Arttactic

In this week's episode of the ArtTactic Podcast, Bill Charron, partner at Pryor Cashman, and Megan Noh, partner at Cahill Cossu Noh & Robinson join us to discuss the establishment of the Court of Arbitration for Art, a specialized arbitration and mediation tribunal dedicated to resolving art law disputes. First, Bill shares with us the motivation behind founding the Court of Arbitration for Art and why the existing courts are not an ideal place to solve art disputes. Then, Megan walks us through how the Court of Arbitration for Art will work including the process, who will participate and what happens with the results. Also, they reveal why so many attorneys have responded favorably to the founding of the Court of Arbitration for Art, how they plan to get adoption from the art world and what the next steps look like for launching the court.

In this week's episode of the ArtTactic Podcast, Kelly Crow, reporter for The Wall Street Journal, joins us to recap the May New York Impressionist & Modern and Post-War & Contemporary auctions. First, Kelly touches on the surprising surge in prices seen at auction for artworks in the middle of the market. Then, she addresses the reasoning for the softening witnessed at the top of the market. Also, Kelly shares a few of the sales results that made her say "wow". Then, she discusses the incredible prices achieved for the lots donated by African American artist at Sotheby's for the Studio Museum in Harlem and if a bubble may be emerging for some of these artists. Lastly, Kelly explains why Sean Combs' $21 million purchase of Kerry James Marshall's Past Times may be the start of some much needed diversity in the art collecting community.

In this week's episode of the ArtTactic Podcast, Adam Fields, founder and CEO of ARTA, returns to the podcast to update us on the latest in the fine art shipping and logistics marketplace. First, we discuss ARTA receiving investments from notable art companies, including Sotheby's, and how ARTA has integrated with them. Then, Adam reflects on Frieze and TEFAF and how ARTA assisted exhibiting galleries get their art from their galleries into the booths. Also, he touches on shipping challenges specific to Europe and explains why there is still so much variance with art shipping quotes.

In this week's episode of the ArtTactic Podcast, Nate Freeman, senior reporter for Artsy, joins us to recap last week's Frieze and TEFAF art fairs which occurred this week in New York City. First, Nate addresses the air conditioning controversy that plagued the first day of Frieze and updates us on how Frieze is trying to rectify the issue with exhibitors. Then, Nate discusses the success of TEFAF in New York and how it is now perceived by the art world relative to Frieze New York. Also, he explains why smaller galleries are the ones most closely monitoring the broader economy in case it begins to falter. Further, Nate touches on the highlights at Frieze and TEFAF, while explaining why TEFAF is a good barometer for next week's major New York auctions.

In this week's edition of the ArtTactic Podcast, we speak with Natasha Arselan, founder and CEO of AucArt, a startup online auction house exclusively offering early career contemporary art. First, Natasha reveals how young the graduate artists are on the platform and how AucArt finds them. Then, she identifies the limited alternative sales channels for emerging artists. Also, Natasha tells us the diverse kind of buyers interested in contemporary art by early career artists and how receptive artists have been to selling their art on the platform.

In this week's episode of the ArtTactic Podcast, Katya Kazakina, art market report for Bloomberg News, joins us to discuss the important correction happening in the art world in which collectors and museums are increasingly focusing on collecting Black artists. First, Katya pinpoints how and when this correction began. Then, she discusses how important it has become for prominent museums to acquire Black artists for their collections and how successful they have been at this given the recent increase in prices for these artworks. After, Katya identifies some of the key Black artists being targeted by museums, including Mark Bradford, Sam Gilliam, David Hammons, Barkley Hendricks, Chris Ofili and others. Also, Katya talks about how this trend is translating at art galleries, where they are beginning to show and represent more younger black artists. Lastly, Katya speculates if this trend will be more long-lasting than others in the art market and she also highlights some Black artists who will be up for auction

In this week's edition of the ArtTactic Podcast, Brandon Kennedy, director of exhibitor relations for the Dallas Art Fair joins us to discuss the 10th edition of the fair, which occurred last weekend. First, Brandon discusses the fair's maturation and compares it in its infancy to where it is now. Then, Brandon identifies some of the highlights of the fair week and discusses the level of sales at this year's edition. Also, Brandon shares why US-based and international exhibitors are so fond of Dallas. Further, he explains how the Dallas Art Fair is thriving despite being outside of one of the major art market hubs. Lastly, Brandon describes the blossoming art scene in Dallas and its impact on the Dallas Art Fair, including the Dallas Museum of Art's acquisition fund for the fair.

In this week's episode of the ArtTactic Podcast, we speak with Robert Diament, director of Counter Editions, who produces prints and multiples by leading contemporary artists, including John Baldessari, Katherine Bernhardt, Cecily Brown, Peter Doig, Tracey Emin, Laura Owens, Christopher Wool, Jonas Wood and many others. First, Robert reveals that most artists create prints in order to make their art accessible to their admirers at an affordable price point. Given the increased demand for prints, Robert tells us if it has become more competitive for printmakers to persuade artists to make prints with them. Also, he touches on the emergence of flippers in the prints market and how Counter Editions tries to sell artworks to genuine collectors. Further, Robert takes us behind the curtain and explains how they collaborate with artists on deciding every aspect of a print, such as the subject matter, medium, size and edition size. Lastly, Robert shares why he thinks prints are a great way for new collectors to start

In this week's episode of the ArtTactic Podcast, Adam Popescu, writer for The New York Times, joins us to discuss Damien Hirst's exhibition at Gagosian Gallery in Los Angeles featuring his abstract, colorful paintings from his new series of work. First, Adam talks about the scene at the opening of the exhibition and tells us how much clout Hirst still possesses both inside and outside of the art world. Then, Adam tells us how important it is to Hirst and to art collectors that the artist personally painted the works in the exhibition, rather than his studio assistants, who have painted many of his older paintings. Also, he reveals what Hirst says is the message behind the new works, how the paintings are being received by the art world and if the show is viewed as a success for Hirst.

In this week's episode of the ArtTactic Podcast, we're joined by Maria Brito, a New York based art advisor, curator and author. First, Marias offers advice to both new collectors who are building their collections as well as established collections seeking to refine their collections. Then, she comments on the strength of the art market at the moment and identifies which areas in particular are flourishing. Also, Maria names some emerging artists she feels are flying under the radar. Additionally, Maria discusses how she leverages Instagram to build her art advisory and make new contacts. Lastly, she tells us about her new #MBCultureFiles video series.

In this week's episode of the ArtTactic Podcast, Frances Oglesby, global operations manager of Artive, joins us to discuss the non-profit organization that aims to provide a universal, digital and searchable archive for works of art and cultural property. First, Frances explains Artive's mission, then she explains the two aspects of their database, those who submit artworks on the database, if they have been victims of crime, and those who search the database, as a due diligence exercise. Also, she reveals how they built a database containing over 150,000 artworks, discusses the importance of their image recognition technology and clarifies why they are registered as a non-profit.

In this week's edition of the ArtTactic Podcast, we're joined by Anne Bruder, founder of Anne Bruder Art, a New York-based art advisory firm specializing in contemporary art. First, Anne shares with us how she helps new collectors figure out what kind of art they like and want to have in their collections. Then, she reveals how often her clients consider the investment component of a potential acquisition and what advice she gives her clients who ask about art as an investment. Also, Anne explains the best strategy for collectors who are trying to get in the front of a gallery waiting list for a hot artist. Lastly, Anne lists some emerging artists she's currently excited about and advising her clients to consider for their collections.

In this week's episode of the ArtTactic Podcast, Anders Petterson, founder and CEO of ArtTactic, joins us to share his insights on the art market in 2018 from ArtTactic's brand new report, Global Art Market Outlook 2018. First, Anders recaps the performance of the art market in 2017. Then, he describes the overall sentiment in the art market as we enter 2018 and how it varies based on price point. Also, he reveals how sentiment differs for the different major regions in the global art market.

In this week's episode of the ArtTactic Podcast, we're joined by Asher Edelman, a founding member and CEO of Artemus, an art financing and leasing company. First, Asher explains the concept of their sale-leaseback program and how it works. Then, he shares some compelling reasons as to why it's a preferable route for individuals over simply obtaining loans against your artworks. Also, Asher discusses the current landscape of the art financing space, including where Artemus sits relative to their competitors. Lastly, Asher speculates where the art market may be heading in 2018.

In this week's episode of the ArtTactic Podcast, Georgina Adam, contributor at the Financial Times and art market editor-at-large of The Art Newspaper, joins us to chat about some of the key topics in her brand new book, Dark Side of the Boom: The Excesses of the Art Market in the 21st Century. First, Georgina identifies how prevalent certain shady aspects of the art market are, such as fakes, tax avoidance, money laundering, etc. Then, she discusses the secretive nature of freeports and what it was like to walk through Le Freeport in Luxembourg. Also, Georgina dissects the greatest example of speculation during the last boom, the Zombie Formalist movement, and where the artists, galleries and collectors are today. Lastly, Georgina reveals the most interesting legal dispute in the art market today and she tells us to what extent greater regulation should be introduced in the marketplace.

In this week's edition of the ArtTactic Podcast, Mary Buschman, president of ARIS Title Insurance, joins us to discuss the growing art title insurance space. First, Mary explains what art title insurance is and why it's important to purchase it. Then, Mary walks us through what typically occurs if someone else claims to own the title of an artwork you own. Also, she tells us how art title insurance would have played a factor in some of the recent cases in which dealers deceived clients by selling an artwork to multiple people. Finally, Mary discusses how the globalization of the art market has increased art title risk and shares with us trends regarding the rate at which art title insurance is being purchased by collectors.

In this week's special end of the year episode of the ArtTactic Podcast, Judd Tully, veteran art market reporter, joins us to reflect on some of the major events in the art market over the past year. First, Judd identifies some of the top moments from 2017, including the $450 million da Vinci sale at Christie's, the increasing role of guarantees at auctions and the rise of Phillips auction house. Then, he declares some of the artists who were the biggest winners in 2017, such as Wolfgang Tillmans, Peter Doig, Mark Grotjahn and Sigmar Polke. Also, Judd tells us what aspects of the art market he will be following closely next year as well as sharing his bold prediction for the art market in 2018.

In this week's episode of the ArtTactic Podcast, Nate Freeman, senior staff writer at ARTnews, joins us to recap Art Basel Miami Beach. First, Nate shares with us some of the most common activities on people's Miami agendas this year including museums, fairs, galleries and parties. Then, Nate tells us what the consensus was on the fair this year and how it compared to previous editions. Also, he reveals the most talked about booths at Art Basel this year as well as how much political themed art was on display. Lastly, Nate tells us which artists were spotted at the fair, ranging from an artist selling their own art in their gallery's booth to an artist who hid in their hotel room for 48 hours straight.

In this week's episode of the ArtTactic Podcast, Ksenia Podoynitsyna, founder of InArt, specializing in the analytics of the Russian contemporary art market. First, Ksenia recaps the performance of the Russian contemporary art market over the past decade and where it stands today. Then, Ksenia shares the impact of sanctions against Russia and more broadly political tensions between Russia and other countries on the Russian contemporary art market. Lastly, she identifies some of the key analytics that suggest that the Russian contemporary art market is rebounding.

In this week's episode of the ArtTactic Podcast, Mark Rappolt, editor-in-chief of ArtReview, joins us to review their annual Power 100 list, a guide to the 100 most powerful figures in contemporary art. First, Mark reveals Hito Steyerl, Pierre Huyghe and Donna Haraway as the top 3 on this year's list and details why they are worthy of that ranking. Then, Mark identifies Gavin Brown as the gallery that surged the most in terms of influence over the past year. Also, he explains why artists have the most momentum at the moment in terms of increasing influence and he shares the extent to which Instagram is a factor in shaping the standing of certain individuals in the contemporary art world.