Writing Excuses

Your Hosts: Brandon, Mary Robinette, Dan, and Howard, with special guest Natasha Ence Natasha Ence is a professional game master. (Yes, you read that correctly.) She joins us to discuss collaborative storytelling, and how the principles of game mastering for role-players can be applied to creating a fulfilling, engaging story. Credits: This episode was recorded live at LTUE by Dan Thompson, and was mastered by Alex Jackson.

Your Hosts: Brandon, Mary Robinette, Dan, and Howard We've spent all year focusing on worldbuilding, and it's time to move on. Almost. In this episode we try to cover some points we may have missed, we talk about what we've learned, and discuss some of our favorite recent examples of worldbuilding. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard We've all heard the adage "write what you know," and in this episode we set out to un-misinterpret it. The phrase is fraught, and perhaps the most perilous bit is that it can be used an excuse to not write. Here at Writing Excuses we're pretty committed to approaching things in ways that let us do MORE writing, so this topic is a great place for us to leave you out of excuses. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Brandon, Dan, Howard, and Mahtab In this episode we discuss how our customs and mores govern our own real-world interactions, and how our understanding of these interactions can be applied to our worldbuilding. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson.

Your Hosts: Brandon, Mary Robinette, Dan, and Howard The entire year has been about learning how to worldbuild, and we've learned a thing or two ourselves while preparing material for you. In this episode we talk about some of those lessons, and try to answer stray questions that didn't fit into any of previous episode buckets. Liner Notes: If Dinosaurs Had Body Fat Like Penguins Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Piper, Dan, and Tempest, with special guest Nicola Griffith In this episode we discuss how to faithfully represent people with physical disabilities through the characters we create. Our guest, Nicola Griffith, walks us through the process of rigorously imagining how the world might look to someone with a particular disability. Credits: This episode was mastered by Alex Jackson    

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard Among science fiction and fantasy plot devices, the "uncommon resource" trope is common enough to almost seem cliché. Fortunately (?), the economic principle of scarcity is ubiquitous enough in real life that most of us don't even blink when presented with the idea in fiction. So how do we keep it fresh? How do we roll scarcities into the economies we create, and the worlds we build? Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Brandon, Dan, Howard, and Mahtab Economists tend to see everything as economics, which is kind of how proponents of ANY discipline see their discipline, but it's not a bad way to look at worldbuilding through the lens of economics. In this episode we talk about how this works for us, and how it lets us roll our worldbuilding into our storytelling. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson Liner Notes: Mahtab mentioned The Economics of Science Fiction on Medium.com    

Your Hosts: Brandon, Mary Robinette, Dan, and Howard Where do you draw the line between what seems plausible, and what would be cool? If you pick "plausible," how do you stay cool? If you pick "cool," how do you avoid knocking the readers out of the story? And finally, how might we structure things so that when the time comes, we don't need to choose one or the other, because we can have both? Credits: This episode was recorded by Dan Thompson, and engineered by Alex Jackson

Your Hosts: Howard, Mary Robinette, Dan, and DongWon Let's talk about career planning. It's a lot more than just launching a career by selling a book, and in this episode we talk about the kinds of things we want to be thinking about and preparing for beyond simply selling our next book or project. Credits: This episode was recorded by Bert Grimm at WXR 2018, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard Alternate histories (and historical fantasies) are a staple of genre fiction. In this episode we talk about the worldbuilding process, the tools we use, and the pitfalls we try to avoid when constructing these kinds of stories. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Brandon, Dan, Howard, and Mahtab Let's make history! In this episode we talk about doing exactly that—creating real-feeling histories for secondary world settings. We discuss the resources we turn to, the pitfalls we try to avoid, and the places where we think the history has been done really well. Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Dan, and Howard How do you decide between digging one really deep, narrow well, and digging one really wide, shallow ocean? In this episode we talk about our desires to build worlds which appear both vanishingly wide and unplumbably deep, when we have time to do neither. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Howard, Mary Robinette, Dan, and Dongwon "Positioning feels like the most important question in all of publishing." — DongWon Song In this episode we talk about how to ask and answer the question of positioning, which is "who is this book for?" Credits: This episode was recorded before a live audience aboard Liberty of the Seas by Bert Grimm, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Dan, and Howard, with special guest Jared Quan Jared Quan serves as a volunteer on several non-profit boards, and joined us to talk about the opportunities that exist for writers. Administration, leadership, writing and editing, and teaching are just a few of the many kinds of roles available for volunteers. Credits: This episode was recorded live at LTUE by Dan Thompson, and mastered by Alex Jackson.

Your Hosts: Brandon, Mary Robinette, Dan, and Howard Some science fiction and fantasy stories arise from a premise which, under even just rudimentary examination, appear utterly ridiculous. And some of these stories are hugely successful. In this episode we talk about how we manage our worldbuilding when the goal is less about building a world which works, and more about getting the audience to buy in on something outlandish so we can get on with our story. Liner Notes: "Went With The Wind" begins about two minutes into this full episode of the Carole Burnett Show Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson

Your Hosts: Brandon, Dan, Howard, and Mahtab How do we come up with names? How do we do it in ways that enhance our worldbuilding? What are the elements that give our invented naming schemes (even the zany ones with lots of syllables and apostrophes) verisimilitude? In this episode we talk about some of the tricks we've used, the pitfalls we've avoided, and conlangs in general. Liner Notes: In Episode 12.51 we discuss Conlangs ("constructed languages")with Dirk Elzinga. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Dan, and Howard The advice commonly given to writers is to worldbuild an iceberg, but only to show the reader the tip. This is still too much work. Icebergs are big. In this episode we talk about worldbuilding the tip of the iceberg, and then worldbuilding as little as possible of the rest of the iceberg so that the tip behaves correctly.

Your Hosts: Howard, Mary Robinette, Dan, and DongWon Authors have brands whether they want to have them or not. It's a simple principle of marketing, and the better we understand that principle, the better able we are to control how it affects our careers. In this episode we talk marketing, and freely use terms like "relationship marketing," "authentic experience," and "brand loyalty," despite the fact that sometimes these words make our inner artists cringe. Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson. 

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard How do you write a setting in which the status quo is one with which you deeply disagree? How do you create a conflict of this sort without being overtly pedantic or preachy? In this episode we talk about creating engaging worlds while worldbuilding around—and yes, over—landmines. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson