Writing Excuses

Your Hosts: Piper, Dan, and Tempest, with special guests Nisi Shawl and Silvia Moreno-Garcia Writing stories which feature people who are not like you is, in a word, difficult. In another word? Fraught. But good writers do difficult things, and in this episode Nisi Shawl and Silvia Moreno-Garcia join us to discuss how research can make "writing the other" less difficult, and perhaps even less fraught. Credits: This episode was recorded by Ross Smith, and mastered by Alex Jackson.  

Your Hosts: Mary Robinette, Dan, and Lari, with guest Alex Shvartsman Translation is fantastically complex. In this episode Lari and Alex help us navigate those complexities, both from the standpoint of the translator, and from the standpoint of the author seeking to have their work translated. Credits: This episode was mastered by Alex Jackson

Your Hosts: Piper, Dan, and Tempest, with special guest Nisi Shawl Whether you're writing about a real-world religion, or one you've created for your setting, there are numerous factors to be aware of. In this episode we discuss a few good and bad examples of depictions of religions, and the ways in which these examples can inform the way we approach our own projects. Credits: this episode was recorded by Ross Smith, and mastered by Alex Jackson

Your Hosts: Brandon, Victoria, Dan, and Howard What's it like to write under a deadline which has been set for your project by someone else? What strategies might help you bring the writing in under the deadline?  Can you train yourself to be ready for this? Those are all good questions. Hopefully we won't run out of time to come up with answers... Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson.

Your Hosts: Brandon, Mary Robinette, and Dan, with special guests Shannon and Dean Hale We've had several discussions about collaboration, and we've learned that the answer to "how do you collaborate with other authors" is different with each collaboration team we talk to. Shannon and Dean Hale have written fifteen books together, and in this episode they talk to us about how they do it. Credits: This episode was recorded by Joseph Meacham, and mastered by Alex Jackson

Your Hosts: Dan, Mary Robinette, Lari, and special guest Erin Roberts We've received a number of questions about the 'tools of the trade' for organizing our work, especially with regard to worldbuilding. In this episode we talk about what we use, including some old-school analog tools like sticky notes and ballpoint pens. Credits: this episode was recorded remotely, and mastered by Alex Jackson  

Your Hosts: Dan, Mary Robinette, Lari, and Erin How do you proceed when the story you want to write includes elements that make you personally uncomfortable?  In this episode we step out of our own comfort zones to examine this challenge, and to offer some strategies to you. Credits: This episode was recorded remotely, and mastered by Alex Jackson

Your Hosts: Brandon, Victoria, Dan, and Howard Many Writing Excuses listeners have asked us how we muscle through writing second acts, those big, chonky "middles" of our stories. In this episode we attempt to provide answers. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson. The title of this episode is a nod to the second Dirk Gently novel from Douglas Adams.

Your Hosts: Dan, Mary Robinette, and Lari, with special guest Erin Roberts Erin Roberts joins us for a discussion of short story markets—a topic which is very susceptible to "churn" because of the way short story markets come and go. We cover how to research and evaluate the various markets based on what you need from publication, and what you might reasonably expect from them. Credits: This episode was recorded remotely during the Great Isolation, and mastered by Alex Jackson.

Your Hosts: Dan, DongWon, Piper, and Howard You had questions for agents, Dongwon has answers! How do you go about becoming an agent? How do an agent and author work together? At what point do agent and author talk about the "sticky stuff?" Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson

Your Hosts: Brandon, Dan, and Howard, with special guest Laurell K. Hamilton We've all heard the "write what you know" rule. Laurell K. Hamilton joined us to talk about how she got started by writing what she wanted to know. In this episode we discuss our various paths to learning the things that fascinate us, and which we want to be able to write about. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Brandon, Dan, and Howard, with special guests Janci Patterson and Megan Walker Janci Patterson and Megan Walker joined us to talk about their pre-writing process, which involves role-playing in a room full of dioramas with Barbie dolls. As pre-writing processes go, this one was completely new to us, and we very quickly decided that we love it. Credits: this episode was recorded live at NASFIC by Dan Thompson, and mastered by Alex Jackson  

Your Hosts: Brandon, Victoria, Dan, and Howard Small evils? Yes, please! This episode isn't about writing the big villainy of world domination, but about focusing on the more relatable villainy of small evils—the little crimes, the minor antagonisms—which can be the key to connecting the reader to the book. Liner Notes: The deadly nightshade incident Howard described is something he mentioned on Twitter as well. If you need a concrete example of a small evil and/or an external cost, there it is! Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Brandon, Dan, and Howard, with special guest Eric Flint Eric Flint joined us at SpikeCon (host of the 2019 NASFIC) to talk about creating  alternate histories. His Ring of Fire book series is enormous in scope, and has many, many more people working on it than just Eric Flint. We get a bit of a peek behind the scenes, and a lot of great information about writing alternate histories of our own. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Brandon, Howard, and Dan with special guest David Weber David Weber joined us at NASFIC to talk about the importance of risking failure on any path (especially a writer's path) to success--whether you're risking rejection in the submission process, or the possibility that the book you write won't be the amazing thing you've been imagining. If you're currently feeling the need to be out of excuses, this episode might be exactly what you're looking for. Credits: This episode was recorded live at NASFIC by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, Dan, and Howard The MICE quotient is a tool for categorizing story elements—Milieu, Idea, Character, and Event—and we've talked about it quite a bit in the past. When a listener asked how we might use the MICE quotient to create, inform, manage, and otherwise help us "do" conflict in our stories, we were excited to start recording, and a bit bewildered that we'd somehow not already done this episode. Credits: This episode was recorded by Joseph Meacham, and mastered by Alex Jackson

Your Hosts: Brandon, Howard, and Dan, with special guest Jim Butcher Jim Butcher joined us at NASFIC for a discussion about how we can keep long-running serials engaging after numerous books. Credits: this episode was recorded before a live audience by Dan Thompson, and mastered by Alex Jackson

Your Hosts: Mary Robinette, Lari, and Dan, with special guest Jenn Court Let's talk about serials. Jenn Court, whose work includes lots of  writing for TV (IMDB link), joins us for the discussion. What are the elements that get us, as readers or viewers, to come back for episode after episode, and how do we, as writers, identify those elements and set about synthesizing them? Credits: This episode was mastered by Alex Jackson

Your Hosts: Brandon, Mary Robinette, and Dan, with Shannon and Dean Hale Shannon and Dean Hale join us again, this time to discuss how to effectively and convincingly write for¹ children. Children have their own unique sets of expectations for the books they read (as do their parents), and in this episode we talk about how to meet (or subvert) those. Credits: This episode was recorded by Joseph Meacham, and mastered by Alex Jackson ¹ "For," not "about." Shannon and Dean discussed writing ABOUT children last week.

Your Hosts: Brandon, Mary Robinette, and Dan, with Shannon and Dean Hale Shannon and Dean Hale join us to discuss how to effectively and convincingly write about¹ children. We cover dialog tools, point-of-view elements, stakes, and character 'quirks' that can help signal to the reader that a character is a child. Credits: This episode was recorded by Joseph Meacham, and mastered by Alex Jackson ¹ "About," not "for." Shannon and Dean join us again to discuss writing FOR children next week!