues that John Trevisa's translations of compendious informational texts disclose an alternative literary his

Dress codes are as old as clothing itself. For centuries, clothing has been a wearable status symbol; fashion, a weapon in struggles for social change; and dress codes, a way to maintain political control. Dress codes evolved along with the social and political ideals of the day, but they always reflected struggles for power and status. In the 1700s, South Carolina’s “Negro Act” made it illegal for Black people to dress “above their condition.” In the 1920s, the bobbed hair and form-fitting dresses worn by free-spirited flappers were banned in workplaces throughout the United States. Even in today’s more informal world, dress codes still determine what we wear, when we wear it—and what our clothing means. People lose their jobs for wearing braided hair, long fingernails, large earrings, beards, and tattoos or refusing to wear a suit and tie or make-up and high heels. In some cities, wearing sagging pants is a crime. In Dress Codes: How the Laws of Fashion Made History (Simon & Schuster, 2021), law professor a

Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter. A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional st

The extraordinary array of images included in The Middle Ages in 50 Objects (Cambridge UP, 2018) reveals the full and rich history of the Middle Ages. Exploring material objects from the European, Byzantine and Islamic worlds, the book casts a new light on the cultures that formed them, each culture illuminated by its treasures. The objects are divided among four topics: The Holy and the Faithful; The Sinful and the Spectral; Daily Life and Its Fictions, and Death and Its Aftermath. Each section is organized chronologically, and every object is accompanied by a penetrating essay that focuses on its visual and cultural significance within the wider context in which the object was made and used. Spot maps add yet another way to visualize and consider the significance of the objects and the history that they reveal. Lavishly illustrated, this is an appealing and original guide to the cultural history of the Middle Ages. Elina Gertsman is a professor of Art History at Case Reserve Western University. She speciali

The Wandering Mind: What Medieval Monks Tell Us About Distraction (Liveright, 2023) by Dr. Jamie Kreiner presents a revelatory account of how Christian monks identified distraction as a fundamental challenge—and how their efforts to defeat it can inform ours, more than a millennium later. Although we think of early monks as master concentrators, a life of mindfulness did not, in fact, come to them easily. Delving into the experiences of early Christian monks living in the Middle East, around the Mediterranean, and throughout Europe from 300 to 900 CE, Dr. Kreiner shows that these men and women were obsessed with distraction in ways that seem remarkably modern. At the same time, she suggests that our own obsession is remarkably medieval. Ancient Greek and Roman intellectuals had sometimes complained about distraction, but it was early Christian monks who waged an all-out war against it. The stakes could not have been higher: they saw distraction as a matter of life and death. Drawing on a trove of sources that

This volume collects the private letters and published epistles of English women philosophers of the early modern period (c. 1650-1700). It includes the correspondences of Margaret Cavendish, Anne Conway, Damaris Cudworth Masham, and Elizabeth Berkeley Burnet. These women were the interlocutors of some of the best-known intellectuals of their era, including Constantijn Huygens, Walter Charleton, Henry More, Joseph Glanvill, John Locke, Jean Le Clerc, and Gottfried Wilhelm Leibniz. Their epistolary exchanges range over a wide variety of philosophical subjects, from religion, moral theology, and ethics to epistemology, metaphysics, and natural philosophy. For the first time in one collection, the philosophical correspondences of these women have been brought together to be appreciated as a whole.  Women Philosophers of Seventeenth-Century England: Selected Correspondence (Oxford UP, 2019) is an invaluable primary resource for students and scholars of these neglected women thinkers. It includes original introduc

Ben Dodds, of the University of Florida, talks with Jana Byars about his new book, Myths and Memories of the Black Death (Palgrave, 2022). This book explores modern representations of the Black Death, a medieval pandemic. The concept of cultural memory is used to examine the ways in which journalists, writers of fiction, scholars and others referred to, described and explained the Black Death from around 1800 onwards. The distant medieval past was often used to make sense of aspects of the present, from the cholera pandemics of the nineteenth-century to the climate crisis of the early twenty-first century. A series of overlapping myths related to the Black Death emerged based only in part on historical evidence. Cultural memory circulates in a variety of media from the scholarly article to the video game and online video clip, and the connections and differences between mediated representations of the Black Death are considered. The Black Death is one of the most well-known aspects of the medieval world, and

Who built the twentieth century birth control movement? In Women's Medicine: Family Planning and British Female Doctors in Transnational Perspective, 1920-70 (Manchester University Press 2020), Dr. Caroline Rusterholz highlights British female doctors' key contribution to the production and circulation of scientific knowledge around contraception, family planning and sexual disorders between 1920-70. It argues that women doctors were pivotal in developing a holistic approach to family planning and transmitting this knowledge across borders, playing a more prominent role in shaping scientific and medical knowledge than previously acknowledged.  The book locates women doctors' involvement within the changing landscape of national and international reproductive politics. Illuminating women doctors' agency in the male-dominated field of medicine, this book reveals their practical engagement with birth control and later family planning clinics in Britain, their participation in the development of the international

Drawing on an ethnographic study of novel readers in Denmark and the UK during the Covid-19 pandemic, Reading Novels During the Covid-19 Pandemic (Oxford UP, 2022) provides a snapshot of a phenomenal moment in modern history. The ethnographic approach shows what no historical account of books published during the pandemic will be able to capture, namely the movement of readers between new purchases and books long kept in their collections. The book follows readers who have tuned into novels about plague, apocalypse, and racial violence, but also readers whose taste for older novels, and for re-reading novels they knew earlier in their lives, has grown. Alternating between chapters that analyze single texts that were popular (Albert Camus's The Plague, Ali Smith's Summer, Charlotte Brontë’s Jane Eyre) and others that describe clusters of, for example, dystopian fiction and nature writing, this work brings out the diverse quality of the Covid-19 bookshelf. Time is of central importance to this study, both in te

Helen Solterer and Vincent Joos edited volume Migrants Shaping Europe, Past and Present: Multilingual Literatures, Arts, and Cultures (Manchester UP, 2022) examines the sustained contribution of migrants to Europe’s literatures, social cultures, and arts over centuries. Europe has never been a continent bounded by the seas that surround it. In premodern times, migrants imprinted the languages, arts, and literatures of the places where they settled. They contributed to these cultures and economies. Some were on the move in search of a better life; others were displaced by war, dispossessed, expelled; while still others were brought in servitude to European cities to work, enslaved. Today’s immigration flows in Europe are not exceptional but anchored in this longue durée process. Iberia/Maghreb, Sicily/Lampedusa, Calais are the three hotspots considered in this volume. These regions have been shaped and continue to be shaped by migrants; by their cultures; their Spanish, Arabic, Italian, and Somali; their Frenc

In Hidden Histories of the Dead: Disputed Bodies in Modern British Medical Research (Cambridge University Press, 2021), Dr. Elizabeth T. Hurren maps the post-mortem journeys of bodies, body-parts, organs, and brains, inside the secretive culture of modern British medical research after WWII as the bodies of the deceased were harvested as bio-commons. Often the human stories behind these bodies were dissected, discarded, or destroyed in death. Hidden Histories of the Dead recovers human faces and supply-lines in the archives that medical science neglected to acknowledge. Dr. Hurren investigates the medical ethics of organ donation, the legal ambiguities of a lack of fully-informed consent and the shifting boundaries of life and re-defining of medical death in a biotechnological era. Dr. Hurren reveals the implicit, explicit and missed body disputes that took second-place to the economics of the national and international commodification of human material in global medical sciences of the Genome era. This inter

In Courtly and Queer: Deconstruction, Desire, and Medieval French Literature (Ohio State UP, 2022), Charlie Samuelson casts queerness in medieval French texts about courtly love in a new light by bringing together for the first time two exemplary genres: high medieval verse romance, associated with the towering figure of Chrétien de Troyes, and late medieval dits, primarily associated with Guillaume de Machaut. In close readings informed by deconstruction and queer theory, Samuelson argues that the genres’ juxtaposition opens up radical new perspectives on the deviant poetics and gender and sexual politics of both. Contrary to a critical tradition that locates the queer Middle Ages at the margins of these courtly genres, Courtly and Queer emphasizes an unflagging queerness that is inseparable from poetic indeterminacy and that inhabits the core of a literary tradition usually assumed to be conservative and patriarchal. Ultimately, Courtly and Queer contends that one facet of texts commonly referred to as thei