New Books In Critical Theory

Can new language reshape our understanding of the past and expand the possibilities of the future? The Crime Without a Name: Combatting Ethnocide and the Erasure of Culture in America (Counterpoint, 2021) follows Pitner’s journey to identify and remedy the linguistic void in how we discuss race and culture in the United States. Ethnocide, first coined in 1944 by Jewish exile Raphael Lemkin (who also coined the term “genocide”), describes the systemic erasure of a people’s ancestral culture. For Black Americans, who have endured this atrocity for generations, this erasure dates back to the transatlantic slave trade and reached new resonance in a post-Trump world. Just as the concept of genocide radically reshaped our perception of human rights in the twentieth century, reframing discussions about race and culture in terms of ethnocide can change the way we understand our diverse and rapidly evolving racial and political climate in a time of increased visibility around police brutality and systemic racism. The

One of the most fundamental aspects of modern life is that much of it is lived on and through social media. We create profiles, post pictures, update stories, and even find new careers and lovers on various sites and apps. But is all this good for us? Our always-online way of living has been called into question for quite some time now, with many people, young and old, finding themselves burned out and disconnected in a world with no shortage of connections. So what does this prevalence of social media mean for our society at large? This question is one of the starting points for my guest today, Matthew Flisfeder, in his new book Algorithmic Desire: Toward a New Structuralist Theory of Social Media (Northwestern UP, 2021). While he is curious about the affects of social media on society, he also spends much of the book trying to flip the question around and ask: what does the structure of our society mean for social media? Flisfeder is interested in thinking of social media in it’s social, political and econo

Stanley Mirvis' The Jews of Eighteenth-Century Jamaica: A Testamentary History of a Diaspora in Transition (Yale University Press, 2020) offers an in-depth look at the Portuguese Jews of Jamaica and their connections to broader European and Atlantic trade networks. Based on last wills and testaments composed by Jamaican Jews between 1673 and 1815, this book explores the social and familial experiences of one of the most critical yet understudied nodes of the Atlantic Portuguese Jewish Diaspora. Stanley Mirvis examines how Jamaica's Jews worked as traders, planters, pen keepers, physicians, fishermen, and metalworkers, and reveals how they remained both rooted in local Jamaican contexts as well as part of the larger Atlantic Jewish Diasporic community and networks.   R. Grant Kleiser is a Ph.D. candidate in the Columbia University History Department. His dissertation researches the development of the free-port system in the eighteenth-century Caribbean, investigating the rationale for such moves towards “free

Lynne Huffer, the Samuel Candler Dobbs Professor of Womens and Gender Studies at Emory University to speaks widely about the body of her work, including her her new book, Foucault’s Strange Eros, out in 2020 with Columbia University Press.  What is the strange eros that haunts Foucault’s writing? In this deeply original consideration of Foucault’s erotic ethics, Lynne Huffer provocatively rewrites Foucault as a Sapphic poet. She uncovers eros as a mode of thought that erodes the interiority of the thinking subject. Focusing on the ethical implications of this mode of thought, Huffer shows how Foucault’s poetic archival method offers a way to counter the disciplining of speech. At the heart of this method is a conception of the archive as Sapphic: the past’s remains are, like Sappho’s verses, hole-ridden, scattered, and dissolved by time. Listening for eros across fragmented texts, Huffer stages a series of encounters within an archive of literary and theoretical readings: the eroticization of violence in work

Throughout American history to the twenty-first century, regardless of the laws, court decisions, and changing political environment, the Second Amendment has consistently meant this: That the second a Black person exercises this right, the second they pick up a gun to protect themselves (or the second that they don't), their life--as surely as Philando Castile's, Tamir Rice's, Alton Sterling's--may be snatched away in that single, fatal second.  In The Second: Race and Guns in a Fatally Unequal America (Bloomsbury, 2021) historian Carol Anderson powerfully illuminates the history and impact of the Second Amendment, how it was designed, and how it has consistently been constructed to keep African Americans powerless and vulnerable. The Second is neither a “pro-gun” nor an “anti-gun” book; the lens is the citizenship rights and human rights of African Americans. Through compelling historical narrative merging into the unfolding events of today, Anderson's penetrating investigation shows that the Second Amendme

How can we think together multiplicity and agency? How can we resist oppression and build transformative political coalitions while attending to the ambivalences and incommensurabilities born of the collective conditions for action, meaning making, and self-understanding? In Nos/Otras: Gloria E. Anzaldúa, Multiplicitous Agency, and Resistance (SUNY Press, 2021), Andrea J. Pitts engages the work of Gloria Anzaldúa and her many readers to give us a framework for consistently returning to these questions as central to struggle for collective flourishing. As part of asking these questions, Pitts delves into critiques arising from disability, critical trans, and Indigenous studies and activism. Pitts provokes us to think ever anew about what is possible between us. Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-

It is a familiar story: A recipient of public assistance funds is caught buying expensive steaks, seafood, or other luxury foods with food stamps at the grocery store. Or they wear designer clothes and drive extravagant cars, belying the need for government assistance. Or they game the system in order to buy drugs or alcohol. Or they continue to bear multiple children in the belief that it will increase the amount of government aid they receive so that they can avoid working. Tinged with racial dog whistles and demonizations of poverty, these stories are often circulated as factual accounts of welfare fraud when they seem to operate more closely as contemporary legends – circulated stories with recurring motifs that seem as if they might have actually happened, but its veracity or falseness can be difficult to verify. Contemporary legends often include the caveat of the story happening to a “friend of a friend” though in the case of welfare legends, they often include first-person accounts. While the specific

As ongoing controversies over commercial sex attest, the relationship between capitalism and sexuality is deeply contentious. Economic and sexual practices are assumed to be not only separable but antithetical, hence why paid sex is so often criminalized and morally condemned. Yet, while sexuality is highly politicized in moral terms, it has largely been overlooked in the discipline devoted to the study of global capitalism, international political economy (IPE). Likewise, the prevailing field in sexuality studies, queer theory, has frequently sidelined questions of political economy. Nicola J. Smith's Capitalism's Sexual History (Oxford UP, 2020) calls for critical scholarship to challenge the dichotomy as it not only structures disciplinary debates but is part and parcel of capitalism itself. By exposing the historical mechanisms through which the economy/sexuality dichotomy has been constituted, the book opens up new space for critical inquiry into the intersections between sex, work, and economic and sexu

What is creativity? While our traditional view of creative work might lead us to think of artists as solitary visionaries, the creative process is profoundly influenced by social interactions even when artists work alone. Hannah Wohl speaks with Pierre d’Alancaisez about Bound by Creativity: How Contemporary Art Is Created and Judged (U Chicago Press, 2021), her ethnographic study of the New York contemporary art scene that reveals how artists develop conceptions of their distinctive creative visions through experimentation and social interactions and how aesthetic judgment evolves between artist studios, galleries, art fairs, and collectors’ houses. We mention Paula Cooper Gallery and the work of artists Lucky DeBellevue and Gina Beavers. The Armory Show takes place in NY in early September 2021. Hannah Wohl is an assistant professor in sociology at University of California, Santa Barbara. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial servic

Crisis? What Crisis? At a time where there are repeated claims of the impending demise of art criticism, The Ends of Art Criticism (Lund Humphries Publishers, 2021) dispel these myths by arguing that the lack of a single dominant voice in criticism is not, as some believe, a weakness, but a strength, allowing previously marginalised voices and new global and political perspectives to come to the fore. Patricia Bickers speaks with Pierre d’Alancaisez about her time as the editor of Art Monthly, the changing role of art criticism, the politics of speaking and writing about art, the art school, the relationship between artists and critics, the academicisation of critical discourse, the relationship between art history and criticism, and.. the art of the interview. Some of the works mentioned in the conversation: The Freeze exhibitions That Jerry Saltz tweet Richard Serra, Weight and Measure Danielle Brathwaite-Shirley, Black Trans Archive Pilvi Takala, The Trainee Cameron Rowland, 3 & 4 Will. IV c. 7

Worlding Postcolonial Sexualities: Publics, Counterpublics, Human Rights (Routledge, 2021) demonstrates how late twentieth century postcolonial print cultures initiated a public discourse on sexual activism and contends that postcolonial feminist and queer archives offer alternative histories of sexual precarity, vulnerability, and resistance. The book's comparative focus on India, Jamaica, and South Africa extends the valences of postcolonial feminist and queer studies towards a historical examination of South-South interactions in the theory and praxis of sexual rights. Analyzing the circumstances of production and the contents of English-language and intermittently bilingual magazines and newsletters published between the late 1970s and the late 1990s, these sources offer a way to examine the convergences and divergences between postcolonial feminist, gay, and lesbian activism. It charts a set of concerns common to feminist, gay, and lesbian activist literature: retrogressive colonial-era legislation impac

Art as an Interface of Law and Justice: Affirmation, Disturbance, Disruption (Hart Publishing, 2021) looks at the way in which the 'call for justice' is portrayed through art and presents a wide range of texts from film to theatre to essays and novels to interrogate the law. Such calls may have their positive connotations, but throughout history most have caused annoyance. Art is very well suited to deal with such annoyance, or to provoke it. Frans-Willem Korsten speaks with Pierre d'Alancaisez about art that attempts to support - or disturb - law in pursuit of justice. He discusses Milo Rau's The Congo Tribunal, Valeria Luiselli's novel Lost Children Archive, the practice of Forensic Architecture, and Nicolas Winding Refn's film Only God Forgives. Through art's interface, impasses are addressed, new laws are made imaginable, the span of systems of laws is explored, and the differences in what people consider to be just are brought to light. Frans-Willem Korsten holds the chair in “Literature and Society” at

How can music change the world? In Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos (Bloomsbury, 2020), Malcolm James, Senior Lecturer in Media and Cultural Studies at the University of Sussex, introduces the concept of sonic intimacy to think through the social, cultural, and political importance of three key moments in the history of British music. The book blends the history of music, society, and technology to show the moments of community and resistance fostered by the vibe of sound systems and the hype of Jungle Pirate Radio, along with the advent of new modes of engagement fostered by Grime on YouTube. With important implications for the future of critical scholarship, as well as our current cultural context, the book is essential reading for cultural studies and social science scholars, as well as for anyone interested in music and culture. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Le

As we taste, chew, swallow, digest, and excrete, our foods transform us, while our eating, in its turn, affects the wider earthly environment. In Eating in Theory (Duke UP, 2021), Annemarie Mol takes inspiration from these transformative entanglements to rethink what it is to be human. Drawing on fieldwork at food conferences, research labs, health care facilities, restaurants, and her own kitchen table, Mol reassesses the work of authors such as Hannah Arendt, Maurice Merleau-Ponty, Hans Jonas, and Emmanuel Levinas. They celebrated the allegedly unique capability of humans to rise above their immediate bodily needs. Mol, by contrast, appreciates that as humans we share our fleshy substance with other living beings, whom we cultivate, cut into pieces, transport, prepare, and incorporate--and to whom we leave our excesses. This has far-reaching philosophical consequences. Taking human eating seriously suggests a reappraisal of being as transformative, knowing as entangling, doing as dispersed, and relating as

The Marxist philosopher Theodor Adorno once quipped that much of his work was written without practical applications in mind, and that the constant demand for immediate practical relevance felt like being asked by occupied forces to present one’s papers. While hyperbolic, the frustration is real among many progressive activists and intellectuals, and also points to a real problem within political engagement, with how the need to act right now sometimes can cloud judgment. Against this grain, some occasionally step up in encouraging us to step back and collect ourselves and our thoughts. One such writer is the topic of this episode, Marcello Tari, whose recent book There Is No Unhappy Revolution: The Communism of Destitution (Common Notions, 2021) recently became the first of his translated into English. Written from and for a scattered and confused left, the book has a style resembling the more esoteric and messianic figures in the lefts history, most notably Walter Benjamin, who appears throughout the books

Elite white women have branded feminism, promising an apolitical individual empowerment along with sexual liberation and satisfaction, LGBTQ inclusion, and racial solidarity. As Rafia Zakaria expertly argues in Against White Feminism: Notes on Disruption (W. W. Norton, 2021), those promises have been proven empty and white feminists have leant on their racial privilege and sense of cultural superiority. Drawing on her own experiences as an American Muslim woman, as well as an attorney working on behalf of immigrant women, Zakaria champions a reconstruction of feminism that forges true solidarity by bringing Black and brown voices and goals to the fore. Ranging from the savior complex of British feminist imperialists to the condescension of the white feminist-led "development industrial complex" and the conflation of sexual liberation as the "sum total of empowerment," Zakaria presents an eye-opening indictment of how whiteness has contributed to a feminist movement that solely serves the interests of upper m

Gramsci’s concept of hegemony is often invoked, but usually as a means of cultural critique and analysis. However, my guest Lorenzo Fusaro argues in his recent book Crises and Hegemonic Transitions: From Gramsci's Quaderni to the Contemporary World Economy (Haymarket Books, 2020) that Gramsci’s work is permeated by Marx’s economic critique and his theories of value. Split into two parts, the book is both a critical rereading of Gramsci, followed by a rereading of the last century of economic and political developments. The first half of the book involves a careful rereading of key concepts in Gramsci’s Prison Notebooks, rethinking concepts such as hegemony as being more closely related to the base, instead of simply being superstructural description. Hegemony is not above and beyond economic dynamics and antagonisms, but emerges from them and changes alongside them. This allows for a broadening of the theory conceptually, and also allows him to apply it to international relations, instead of being confined to

In a world that purports to know more about the future than any before it, why do we still need speculation? Insubstantial speculations – from utopian thinking to high-risk stock gambles – often provoke backlash, even when they prove prophetic. Why does this hypothetical way of thinking generate such controversy? Gayle Rogers, author of Speculation: A Cultural History from Aristotle to AI (Columbia UP, 2021), speaks with Pierre d’Alancaisez about the intellectual history of speculation: from the mirror and the watch tower, the Calvinist reformation, the scientific revolution, through Jane Austen, to the founding of the United States, and the shape of contemporary capitalism – with booms, manias, busts, and bubbles along the way. Unraveling these histories and many other disputes, Rogers argues that what has always been at stake in arguments over speculation, and why it so often appears so threatening, is the authority to produce and control knowledge about the future. Gayle Rogers is professor and chair of En

Meryl Altman's new book Beauvoir in Time, published by Brill Rodopi Press (2020), situates Simone de Beauvoir's The Second Sex (1949) in its historical context and responds to criticism that muddles what she actually said about sex, race and class. She takes up three aspects of Beauvoir's work today’s feminists find problematic: the characterizations of the frigid woman and lesbians, the analogy of race and class that obscures Black and working-class women and her examples drawn from white middle-class experience. Charged with ethnocentrism, her contribution is distorted by not considering her place and time. Through close reading of Beauvoir's writing in many genres, alongside expansive criticism, Altman shows that what appears as a problem for feminist theory is best understood by a full consideration of Beauvoir’s engagement with Freudian, Marxist and anticolonial thinkers. Extremely helpful in understanding the place of The Second Sex within international feminist theory, Altman offers insights into how B

Scott Krzych's book Beyond Bias: Conservative Media, Documentary Form, and the Politics of Hysteria (Oxford University Press, 2021) offers the first scholarly study of contemporary right-wing documentary film and video. Drawing from contemporary work in political theory and psychoanalytic theory, the book identifies what author Scott Krzych describes as the hysterical discourse prolific in conservative documentary in particular, and right-wing media more generally. In our chat, Scott and I review the development of conservative documentaries and discuss the various frameworks used to present ideas, as well as specific methods used to present information. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory