#amwriting With Jess & Kj

Today we’re talking about the need for a writer to be resilient over the long haul of a career and my guest is A.S. King A.S. King has been called “One of the best Y.A. writers working today” by The New York Times Book Review and is one of YA fiction's most decorated. She is the only two-time winner of the American Library Association's Michael L. Printz Award (2020 for Dig and 2024 for The Collectors) and has won the LA Times Book Prize for Ask the Passengers. In 2022, King received the ALA's Margaret A. Edwards Award for her lifetime achievement to YA literature and 2023, she accepted the ALAN Award for "artistry, courage and outstanding contributions to YA literature." Amy – which is her real name – has taught for years in MFA programs and is working on her PhD in creative literature I wanted to talk to Amy because I heard from a mutual friend – Caroline Leavitt – that Amy’s publisher had made a change to her promotional team just weeks before the launch of her newest book, Pick the Lock, which one revi

I couldn’t resist the subtitle, kids, sorry. It’s not that shocking—but Tim’s journey was definitely only for the bold. I’ve known Tim Grahl—or known of him—for more than a decade. I watched him help writers like Dan Pink launch their non-fiction books onto the best seller list, and devoured and followed his excellent advice about launching my own books (which you can find here at booklaunch.com). Then I watched—or rather, listened—as he pivoted into the world of fiction, enlisting editor Shaun Coyne to join him on a podcast and help him use Coyne’s Storygrid method to work on what eventually, after many revisions and a whole lot of failing in public, became Tim’s first novel, The Threshing. At the same time, he and Shaun were building Storygrid into what’s not just a business, but a huge community of writers and editors. He’s just published his second novel, The Shithead, a very different book from the first… I call it The Firm meets The Alchemist; Tim prefers Fleishman Is In Trouble meets Faust. Both work.

Hi all! Jess here. When I wrote my first book proposal (for The Gift of Failure), I had a foggy idea of what a “comp” was. A book just like the book you want to publish, right? Not exactly. Comps are a really important part of pitching any book - nonfiction or fiction - because it helps an editor understand your vision for the book and consequently, what the publishing house’s vision for the book could be. What does the market for this book look like? Who is on the shelf already? Why is this book similar or different?  Like I said, an art.  Come with me while I explore the parameters for comps and help you write a better “Comparable Titles” section for your next book proposal.  I use the comp section from the proposal for The Gift of Failure to discuss comps in this episode, so here’s what the formatting looks like in that document: Hey readers—KJ here. This episode of #AmWriting is brought to you by my latest, Playing the Witch Card. I wrote this at a moment when I needed more magic in my life—but it

“As I said in my earlier email, you have so much to work with here. First off, your premise is gold. Easy to summarize, clear conflict, big stakes. I’m envious! When you’re ready, agents are going to sit up and take notice—which is all the more reason to have a rock solid thing to give them when they ask (and they will ask—don’t send a single query until you have a full, completed, polished manuscript ready to press “send” on, because I think you will get requests immediately).” That’s from my October 2021 developmental edit* for guest Erin Quinn-Kong. This month, Hate Follow is out from William Morrow & Company—because Erin knocked the revision out of the park. In this episode, we dig into what it felt like to get those (tough love) notes, how she worked with them, querying and the big moments that came next. You’re going to love it—PLUS, Erin has agreed to let us share the full 6 page edit letter with supporters who purchase a copy of Hate Follow in any format and send us their receipt. (Details on how

KJ here, team. In this episode, Jennie asks the questions, and I walk us through the whole thing from start to finish—the options, the renewals, the moment we thought we were getting the rights back and the big calls that finally convinced me this was really going to happen—and then of course what it’s like when it DOES.  Above are a few glam shots from the premiere screening, which will never not be one of the biggest nights of my career. I’m not sure how you top it. You can watch The Chicken Sisters—an 8 episode series starring Schuyler Fisk, Genevieve Angelson, Lea Thompson, and Wendie Malick on Hallmark Plus (or Amazon Prime) now. Here’s a little preview on YouTube, too. Hey readers—KJ here. This episode of #AmWriting is brought to you by my latest, Playing the Witch Card. I wrote this at a moment when I needed more magic in my life—but it turned out to be a book about how until we know who we are and what makes us happy, even magic doesn’t help. My main character, Flair, is a total control freak who

Hey #AmWriters, Jennie here. I'm excited to welcome editor and publishing strategist, AJ Harper to the show to talk about the art of helping writers do their best work.  AJ helps nonfiction authors write foundational books that enable them to build readership, grow their brand, and make a significant impact on the world. She was part of the writing coaching team for TEDx Cambridge, one of the largest TED events in the world. As a ghost writer and a developmental editor, AJ has worked with business writers of all kinds, guiding them to bestseller lists and to many millions of copies sold. She's worked on 10 books with business writer Mike Michalowicz, including Profit First: Transform Your Business From a Cash Eating Monster to a Money Making Machine.  Her own book on writing came out in 2023. It's called Write A Must Read: Craft a Book That Changes Lives, Including Your Own. This book is one of the best books on writing nonfiction I've ever read and it's one of the best books on writing period, which is why

Sarina here! There was a scramble over who got to interview Lyndsay Rush about her poetry, but I raised my hand first.  I’ve always thought of poetry as the fustiest kind of writing, but the moment I opened A Bit Much, I knew that Lyndsay was here to change my mind. Not only is her poetry gorgeous, her path to becoming a published author was unusual in all the best ways.  Tune in to hear how she accidentally became a poet. And how she accidentally accumulated over 140,000 Instagram followers.  We ask her about that magic moment—when she suddenly realized that this Instagram poetry habit of hers was going to be a whole big thing. It’s a publishing story for the ages!  Or just skip to the good stuff and find A Bit Much at Bookshop, Amazon, or Barnes & Noble.  Lindsay on Instagram. Lindsay on Tiktok. Lindsay on Threads.  Hey everyone, I'm Jennie Nash, and if you're interested in becoming a book, coach, I have a special offer for you. It's a free pass to a mini course called The One Page Book Coaching

It’s a new Booklab: First pages episode! At some point—maybe next week—these episodes will go out only to our fellow Stickers (supporters of the podcast). Want to join that crew, where you’ll be able to send in your own first page for the pod, join write-alongs and get AMAs from our hosts and guest book coaches? I’m a sticker! Or I want to be. Also I get that y’all need support to get this out here and I love that it’s here so yeah. Subscribe Here On today’s episode, we discuss the first pages of SAILING TO THE MOON: THE TWO YEARS AT SEA THAT SANK MY MARRIAGE, a memoir and The Pie Window, a novel. Would we turn the page? Opinions are mixed, but good advice for improving—these first pages and yours—abounds. THANK YOU to the writers willing to submit their work for our discussion. Did you like First pages? Have ideas for how we can make it better? We’d love to hear it and we’ll talk back, so comment away. We offered some comps to our first submitter: Jennie offered Between Two Worlds: An Inspiring Story o

Hello #AmWriters! This week, I’m answering a bunch of questions we received via amwritingpodcast@gmail.com and our #AmWriting Facebook group. Here’s to flattened learning curves!  1. I just got my first speaking inquiry. How do I know how much to ask for? 2. Someone asked me to provide video content for a conference/summit/virtual event. What should I charge? 3. What’s all this about affiliate codes and revenue sharing for conferences? 4. What reference books would you recommend for writing nonfiction? 5. It’s time to ask for blurbs for my book! How do I figure out who should blurb? How do I ask? Can someone quoted in my book blurb my book?  6. If I quote myself in my own book is that plagiarism? What if I really need to use that quote, how do I do it? 7. I’ve been asked to speak but I’m freaked out by my time slot/some other challenge to audience numbers. How do I get people to stay and listen? 8. What are the “marketing materials” you keep talking about for events and where did you get all of it? 9.

Is it time for me (this is KJ) to start a new novel? Not quite-quite-quite, but that time is coming. There’s a decent chance that the novel I’m working on now will be finished, in the now-we-try-to-sell-it sense, soonish. And that will take some time, and maybe it won’t happen (I know, you think I’m just saying that but no, it’s really quite possible). Even if it does, at some point very soon that will be out of my hands for long enough to start working on something new—and if I’m lucky, that will co-incide with November and National Novel Writing Month, which is my favorite time to write a 55K word draft that probably will contain approximately 1737 words that end up in an actual novel but that seems to be part of my “process”. I think my process is a raging dumpster fire but out of the ashes arise books so fine, this is how I do it.  First, I’ll need an idea. Jennie Nash and I recorded a whole summer about “Ideating” (Episodes 366-373—The Idea Factory). I’d argue that this is possibly the most important pa

It’s the second Booklab: First Pages episode! At some point, these episodes will go out only to our fellow Stickers—supporters of the podcast. Want to join that crew, where you’ll be able to send in your own first page for the pod, join write-alongs and get AMAs from our hosts and guest book coaches? I’m a sticker! Or I want to be. Also I get that y’all need support to get this out here and I love that it’s here so yeah. Subscribe here On today’s episode, we discuss the first pages of Title Redacted, a novel and Welcome to Heaven, an upper middle grade novel. Would we turn the page? Opinions are mixed, but good advice for improving—these first pages and yours—abounds. THANK YOU to the writers willing to submit their work for our discussion. Did you like First pages? Have ideas for how we can make it better? We’d love to hear it and we’ll talk back, so comment away. We offered some comps to our first submitter: Whip Smart, Melissa Febos I Love a Man in Uniform, Lily Burana A Certain Appeal, Vanessa Kin

Hey writers! I’m Jennie Nash — and this is the #amwriting podcast, the place where we talk about writing all the things: short things, long things, fiction, non-fiction, pitches and proposals.  Today, we’re going to dig into a part of the writing process that comes WAY before you write anything — which is giving yourself permission to write in the first place.  So many writers are shut down by teachers, people who love them, critique partners, well-meaning editors and book coaches, perhaps the entire culture– and the impact of that shutting down can last for decades, if not entire lifetimes.  In my Blueprint framework – a method of inquiry for starting a project -- the first question is why write this book? Why do you want to do this? It’s amazing to me the number of times that the deep level why has to do with reclaiming a voice that was shut down.  My colleague and friend Julie Artz was shut down when she was 25 and 20 years later she is finally grappling with what happened – and feeling a creative spac

It all Started on the ‘Book Sarina, here! This episode began in a Facebook thread. In a writers’ group, author Dena Moes R.N. expressed some concern about trying to bring a book to market during a very noisy news cycle.  I pushed back a little, given the nature of her book: It's Your Body: The Young Woman's Guide to Empowered Sexual Health. This lovely book is no stranger to politics. In 2024 it’s political to even suggest that a young woman has the right to decide the fate of her own body. What could be more timely? Dena and I brought our friendly debate to your door, where we cover: What does the election cycle really mean for books and book buyers? What are some elements of Dena’s story that play well with readers who are staring down the barrel at a very important election?  Who should Dena talk to about this book, and why? You can see some of the content Dena is working on at Instagram and Tiktok You can find the book at Amazon and Bookshop.  Books we’re reading this week:  Dena is

Hello #AmWriters! Jess here at the beginning of a very busy fall speaking season, coming to you from the northwest corner of Indiana. I’ve talked to you before about the nuts and bolts of my speaking work, but I thought it would be fun to bring you along with me and talk about the things I pack, plan for, and think about when I’m on the road.  If I missed anything you want to learn about, head on over to the #AmWriting Facebook group and hit me up with questions!  What’s in my speaking bag: What I found when I visited the Lafayette Barnes and Noble in search of Sarina Bowen’s books (look for the yellow pages!): Then I went over to the thriller department and found: And when I looked for KJ I found: And finally, I check for my books so I can sign them, photograph the books and let readers on social media know there are signed copies at the bookstore! I was not originally face out but once I signed, the bookseller re-arranged so I could be. Loved her for that. Are you a “sticker”? Regular listeners k

The title of this episode comes from a great George Michael quote that Sarina reminded us of and one that I now think about all the time: People thought I wanted to be seen as a serious musician, but I didn’t. I just wanted to people to know that I was very serious about pop music. That’s us here. We’re very serious about fun reads—and so grateful that Emily is too. This episode was recorded as Emily was releasing Book Lovers. This year, you can read her newest, Funny Story, which was just the delightful escape Sarina and I both needed this summer. And let me remind you right here that you can—and should!—also grab Sarina’s latest, the fantastic The Five Year Lie—a very very fun read.  This was a great talk and we know you’ll love it—but for your entertainment, here’s what AI had to say about it:  The speakers discussed their experiences and insights on writing and publishing, including the importance of maintaining a consistent brand, balancing creative expression with validation, and creating authentic

Hey writers! Maybe I say this all the time, but this episode is GREAT. Remember how in Episode 402 I asked the question for the ages: How Bad Can a Good First Draft Be? At that point I was on a fifth draft and it was sadly still pretty “bad”— think “I built a bookshelf but one of the shelves is on the back and I don’t think it necessarily needed window shutters or a fan”. I settled in to outline, not what WAS there but what I knew SHOULD be there on both the plot (outside) and emotional arc (inside) levels. And damn if it didn’t help. It always helps. This episode is me and Jennie talking about how I did that, why I needed to and how much it helps. Funny story: last week after the episode as i was revising I looked at one of the new scenes I’d plotted out and thought, nah. Things were running a bit long, I thought. I don’t need that. It took 48 hours of wrestling with what came next to realize that the problem was: yes, I did need that scene. It didn’t do masses of plot work but it was huge emotionally. Pu

Writing BFFs Alison Hammer and Bradeigh Godfrey were thirty days away from a publisher deadline for their third book when the news came down: change this book from women’s fiction to romance. Should they do it? Could they do? How would they do it??? In this episode, Jennie Nash digs into this juicy question. Books mentioned in this episode: The Beach Trap The Comeback Summer Until Next Summer Are you a “sticker”? Regular listeners know that whenever we meet our writing goals around here, we text each other one word: STICKER. (and then we add a cute sticker to our calendar, because we’re fun like that). We call supporters of the #AmWriting podcast “stickers” too—and while our regular podcasts and shownotes go out to all of our listeners, we have created a few things just for stickers. First, there’s the Summer Blueprint for a Book Sprint—10 weeks dedicated to working with coaches and a community to figure out how to turn your next idea—or your struggling draft—into the book you want to write. You can

Hi! Jess here. I just finished Catherine Newman’s new novel Sandwich, and I’m feeling a lot of feelings. I expected Sandwich to be great because I love everything Catherine Newman writes, but it was a balm for a wound I did not realize I was nursing.  That’s what I love about books. Our feelings about them are highly personal and subjective. Some of my favorite books possess little literary merit but have found a place on my list of essential re-reads based on their emotional, temporal, or geographical entanglements. Sandwich is a town on Cape Cod, where the bicep would be if the Cape were to let up on tricep day. A big part of my childhood was spent in a lovely house on Corn Hill in Truro, the second to last town on the very tip of the arm, where the Cape would wear her watch if she cared about the time.  When I was very small, my parents rented with friends, but when their best friend, Richard, bought our favorite of the hilltop houses, it became our second home, the place where my most visceral, cherish

It’s SO SO EASY for creatives to get caught up in chasing after praise and approval to boost their own mood and productivity. How can we spend less energy "borrowing self" from other people's reactions, and more energy pursuing what's important to us? KJ asks Kathleen Smith, author of True to You: A Therapist's Guide to Stop Pleasing Others and Start Being Yourself, to help us find our true writer-selves at all the moments when all the other opinions and demands and pseudo-beliefs beckon. The goal? Hanging up a mental sign that says “currently closed to imaginary commentary.”  Kathleen Smith PhD, LPC is an author, licensed therapist, and expert on relationship systems with degrees from Harvard University and The George Washington University. She is the author of Everything Isn’t Terrible: Conquer Your Insecurities, Interrupt Your Anxiety, and Finally Calm Down, a funny, practical guide that breaks down psychotherapy concepts into accessible stories of change and True to You: A Therapist’s Guide to Stop Pleas

We only meant to dissect the success of the writer from this NYT piece briefly, but it turned out we had a lot to say. No, we can’t all imitate her (nor do we want to) but there are things to be learned here. And things to be learned by checking in on your goals at mid-year! How’s it going out there? LINKS New York Times: How a Self-Published Book Broke ‘All the Rules’ and Became a Best Seller The Atlantic: The 24-Year-Old Who Outsold Oprah This Week The Nothing Sells Books but Books Still Sell essay and episode #401 Not linking to the workbook we discussed bc I have my doubts… Not linking to the TT stuff either so sue me. Start Where You Are, Meera Lee Patel oh OKAY I’ll link to the workbook: The Shadow Journal, Keila Shaheen Rachael Herron’s Ink in Your Veins Podcast Ep. 183 with Jennie Nash Sarina’s latest book, The Five Year Lie Jess on Instagram and TikTok killing it Funeral in my Brain, Lisa Levy (coming soon!) 2024 Words KJ: Unapologetic Sarina: Abundance Jess: Recreate/Recreate Jenn