Writing Excuses

How can we make publishing more inclusive? What role does mentorship play? And how can you reframe competition as collaboration? All this and more in this episode.Homework:What's one thing that you can do to make someone else's path easier? Can you take a step towards doing this this week?Thing of the Week:After Five - newsletters from Suyi Davies OkungbowaMentioned Links:On Sending the Elevator Back Down by DongWon Song Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagram TwitterFacebook Sign up for our newsletter

The relationship between a writer and a publisher is… one that isn’t talked about enough. So we made an episode about rejection letters, email etiquette, and empathy. As a writer, how do you talk with a publisher? Well, luckily we have someone who knows all about the publishing world because they’re an agent at a large publishing house. DongWon offers advice on how to interact with publishers from the perspective of someone on the industry side. (If you’re new here: DongWon Song is an agent at Howard Morhaim Literary Agency.) Then, we hear about our hosts’ experiences with rejection (spoiler alert: there’s been a lot.) Homework:Write a professional and kind rejection letter for a piece you like.Thing of the Week:Lavender House by Lev AC RosenMentioned Links:“The Empathy Gap” by DongWon SongMunchkin Starfinder Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by

Have you ever thought of being a publisher, but don't know if it's the right choice for you? In this episode, DongWon (an agent at Howard Morhaim Literary Agency) walks you through this world and gives you some tips for how to decide if publishing is the right career for you. Homework:Come up with a list of 3 things you've read. Think of things that can act as comp titles for your professional career and/or personal brand.Thing of the Week:Letters to a Writer of Color Edited by Deepa Anappara and Taymour SoomroMentioned Links:So You Want to Work in Publishing by DongWon SongCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

In this episode, we unpack what the publishing industry is, what exactly it does, and why it does it. We also outline the first steps for preparing to talk to an agent or publisher. Homework: If you had to sit down with a publisher today and convince them that there's a market for you book, how would you start doing it? Make a list of 3-5 titles that your book is similar to, and describe your target audience. Thing of the Week: Kate McKean’s Agents and Books on SubstackMentioned Links: "The Publishing Question" by DongWon SongCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

It's 2023 and people still use email newsletters. For some reason they're more important than ever, so let's talk about building one.

An exploration of author branding and the social media tools we use. "Figure out who you are, and then do it on purpose" - Dolly Parton.

Publishing is hard. Also, Publishing is Hard is a newsletter from DongWon Song. In this episode we grill them about it.

Back in February, with Episode 18.8, we began exploring the process of writing a mystery story. That episode led us into a series of six episodes about tension, and the tools we use to create and manage it. And now, with this episode (and a toolbox full of tension) we're ready (we hope!) to revisit the creation of mystery stories. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Let's take all our tension tools and apply them in tiny ways. A big application of tension might be an argument between two characters about a course of plot-important action. Microtension might be those characters arguing about how long to boil eggs. In this episode we'll explore some favorite applications of microtension, and the ways in which it can be layered to ramp up the larger, plot-focused tension. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

In our ongoing exploration of tension, the time has come to examine conflict. It can be shaped and delivered in numerous ways, but you have to know the core conflict before you can make anybody feel tense about it. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Our continuing exploration of tension has taken us to a favorite technique: unanswered questions. Sure, this obviously applies to mysteries, but consider the question posed in romances: “will they get together?” In its simplest form, the unanswered question that forces a page-turn is "what happens on the next page?" In this episode we explore how to use unanswered questions to drive tension, and how to avoid some common pitfalls. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Our deconstruction and categorization of tension continues this week with an exploration of Juxtaposition, which is a contrast between two elements that supplies tension by allowing the reader to insert themselves. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Last week we talked about tension, and promised that we'd be breaking it down into more pieces. This week we're discussing one of those pieces: Anticipation. We sub-divided it as follows: Surprise Suspense Humor Promises We talk about how to create anticipatory tension well, where the pitfalls are, and how this fits into the creation of our stories. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

For the next several episodes we'll be talking about tension. That may seem like a lot of time to spend on just one word, but as we unpack the word 'tension' in this episode you'll see that there is plenty of material to work with.

After last week's deep dive into The Spare Man we're ready to talk more generally about mysteries, and the tools we use to write them. Obviously we can't cover all of that in just one episode, but don't worry. In upcoming episodes we'll explore more of these tools in detail. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Spoiler Alert! This week is our deep dive into Mary Robinette Kowal's The Spare Man. It's a sci-fi mystery novel often described as "The Thin Man in space." Deep dive episodes are necessarily full of spoilers because we ask all kinds of how and why questions specific to the writing of the work in question. If you haven't yet read The Spare Man, you might consider doing that before listening to this episode. We're not the boss of you, but we believe you'll get more out of this episode and the novel if you read the novel first. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Your Hosts: Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler In this episode we interview Howard Tayler, one of the founding members of the podcast, and the creator of Schlock Mercenary. The first question: how did this twenty-year ride change you? And a later question: what comes next? Liner Notes: We'll eventually do a deep dive on the final three books of the Schlock Mercenary saga. You can read for free starting here. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson

Your Hosts: Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler In this episode Howard Tayler conducts our interview with Mary Robinette Kowal, leading with a wide-open question: "Where did you even?" Mary Robinette talks to us about how she came to the world of writing, and some of the amazing things she picked up along the way. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson

Your Hosts: Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler In this episode Erin Roberts very enthusiastically launches our interview with "OG" Dan Wells with a delightfully difficult question, paraphrased thusly: "is there advice you gave back in the early days that you still stand by today?" There are lots of other questions, including one about bacon! Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson

Your Hosts: Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler As we announced in the first episode of the year (and in this press release),  DongWon Song and Erin Roberts are joining us as permanent cast members. Today we're conducting an interview with Erin Roberts. She is newer to career writing than any of the rest of us, but her contributions to Writing Excuses have already been invaluable.  In this episode we'll learn a bit more about why, and about what Erin will bring to the program going forward. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson