New Books In European Studies

The concept of madness as a challenge to communities lies at the core of legal sources. Aleksandra Pfau, Medieval Communities and the Mad: Narratives of Crime and Mental Illness in Late Medieval France (Amsterdam University Press, 2020) considers how communal networks, ranging from the locale to the realm, responded to people who were considered mad. The madness of individuals played a role in engaging communities with legal mechanisms and proto-national identity constructs, as petitioners sought the king’s mercy as an alternative to local justice. The resulting narratives about the mentally ill in late medieval France constructed madness as an inability to live according to communal rules. Although such texts defined madness through acts that threatened social bonds, those ties were reaffirmed through the medium of the remission letter. The composers of the letters presented madness as a communal concern, situating the mad within the household, where care could be provided. Those considered mad were usually

The well-known Admiral Horatio Nelson fought all of his most historically significant battles after he lost his right arm and the sight in one eye. With this notable exception, however, disabled members of the military on active duty remain largely invisible. Teresa Michals' book Lame Captains and Left-Handed Admirals: Amputee Officers in Nelson's Navy (U Virginia Press, 2021) reveals that at least twenty-four other Royal Navy officers reached the rank of Commander or higher through continued service after the loss of a limb. It focuses on the lives and careers of three particularly distinguished amputee officers: Admiral Sir Michael Seymour, Admiral Sir Watkin Owen Pell, and Admiral Sir James Alexander Gordon. Given that the number of talented and ambitious naval officers far exceeded the number of ships the Royal Navy had to give them throughout the Revolutionary and Napoleonic Wars, we might expect that contracting any physical impairment would disqualify an officer from further command positions and promo

In A Vital Frontier: Water Insurgencies in Europe (Duke University Press, 2023)) Andrea Muehlebach examines the work of activists across Europe as they organize to preserve water as a commons and public good in the face of privatization. Traversing social, political, legal, and hydrological terrains, Muehlebach situates water as a political fault line at the frontiers of financialization, showing how the seemingly relentless expansion of capital into public utilities is being challenged by an equally relentless and often successful insurgence of political organizing. Drawing on ethnographic research, Muehlebach presents water protests as a vital politics that comprises popular referenda, barricades in the streets, huge demonstrations, the burning of utility bills, and legal disputes over transparency and contracts. As Muehlebach documents, Europe’s water activists articulate their own values of democracy and just price, raising far-reaching political questions about private versus common property and financin

James VI and I has long endured a mixed reputation. To many, he is the homosexual King, the inveterate witch-roaster, the smelly sovereign who never washed, the colourless man behind the authorised Bible bearing his name, the drooling fool whose speech could barely be understood. For too long, he has paled in comparison to his more celebrated – and analysed – Tudor and Stuart forebears. But who was he really? To what extent have myth, anecdote, and rumour obscured him? In this new biography The Wisest Fool: The Lavish Life of James VI and I (Birlinn, 2023) by Dr. Steven Veerapen, James’s story is laid bare, and a welter of scurrilous, outrageous assumptions penned by his political opponents put to rest. What emerges is a portrait of James VI and I as his contemporaries knew him: a gregarious, idealistic man obsessed with the idea of family, whose personal and political goals could never match up to reality. With reference to letters, libels and state papers, it casts fresh light on the personal, domestic, int

Is the raw material of literature the paper, ink, vellum, paphyrus, and increasingly electronic data that it is inscribed on? Or is the stuff of literature the storehouse of tropes, techniques, and plots that authors draw from? And what kind of labor is the process of transforming that matter into literature? Earlier this year, Taylor Cowdery published an academic study on just this subject. The title of Taylor’s book is Matter and Making in Early English Poetry: Literary Production from Chaucer to Sidney (Cambridge University Press, 2023). Through case studies of Chaucer’s Canterbury Tales, Gower’s Confessio Amantis, Thomas Hoccleve’s Series, and Thomas Wyatt’s poetry, Taylor captures a wide discourse around creativity and originality. Taylor is Associate Professor of English and Robert M. Lumiansky Fellow at the University of North Carolina, Chapel Hill. Taylor also serves as the Director of the Program in Medieval and Early Modern Studies, and Taylor’s writing has been published in ELH, Studies in the Age

In 1939, a number of German Jewish refugee children, brought over on the Kindertransport, found themselves in Abergele, North Wales. Their temporary new home? Gwrych Castle, where a Hachshara was being set up: a residential 'training centre' aimed at preparing the Jewish children for life on a kibbutz in Israel, where they hoped to be reunited with their families. In Escape to Gwrych Castle: A Jewish Refugee Story (U of Wales Press, 2023), Andrew Hesketh explores the lesser-told history of the children who lived in this North Wales castle, bringing together their personal memories and experiences to create a unique picture of their experiences. He also explores the history of the building itself, from its origins in the 19th century up to its use in I'm A Celebrity, Get Me Out Of Here! In 2020. Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twit

The British National Health Service - free for all - used to be the envy of the world. But today the NHS is malfunctioning. More and more people are resorting to private care – is not unusual now for Brits to travel to Turkey or Lithuania to get hip replacements and the like – so should Britain now give up on the NHS and move to a European model of healthcare… Dr Gavin Francis has just written a book on the NHS: Free For All: Why the NHS is Worth Saving (Profile Books, 2024). Listen to him in conversation with Owen Bennett Jones. Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

During the crisis of the Second World War in Britain, official Air Raid Precautions made the management of daily life a moral obligation of civil defence by introducing new prescriptions for the care of homes, animals, and persons displaced through evacuation. This book examines how the Mass-Observation movement recorded and shaped the logics of care that became central to those daily routines in homes and neighbourhoods. In The Biopolitics of Care in Second World War Britain (Bloomsbury, 2022), Dr. Kimberly Mair looks at how government publicity campaigns communicated new instructions for care formally, while the circulation of wartime rumours negotiated these instructions informally. These rumours, she argues, explicitly repudiated the improper socialization of evacuees and also produced a salient, but contested, image of the host as a good wartime citizen who was impervious to the cultural invasion of the ostensibly 'animalistic', dirty, and destructive house guest. Mair also considers the explicit contest

The first biography of Henry VIII’s court fool William Somer, a legendary entertainer and one of the most intriguing figures of the Tudor age In some portraits of Henry VIII there appears another, striking figure—a gaunt and morose-looking man with a shaved head and, in one case, a monkey on his shoulder. This is William or "Will" Somer, the king’s fool, a celebrated wit who reportedly could raise Henry’s spirits and spent many hours with him, often alone. Was Somer an “artificial fool,” a cunning comic who could speak freely in front of the king, or a “natural fool,” someone with intellectual disabilities, like many other members of the profession? And what role did he play in the tumultuous and violent Tudor era? Fool is the first biography of Somer—and perhaps the first of a Renaissance fool. After his death, Somer disappeared behind his legend, and historians struggled to separate myth from reality. In Fool: In Search of Henry VIII's Closest Man (Princeton UP, 2023), Peter K. Andersson pieces together the

Today’s guest is Aaron Kunin, Professor of English at Pomona College. We will discuss two books Aaron published in 2019: the first is Character as Form (Bloomsbury), a re-examination of the early modern understanding of “character” as stereotype, generalization, and convention. In Character as Form, Aaron braids together close readings of furniture in Christopher Marlowe’s Tamburlaine, a reflection on the concept of negative anthropology from Raul Ruiz’s Three Lives and Only One Death, and insight into formalism and anti-formalist views of fictive personhood. The second we discuss is Love Three: A Study of a Poem by George Herbert (Wave Books), a “reading diary” that takes a seventeenth-century poem as a springboard for a meditation on love, sexual experience, and power. Herbert’s poem is a fraught dialogue between a speaker and Love, which is unfolded to touch on the politics of eating, the allure of rhetorical power, and the nature of crowds. Aaron’s research focuses on English Renaissance literature. In ad

While there is little doubt that women were active participants in medieval musical culture, their role has nevertheless been variously obfuscated, undermined, and overlooked, in large part because of the relative absence of named women composers. Work from recent decades has sought to re-insert women into our music-historical narratives, often by broadening their scopes and shifting away from strictly author-focused surveys.  Female-Voice Song and Women's Musical Agency in the Middle Ages (Brill, 2022) brings together seventeen essays, each of which newly identifies contributions to musical culture made by women before 1500 across Europe. Encompassing not only medieval French, English, and Italian culture, but also stretching to Iceland and the Islamicite courts, this volume speaks to the various ways in which we can hear women’s voices through history. Prof. Lisa Colton and Dr. Anna Kathryn Grau jointly edited this collection, in addition to contributing chapters to it. In this episode, they speak with Áine

Italian courts and churches began employing castrato singers in the late sixteenth century. By the eighteenth century, the singers occupied a celebrity status on the operatic stage. Constructed through surgical alteration and further modified by rigorous training, castrati inhabited human bodies that had been “mechanized” to produce sounds in ways that unmechanized bodies could not. The voices of these technologically enhanced singers, with their unique timbre, range, and strength, contributed to a dramatic expansion of musical vocabulary and prompted new ways of imagining sound, the body, and personhood.  Connecting sometimes bizarre snippets of history, this multi-disciplinary book moves backward and forward in time, deliberately troubling the meaning of concepts like “technology” and “human.” Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds (U Chicago Press, 2023) attends to the ways that early modern encounters and inventions—including settler colonialism, emergent racialized worldvie

Across Europe, from the dawn of print until the early twentieth century, the news of crime and criminals' public executions was printed in song form on cheap broadsides and pamphlets to be sold in streets and marketplaces by ballad-singers. Singing the News of Death: Execution Ballads in Europe 1500-1900 (Oxford UP, 2022) looks at how and why song was employed across Europe for centuries as a vehicle for broadcasting news about crime and executions, exploring how this performative medium could frame and mediate the message of punishment and repentance. Examining ballads in English, French, Dutch, German, and Italian across four centuries, author Una McIlvenna offers the first multilingual and longue durée study of the complex and fascinating phenomenon of popular songs about brutal public death. Ballads were frequently written in the first-person voice, and often purported to be the last words, confession or 'dying speech' of the condemned criminal, yet were ironically on sale the day of the execution itself.

In the wake of the Second World War, the victorious Allied armies implemented a radical program to purge Nazism from Germany and preserve peace in Europe. Between 1945 and 1949, twenty million political questionnaires, or Fragebögen, were distributed by American, British, French, and Soviet armies to anxious Germans in positions of influence who had to prove their non-Nazi status to gain employment. Drafted by idealistic university professors and social scientists, these surveys came to define much of the denazification experience and were immensely consequential to the material and emotional recovery of Germans. In Everyday Denazification in Postwar Germany: The Fragebogen Questionnaire and Political Screening During the Allied Occupation (Cambridge University Press, 2023), Mikkel Dack draws the curtain to reveal what denazification looked like on the ground and in practice and how the highly criticized vetting program impacted the lives of individual Germans and their families as they recovered from dictato

Today I talked to Wolf Gruner about his new book Resisters: How Ordinary Jews Fought Persecution in Hitler's Germany (Yale UP, 2023). Drawing on twelve years of research in dozens of archives in Austria, Germany, Israel, and the United States, this book tells the story of five Jewish people--a merchant, a homemaker, a real estate broker, and two teenagers--who bravely resisted persecution and defended themselves in Nazi Germany. These stories have not been told until now, and each case is one of many, as Gruner shows by resurfacing similar accounts of Jewish refusal to accept persecution and violence in Germany and Austria between 1933 and 1943, upending the notion of passive Jews and expanding the concept of resistance. Each individual described here represents a category of resistance: written opposition, oral protest, contesting Nazi propaganda, defiance of anti-Jewish laws and measures, and self-defense against physical attacks. Many of these courageous acts resulted in the resisters being prosecuted and

There was a time when French people put up picture of Marshal Philippe Petain on their walls. He is a figure of immeasurable stature to the country of France. Victor of Verdun, a one-time minister of war, and finally, a traitor to his country. Or was he? Did Petain allow the stain of collaboration to tarnish his reputation, or did he use his figure to guard the French people from worse Nazi atrocities during the Vichy era? The answer to those questions would divide France in the years following World War II. The trial of Petain, which took place during a humid July in 1945, would leave some venerating the figure of Petain while others looked upon him as betrayer of the French people. Professor Julian Jackson, is professor emeritus of history with Queen Mary University of London. His latest work is France on Trial: The Case of Marshal Pétain published by Harvard University Press in 2023, covers the political trial of Marshal Petain for treason. Dr. Jackson has authored an award-winning biography of Charles de

Today I talked to Jeremy Black about his new book Why the Industrial Revolution Happened in Britain (Amberley Publishing, 2023). Britain's key importance in world history was a product of its constitution and its empire, but both, in turn, were sustained and supported by Britain's role in achieving the first Industrial Revolution. In part this was a matter of coal and steam but far more was involved. Alongside the 'push' factors of entrepreneurs and resources came the 'pull' factors of consumerism, fashion and an ability to purchase goods. There was also the context of parliamentary government, the rule of law, a society open to talent, and no internal tariff boundaries. The combination of these factors produced vital synergies. They also ensure that the history of the Industrial Revolution is the history of a country, a people, and of the factors that made them exceptional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.su

A defining feature of nineteenth-century Britain was its fascination with statistics. The processes that made Victorian society, including the growth of population, the development of industry and commerce, and the increasing competence of the state, generated profuse numerical data.  Victorians and Numbers: Statistics and Society in Nineteenth Century Britain (Oxford UP, 2022) is a study of how such data influenced every aspect of Victorian culture and thought, from the methods of natural science and the struggle against disease, to the development of social administration and the arguments and conflicts between social classes. Numbers were collected in the 1830s by newly-created statistical societies in response to this 'data revolution'. They became a regular aspect of governmental procedure thereafter, and inspired new ways of interrogating both the natural and social worlds. William Farr used them to study cholera; Florence Nightingale deployed them in campaigns for sanitary improvement; Charles Babbage

How the Country House Became English (Reaktion, 2023) by Dr. Stephanie Barczewski is an exploration of the evolution of the quintessentially English country house. Country houses have come to be regarded as quintessentially English, not only in terms of their architectural style but because they appear to embody national values of continuity and insularity. The histories of country houses and England, however, have featured episodes of violence and disruption, so how did country houses come to represent one version of English history, when in reality they reflect its full range of contradictions and complexities? This book explores the evolution of the country house, beginning with the violent impact of the Reformation and Civil War and showing how the political events of the eighteenth century, which culminated in the reaction against the French Revolution, led to country houses being recast as symbols of England’s political stability. This interview was conducted by Dr. Miranda Melcher whose doctoral work f

Praying to Portraits: Audience, Identity, and Inquisition in the Early Modern Hispanic World (Penn State University Press, 2023), art historian Adam Jasienski examines the history, meaning, and cultural significance of a crucial image type in the early modern Hispanic world: the sacred portrait. Across early modern Spain and Latin America, people prayed to portraits. They prayed to “true” effigies of saints, to simple portraits that were repainted as devotional objects, and even to images of living sitters depicted as holy figures. Jasienski places these difficult-to-classify image types within their historical context. He shows that rather than being harbingers of secular modernity and autonomous selfhood, portraits were privileged sites for mediating an individual’s relationship to the divine. Using Inquisition records, hagiographies, art-theoretical treatises, poems, and plays, Jasienski convincingly demonstrates that portraiture was at the very center of broader debates about the status of images in Spain